Pendragon Variety In Memory Of Dragons

An instant #1 New York Times bestseller! “Deonn writes…stories that humanize Black protagonists, like Bree, giving them agency and a place to both fail and, ultimately, to ascend.” —Booklist (starred review) The “worthy successor to an explosive debut” (Kirkus Reviews)—the New York Times bestselling and award-winning Legendborn—perfect for fans of Cassandra Clare and Margaret Rogerson! The shadows have risen, and the line is law. All Bree wanted was to uncover the truth behind her mother’s death. So she infiltrated the Legendborn Order, a secret society descended from King Arthur’s knights—only to discover her own ancestral power. Now, Bree has become someone new: A Medium. A Bloodcrafter. A Scion. But the ancient war between demons and the Order is rising to a deadly peak. And Nick, the Legendborn boy Bree fell in love with, has been kidnapped. Bree wants to fight, but the Regents who rule the Order won’t let her. To them, she is an unknown girl with unheard-of power, and as the living anchor for the spell that preserves the Legendborn cycle, she must be protected. When the Regents reveal they will do whatever it takes to hide the war, Bree and her friends must go on the run to rescue Nick themselves. But enemies are everywhere, Bree’s powers are unpredictable and dangerous, and she can’t escape her growing attraction to Selwyn, the mage sworn to protect Nick until death. If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them first—without losing herself in the process.

It is now 3000 years past the fall of Old Earth with the release of the Devil from the pit. This is the time of the Spirit and the lines between life and death are skewed. On a world submerged in civil war, one boy begins his quest for answers to a past he can't remember. He has the keys that unlock the reasons behind this war and a secret to saving a generation and a lost friend. Along the way Evron will learn about God, the Hunters (guardians of God) and his place in the universe. He will face his darkest fears and the worst the Dominion (the realm of Hell) has to offer.

Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as anable Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.

Known for over thirty years in the Soviet Union and Eastern Europe, the music of Estonian composer Veljo Tormis (born 1930) was not heard in the West until the 1990s. Tormis has written more than 200 choral works, an opera, a ballet/cantata, thirty film scores, vocal and instrumental chamber music, solo songs, and several orchestral pieces. Educated at the Tallinn and Moscow Conservatories, Tormis has integrated the techniques of 20th-century art music with the melodies of the regilaul or ancient Estonian folksong.Ancient Song Recovered: The Life and Music of Veljo Tormis is the first book in a Western language about a master of 20th-century choral music. The book includes chapters on Estonian history (Tormis's music helped inspire the national independence movement), the regilaul, and the Estonian choral tradition, followed by the biography and discussion of major works. Also included ia an article by a leading Estonian scholar as well as an article by and an interview with Tormis, all of which appear for the first time in English. A works list, CD discography, glossary of names, and CD of sound examples conclude this volume by musicologist and choral conductor Mimi S. Daitz. It will interest scholars of contemporary music, the general music public, and persons concerned with Soviet cultural history