Picturing Yiddish

This is the first comprehensive study of the images in five profusely illustrated Yiddish books from sixteenth-century Italy: a manuscript of Jewish customs, and four printed volumes - two books of customs, a chivalric romance, and a book of fables.

This is the first comprehensive study of the images in five profusely illustrated Yiddish books from sixteenth-century Italy: a manuscript of Jewish customs, and four printed volumes - two books of customs, a chivalric romance, and a book of fables.

Did you know that Yiddish is written in Hebrew letters but pronounced more like German? Introduce your kids to their mama loshen (mother tongue) and open the door to their cultural heritage! The basic Yiddish vocabulary includes more than 150 words for family members, objects in the home and school, colors and numbers. Each concept is presented with a bright picture, the Yiddish word, and the translation and transliteration. The once-thriving language, spoken by millions, is undergoing a revival, and kids will enjoy learning to speak the colorful tongue.

Children have occupied a prominent place in Yiddish literature since early modern times, but children’s literature as a genre has its beginnings in the early 20th century. Its emergence reflected the desire of Jewish intellectuals to introduce modern forms of education, and promote ideological agendas, both in Eastern Europe and in immigrant communities elsewhere. Before the Second World War, a number of publishing houses and periodicals in Europe and the Americas specialized in stories, novels and poems for various age groups. Prominent authors such as Yankev Glatshteyn, Der Nister, Joseph Opatoshu, Leyb Kvitko, made original contributions to the genre, while artists, such as Marc Chagall, El Lissitzky and Yisakhar Ber Rybak, also took an active part. In the Soviet Union, meanwhile, children’s literature provided an opportunity to escape strong ideological pressure. Yiddish children’s literature is still being produced today, both for secular and strongly Orthodox communities. This volume is a pioneering collective study not only of children’s literature but of the role played by children in literature.

A survey of Jewish women’s history from biblical times to the twenty-first century.

In A Collage of Customs, Mark Podwal's imaginative and inventive interpretations of woodcuts from a 16th-century Sefer Minhagim (Book of Customs) allow readers of this volume to see these historic images in a new light. Podwal brings humor and whimsy to religious objects and practices, while at the same time delivering profound and nuanced commentary on Jewish customs and history, both through his art, and through his insightful accompanying text. The book appears in concert with an exhibition of Podwal's renderings at the Cincinnati Skirball Museum.

Jean Baumgarten's Introduction to Old Yiddish Literature, thoroughly revised from the first edition and translated into English, provides students and scholars of medieval, Renaissance, and early modern European cultures with an exemplary survey of the broad and deep literary tradition in Yiddish. Baumgarten conceives of his work as the study of an entire culture via its literature, and thus he conceives of literature in a broad sense: he begins with four chapters addressing pertinent issues of the larger cultural context of the literature and moves on to a consideration of the primary genres in which the culture is expressed (epic, romance, prose narrative, drama, biblical translation and commentary, ethical and moral treatises, prayers, and the broad range of literature of daily use - medical, legal, and historical). In the field of early Yiddish studies the book will be the standard of intellectual breadth and scholarly excellence for decades to come. In this second edition, the hundreds of text citations and bibliographical references that are the scholarly basis of the study have been verified, and the citations translated anew directly from the original source.

Judah ben Joseph Moscato (c.1533–1590) was one of the most distinguished rabbis, authors, and preachers of the Italian-Jewish Renaissance. This volume is a record of the proceedings of an international conference, organized by the Institute of Jewish Studies at Halle-Wittenberg (Germany), and Mantua’s State Archives. It consists of contributions on Moscato and the intellectual world in Mantua during the 16th and 17th centuries.