Pilgrim Letters

In Pilgrim Letters, Curtis Freeman takes disciples on a contemporary journey into an ancient faith. The book is a series of letters written by "Interpreter" to "Pilgrim" that provide "instruction in the basic teaching of Christ" for candidates preparing to be baptized. The letters are framed by a short catechism based on the six principles enumerated in Hebrews 6:1-2--(1) repentance, (2) faith, (3) baptism, (4) laying on of hands, (5) resurrection, and (6) eternal judgment. The letters lead Pilgrim (the disciple/catechumen/baptismal candidate) step by step through the basics of Christian faith. Each letter explores one of the principles by providing a simple explanation and setting the practice within a broad biblical, historical, and theological context. The theological tenor of the letters is evangelical-catholic, free church-ecumenical, and ancient-future. A set of discussion questions follows each letter as does a short bibliography for further reading. Each letter begins with an image from William Blake's illustrations of John Bunyan's The Pilgrim's Progress and exemplifying the subject of the letter, followed by an epigraph from the story that fits into the themes of the catechism.

In Pilgrim Letters, Curtis Freeman takes disciples on a contemporary journey into an ancient faith. The book is a series of letters written by "Interpreter" to "Pilgrim" that provide "instruction in the basic teaching of Christ" for candidates preparing to be baptized. The letters are framed by a short catechism based on the six principles enumerated in Hebrews 6:1-2--(1) repentance, (2) faith, (3) baptism, (4) laying on of hands, (5) resurrection, and (6) eternal judgment. The letters lead Pilgrim (the disciple/catechumen/baptismal candidate) step by step through the basics of Christian faith. Each letter explores one of the principles by providing a simple explanation and setting the practice within a broad biblical, historical, and theological context. The theological tenor of the letters is evangelical-catholic, free church-ecumenical, and ancient-future. A set of discussion questions follows each letter as does a short bibliography for further reading. Each letter begins with an image from William Blake's illustrations of John Bunyan's The Pilgrim's Progress and exemplifying the subject of the letter, followed by an epigraph from the story that fits into the themes of the catechism.

This volume presents 1,592 letters, 668 of them previously unpublished, for the years 1850 to 1852. This was a time of great activity for Dickens, who completed the serial publication of David Copperfield, began work on Bleak House, successfully established the weekly Household Words (in which his own serial A Child's History of England appeared), and wrote about 100 articles and stories for the journal, including many uncollected pieces. In April 1851 he and Sir Edward Bulwer Lytton founded the Guild of Literature and Art, a scheme to help writers and artists. He also suffered a number of personal blows: the deaths of his father, his baby daughter Dora, and two of his close friends, Richard Watson and Alfred D'Orsay; there was also anxiety over the illness of his wife Catherine.

On a journey that would take him deep into the wilderness, the author sets out in the footsteps of St Anthony, the founder of monasticism. In a hermit's cell in the heart of the Egyptian Sinai Desert, he lived alone. This book contains letters which are an honest exploration of the ways in which we are formed by others.

What was it like to be Charles Dickens? His letters are the nearest we can get to a Dickens autobiography: vivid close-up snapshots of a life lived at maximum intensity. This is the first selection to be made from the magisterial twelve-volume British Academy Pilgrim Edition of his letters. From over fourteen thousand, four hundred and fifty have been cherry-picked to give readers the best essence of 'the Sparkler of Albion'. Dickens was a man with ten times the energy of ordinary mortals. There seem to have been twice the number of hours in his day, and he threw himself into letter-writing as he did into everything else. This eagerly awaited selection takes us straight to the heart of his life, to show us Dickens at first hand. Here he is writing out of the heat of the moment: as a novelist, journalist, and magazine editor; as a social campaigner and traveller in Europe and America, and as friend, lover, husband, and father. Reading and writing letters punctuated the rhythms of Dickens's day. 'I walk about brimful of letters', he told a friend. He claimed to write 'at the least, a dozen a day'. Sometimes it was a chore but more often a pleasure: an outlet for high spirits, sparkling wit, and caustic commentary - always as seen through his highly individual and acutely observing eye. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

These letters of a man deeply concerned about his country, directly involved in political action, and torn, as the Civil War approached, by the conflict between his abolitionist zeal and his Quaker pacifism--letters here collected for the first time and many of them hitherto unpublished--shatter the stereotype of Whittier as "the good gray poet." The many letters to such figures as John Quincy Adams, Charles Sumner, and William Lloyd Garrison form a detailed record of the abolitionist movement from its inception to its merging with the Free Soil party in the 1850s. The first two volumes reproduce all the extant letters from 1828 to 1860, with full annotations. The last volume is selective, excluding several thousand perfunctory items and including only the historically or biographically interesting letters of the last three decades of the poet's life.