Performing Identities And Utopias Of Belonging

Performing Identities and Utopias of Belonging consists of sixteen essays, reflecting the current conflicted debate on the ontology, constructiveness and affect of categories of ascribed social identity such as gender, ethnicity, race and nation, in the context of British, Irish and North American cultural landscapes. They address the many ways in which these communities of belonging are imagined, iterated, performed, questioned, and deconstructed in literature, cinema and visual culture; they also support or counter claims about the enhanced value of social identity in the expression of the self in the light of the present debates that surround the contested post-identity turn in cultural studies. Significantly, they also address the role of social identity in the field of utopian and dystopian thought, focusing on the projection of imagined futures where alternative means of conceiving ascribed identity are conceptualized. The contributions are shaped by a plurality of approaches and theoretical discourses, and come from both established and emerging scholars and researchers from Europe and beyond. The collection is structured in three sections – the politics of (un)belonging, deconstructing utopian and cultural paradigms, and performing identities in the visual arts – which organize the multidisciplinary discussions around specific nuclei of interrogations.

The idea of Utopia springs from a natural desire of transformation, of evolution pertaining to humankind and, therefore, one can find expressions of “utopian” desire in every civilization. Having to do explicitly with human condition, Utopia accompanies closely cultural evolution, almost as a symbiotic organism. Maintaining its roots deeply attached to ancient myths, utopian expression followed, and sometimes preceded cultural transformation. Through the next almost five hundred pages (virtually one for each year since Utopia was published) researchers in the fields of Architecture and Urbanism, Arts and Humanities present the results of their studies within the different areas of expertise under the umbrella of Utopia. Past, present, and future come together in one book. They do not offer their readers any golden key. Many questions will remain unanswered, as they should. The texts presented in Proportion Harmonies and Identities - UTOPIA(S) WORLDS AND FRONTIERS OF THE IMAGINARY were compiled with the intent to establish a platform for the presentation, interaction and dissemination of researches. It aims also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different utopian visions and readings relevant to the arts, sciences and humanities and their importance and benefits for the community at large.

The texts presented in Proportion Harmonies and Identities (PHI) - Progress(es) - Theories and Practices were compiled with the intent to establish a platform for the presentation, interaction and dissemination of research. It aims also to foster the awareness of and discussion on the topics of Harmony and Proportion with a focus on different progress visions and readings relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, Technology and their importance and benefits for the community at large. Considering that the idea of progress is a major matrix for development, its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

The texts presented in Proportion Harmonies and Identities (PHI) - MODERNITY, FRONTIERS AND REVOLUTIONS were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction and dissemination of research. It also aims to foster awareness of and discussion on the topics of Harmony and Proportion with a focus on different visions relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, and their importance and benefits for the sense of both individual and community identity. The idea of modernity has been a significant driver of development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

Black Neo-Victoriana is the first book-length study on contemporary re-imaginations of Blackness in the long nineteenth century. Contributions engage with novels, drama, film, television and material culture, while also covering cultural formations such as Black fandom, Black dandyism, or steamfunk.

Unlike previous efforts that have only addressed literary twinship as a footnote to the doppelganger motif, this book makes a case for the complexity of literary twinship across the literary spectrum. Shortlisted for the ESSE Book Award 2022 (Literatures in the English Language), it shows how twins have been instrumental to the formation of comedies of mistaken identity, the detective genre, and dystopian science fiction. The individual chapters trace the development of the category of twinship over time, demonstrating how the twin was repeatedly (re-)invented as a cultural and pathological type when other discursive fields constituted themselves, and how its literary treatment served as the battleground for ideological disputes: by setting the stage for debates regarding kinship and reproduction, or by partaking in discussions of criminality, eugenic greatness, and ‘monstrous births’. The book addresses nearly 100 primary texts, including works of Mary Elizabeth Braddon, Wilkie Collins, Charles Dickens, Arthur Conan Doyle, Aldous Huxley, Christopher Priest, William Shakespeare, and Zadie Smith.

Identity and Belonging examines the interplay between self and society and in doing so explores the complex nature of 'who we are' and 'how we come to be' as individuals and as members of various social groups. Investigating issues of identity and belonging as they emerge in contemporary social life and under conditions of globalisation, the book focuses on continuity and change in the formation of identities and communities. Through a variety of examples and case studies, the chapters discuss how elements such as ethnicity, class, gender and sexuality intersect and are experienced both locally and transnationally. As a modern guide to some classic themes and key thinkers in the discipline of sociology, this accessible text can be used to introduce core topics of identity, social divisions and globalisation, as well as to investigate in detail more specific themes and issues such as migration, consumption and digital media. It is a useful and comprehensive resource for both undergraduate and postgraduate students of sociology and related disciplines.

This book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities.