Peter Rose

Cambridge, Massachusetts-based architect Peter Rose has built on every scale during the first three decades of his practice. High-profile projects, such as his master plan for the Montreal waterfront and his award-winning Canadian Centre for Architecture in Montreal have brought him both public recognition and the respect of his peers. Besides being known for his artisan's love of solid building materials, craftsmanship, and old-fashioned building methods, it is perhaps no surprise that his residential projects function as laboratories for new ideas. Peter Rose: Houses presents five such houses in complete detail from client collaboration and site evaluation to construction. Rose draws inspiration from the outward simplicity and order of houses of the past but recognizes that their quiet strength depends on a complexity that comes only from thoughtful consideration of site, plan, exterior, and details. Rose insists on a close collaboration with his clients, who come to him because of his reputation for deliberately restrained, livable homes in harmony with the landscape. These residences and second homeson Martha's Vineyard, in New York City, Vermont, and Connecticutare masterful combinations of light, texture, and weight. They are an exquisite fusion of the natural and the man-made, of craft and architecture.

Robert Rose was a promising cricketer and footballer in the mould of his father, Bob, Collingwood's greatest player. Robert's brother, Peter, was on the way to a literary career as a poet and later a publisher. On St Valentine's Day in 1974 a terrible car accident changed the Roses forever. For the next quarter century Robert Rose lived as a quadriplegic. Rose Boys is Peter Rose's portrait of his brother. It is a heartbreaking account of a family united and ravaged by misfortune: a story of love, courage and endurance. This bestselling memoir comes with a new introduction by Brian Matthews. Peter Rose grew up in Wangaratta, Victoria, and is principally known as a poet and memoirist. His first book of poetry, The House of Vitriol, appeared in 1990. His fifth collection, Crimson Crop, won a Queensland Literary Award in 2012. In 2001 he published a family memoir, Rose Boys, about his late brother Robert, who was an outstanding sportsman before a car accident left him a quadriplegic. Rose Boys was a bestseller and won the 2003 National Biography Award. Rose is also the author of two novels, A Case of Knives (2005) and Roddy Parr (2010). He has twice edited the annual anthology The Best Australian Poems and is a frequent reviewer; his literary journalism has appeared in many publications. Throughout the 1990s he was a publisher at Oxford University Press. Since 2001 he has been editor of Australian Book Review. 'A book of immense emotional force that is a eulogy to his brother, a tribute to his parents and a powerful demonstration of the redemptive quality of suffering.' Meanjin 'A deeply felt, passionately uplifting story.' Weekend Australian 'A deep family story of suffering, love and passionate devotion, richly and freshly told.' Helen Garner 'Rose Boys is an intimate and moving - though never maudlin - story of familial love...often simple, sometimes rich and lyrical, and always cliche free.' Time 'I'm not sure when I last came across someone who has written so powerfully about death.' Martin Flanagan, Age

In this ambitious and venturesome book, Peter W. Rose applies the insights of Marxist theory to a number of central Greek literary and philosophical texts. He explores major points in the trajectory from Homer to Plato where the ideology of inherited excellence—beliefs about descent from gods or heroes—is elaborated and challenged. Rose offers subtle and penetrating new readings of Homer's Iliad and Odyssey, Pindar's Tenth Pythian Ode, Aeschylus's Oresteia, Sophokles' Philoktetes, and Plato's Republic. Rose rejects the view of art as a mere reflection of social and political reality—a view that is characteristic not only of most Marxist but of most historically oriented treatments of classical literature. He applies instead a Marxian hermeneutic derived from the work of the Frankfurt School and Fredric Jameson. His readings focus on illuminating a politics of form within the text, while responding to historically specific social, political, and economic realities. Each work, he asserts, both reflects contemporary conflicts over wealth, power, and gender roles and constitutes an attempt to transcend the status quo by projecting an ideal community. Following Marx, Rose maintains that critical engagement with the limitations of the utopian dreams of the past is the only means to the realization of freedom in the present. Classicists and their students, literary theorists, philosophers, comparatists, and Marxist critics will find Sons of the Gods, Children of Earth challenging reading.

A “wonderful” account of the raising of a sixteenth-century warship, and answers to the long-running mysteries surrounding her loss (Naval Historical Foundation). In 1982, a Tudor Navy warship was raised in a major salvage project that represented a landmark in maritime archaeology. The Mary Rose had spent over four centuries underwater, and contained the skeletons of numerous sailors as well as many fascinating artifacts of the time. She is more than a relic, however. She has a story to tell, and her sinking in the Solent while under attack by the French, and the reasons for it, have intrigued historians for generations. With the benefit of access to her remains, archaeologists have been able to slowly unravel the mystery of her foundering on a calm summer’s day in July 1545. This new book by a leading expert on the Mary Rose contains much information that is published for the first time. It provides the first full account of the battle in which Henry VIII’s warship was sunk, and tells the stories of the English and French admirals. It examines the design and construction of the ship and how she was used, and finally makes clear who was responsible for the loss of the Mary Rose, after describing what happened onboard, deck by deck, in her last moments afloat. Includes photographs

Peter Schneider challenges the notorious myth that roses are difficult to grow, arguing that it’s all about choosing the right petals for the right place! Providing in-depth profiles of hundreds of varieties, Schneider helps you decide which roses will work best in your flower bed or along an eye-catching garden trellis. Simple instructions that use proven techniques make growing roses easy and enjoyable, even in colder climates, while more than 400 gorgeous photos make this book as visually irresistible as it is useful.

This book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan, the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others.

Japanese edition of Rose's Garden. Young Rose sails the globe in her tea pot collecting seeds, finally finding a spot in Boston to start her flower garden, but nothing happens. Inspired by her energy the community bring paper flowers. Finally real flowers sprout to the joy of all. In Japanese. Distributed by Tsai Fong Books, Inc.