Percy Bysshe Shelley S Ode To The West Wind A Discussion

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz (Seminar für Englische Philologie, Abteilung Anglistik), course: English Romanticism, language: English, abstract: This seminar paper will discuss Percy Bysshe Shelley's poems "Ode to the West Wind". The ode written in 1819 is probably "... the best known of his poems, ..." Among the English romantic poets Shelley (1792- 1822) occupies the role of a revolutionary. He was a political visionary committed to social change and progress. During his whole life he defended an ideal and extreme political position towards institutions, Christianity, state, marriage, trade etc. This attitude also influenced his poetry: it was visionary, too. Its aim was to show the people the way to freedom and happiness. The task of this paper is to show the important features of the 'Ode to the West Wind' and to demonstrate in which way the 'Ode to the West Wind' supports Shelley's image of a visionary. First the formal aspects of the poem will be discussed in detail. Then the poem is going to be interpreted. After the conclusion it will be explained how Shelley renewed the English ode and why the poem falls under the category of romantic literature.

Treasury of 37 well-known and representative poems by great Romantic poet includes "Ode to the West Wind," "To a Skylark," "Adonais," "Ozymandias," "Hymn to Intellectual Beauty," many more. Lists of titles and first lines.

"Ode to the West Wind" is a poem by English Romantic poet Percy Bysshe Shelley (1792-1822). Gale Group, Inc., a division of the Thomson Corporation, presents the full text of this poem as part of Poet's Corner, a resource featuring biographies of poets, poems, commentaries, poetry activities, and more. Access to biographical information about Shelley is also provided.

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Heidelberg, 13 entries in the bibliography, language: English, abstract: Percy Bysshe Shelley is one of the most famous Romantic poets of the 19th century. Throughout his life he has written a lot of works that impressed people. One of these works is the poem 'Ode to the West Wind' which was written in 1819. This paper is about 'Ode to the West Wind' and gives information on it, such as its outer appearance. It focuses on how Shelley describes the 'wind' and which symbols he uses in this poem. First some information about the term 'ode' itself. The ode is a lyric poem with great length that deals with a "lofty theme in a dignified manner ". There are three types of English odes: the Pindaric, the Cowley and the Horation ode. The Pindaric Ode is a ceremonious poem with Pindar's style. Pindar was "a Greek professional lyrist of the 5th century BC. He employed the triadic structure of Stesichorus, [...] consisting of a strophe [...] followed by a metrically harmonious antistrophe, concluding with a summary line in a different metre. " The most important odes were those of Abraham Cowley and Andrew Marvell. Marvell, for example, used "a simple and regular stanza [...] modelled on Horace" with the rhyme scheme aabb; the first two lines had four stresses, whereas the last two lines had only three stresses. Cowley wrote Pindaric odes "which had irregular patterns of line lengths and rhyme schemes, though they were iambic." Shelley's Ode is of the Horation type; in it he describes the activities of the west wind on earth, on the sea and also in the sky. He also expresses "his envy for the boundless freedom of the west wind, and his wish to be free like the wind and to scatter his words among mankind".

Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.