Perceptions Of Pregnancy From The Seventeenth To The Twentieth Century

This multi-disciplinary collection brings together work by scholars from Britain, America and Canada on the popular, personal and institutional histories of pregnancy. It follows the process of reproduction from conception and contraception, to birth and parenthood. The contributors explore several key themes: narratives of pregnancy and birth, the patient-consumer, and literary representations of childbearing. This book explores how these issues have been constructed, represented and experienced in a range of geographical locations from the seventeenth to the twentieth century. Crossing the boundary between the pre-modern and modern worlds, the chapters reveal the continuities, similarities and differences in understanding a process that is often, in the popular mind-set, considered to be fundamental and unchanging.

This book offers the first in-depth investigation into the relationship between the National Birth Control Association, later the Family Planning Association, and contraceptive science and technology in the pre-Pill era. It explores the Association’s role in designing and supporting scientific research, employment of scientists, engagement with manufacturers and pharmaceutical companies, and use of its facilities, patients, staff, medical, scientific, and political networks to standardise and guarantee contraceptive technology it prescribed and produced. By taking a micro-history approach to the archives of the Association, this book highlights the importance of this organisation to the history of science, technology, and medicine in twentieth-century Britain. It examines the Association’s participation within Western family planning networks, working particularly closely with its American counterparts to develop chemical and biological means of testing contraception for efficacy, quality, and safety.

The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.

In October 1726, newspapers began reporting a remarkable event. In the town of Godalming in Surrey, a woman called Mary Toft had started to give birth to rabbits. Several leading doctors - some sent directly by King George I - travelled to examine the woman and she was moved to London to be closer to them. By December, she had been accused of fraud and taken into custody. Mary Toft's unusual deliveries caused a media sensation. Her rabbit births were a test case for doctors trying to further their knowledge about the processes of reproduction and pregnancy. The rabbit births prompted not just public curiosity and scientific investigation, but also a vicious backlash. Based on extensive new archival research, this book is the first in-depth re-telling of this extraordinary story. Karen Harvey situates the rabbit-births within the troubled community of Godalming and the women who remained close to Mary Toft as the case unfolded, exploring the motivations of the medics who examined her, considering why the case attracted the attention of the King and powerful men in government, and following the case through the criminal justice system. The case of Mary Toft exposes huge social and cultural changes in English history. Against the backdrop of an incendiary political culture, it was a time when traditional social hierarchies were shaken, relationships between men and women were redrawn, print culture acquired a new vibrancy and irreverence, and knowledge of the body was remade. But Mary Toft's story is not just a story about the past. In reconstructing Mary's physical, social and mental world, The Imposteress Rabbit Breeder allows us to reflect critically on our own ideas about pregnancy, reproduction, and the body through the lens of the past.

In western societies today, it goes almost without saying that sex and consumption are closely related. On the one hand, there is a plethora of commercial goods and services that shape sexual desires, and practices. On the other, there are scarcely any products or services that do not lend themselves to sexually charged advertising and mass media communication. This volume focuses on forms of hybridization of these equally suggestive notions.

This book challenges the widespread scholarly and popular belief that the Irish Civil War (1922–1923) was followed by a ‘traumatic silence’. It achieves this by opening an alternative archive of published testimonies which were largely produced in the 1920s and 1930s; testimonies were written by pro- and anti-treaty men and women, in both English and Irish. Nearly all have eluded sustained scholarly attention to date. However, the act of smuggling private, painful experience into the public realm, especially when it challenged official memory making (or even forgetting), demanded the cautious deployment of self-protective narrative strategies. As a result, many testimonies from the Irish Civil War emerge in non-conventional, hybridised and fictionalised forms of life writing. This book re-introduces a number of these testimonies into public debate. It considers contemporary understandings of mental illness and how a number of veterans – both men and women – self-consciously engaged in projects of therapeutic writing as a means to ‘heal’ the ‘spiritual wounds’ of civil war. It also outlines the prevalence of literary representations of revolutionary sexual violence, challenging the assumptions that sexual violence during the Irish revolution was either ‘rare’ or ‘hidden’.

‘Fascinating and moving.' - Adam Kay, author of This is Going to Hurt A BBC Radio 4 A Good Read choice This is a story about the cutting-edge medicine that has saved a generation of babies. It's about the love and fear a parent feels for a child they haven’t yet met. It's about doctors, mothers, fathers and babies as together they fight for the first breath. The First Breath is a book about motherhood and medicine. Olivia Gordon decided to find out how, exactly, modern science saved her son’s life. Crossing medical memoir with popular science, The First Breath is an investigation into the pioneering fetal and neonatal care bringing a new generation into the world, who would not have lived if they had been born only a few decades ago. The First Breath explores the female experience of medicine and details the relationship mothers develop with doctors who hold not only life and death in their hands, but also the very possibility of birth. From the dawn of fetal medicine to neonatal surgery and the exploding field of perinatal genetics, The First Breath tells of fear, bravery and love. Olivia Gordon takes the reader behind the closed doors of the fetal and neonatal intensive care units, resuscitation rooms and operating theatres at some of the world’s leading children’s hospitals, unveiling the untold story of how doctors save the sickest babies.

Being Single in Georgian England is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a micro-historical approach, Amy Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The Sharps' exceptional closeness and good humor consistently shines through as their experiences reveal how eighteenth-century families navigated gender and age hierarchies, marital choices, and household governance. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humor, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory. The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centered on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavors could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property. Ultimately, the Sharp siblings' remarkable lives and the single family members' efforts to preserve a record of those lives, show the enduring contribution of unmarried people to family relationships and household dynamics.