Pinkerton And Friends

For more than thirty years, Steven Kellogg has been delighting young readers with his bright, lively books full of feisty imagination and silliness --and always perfectly expressing children's thoughts and dreams. As his friend Helen Hunt says in her introduction to this treasury, Steven's books "give voice and bring humor to the mischievous in all of us." Because of that, Steven Kellogg has become one of our most loved picture book creators. For the first time, here is a treasury of Steven's books, including many of his bestsellers (The Mysterious Tadpole, The Island of the Skog, Jimmy's Boa, Best Friends and others) and several little-known books that have been unavailable for many years. In all, eleven books are included--eleven gems to pore over again and again. And as an added bonus, there is also a biographical profile of Steven, complete with many photos and even some never-before-seen sketches. This is a compendium for every child--those who already love Steven Kellogg's books, and those who are soon to love them.

Pinkerton is teething and nothing is safe! When his owner sneaks him into the dinosaur museum, can Pinkerton resist chomping on that great big dino-bone? Full-color illustrations. Copyright © Libri GmbH. All rights reserved.

Pinkerton seems lonely. So his young owner goes to the pet show to find him a friend. She returns with a kitten named Rose, who could be the ideal playmate for Pinkerton. But Rose has ideas of her own. She wants to be a Great Dane, and suddenly Pinkerton decides to start acting like a kitten. So Pinkerton, Rose and their owners go back to the pet show to seek professional advice, but what results is a crazy and comical adventure! "A zesty tale that is delivered with splendid flourish . . . Funny and well-paced [with] dexterous illustrations." (Booklist, starred review)

Pinkerton doesn't understand his owner’s commands. When told to come, he jumps out the window. When asked to fetch, he destroys the slippers instead. Pinkerton’s desperate owners take him to obedience school, but he flunks out in record time. Then one night a burglar breaks into their house, and Pinkerton is able to put his bad habits to good use. This silly charmer of a story was included on the Booklist and Horn Book best of the year lists and inspired four sequels about the impossibly clueless but irresistibly sweet Pinkerton. Now, in honor of its 35th anniversary, Steven Kellogg has updated the art and text (most notably removing the gun that appeared in the original edition), and has written an introductory note about the book’s history.

Scholars have long described modernism as "heretical" or "iconoclastic" in its assaults on secular traditions of form, genre, and decorum. Yet critics have paid surprisingly little attention to the related category of blasphemy--the rhetoric of religious offense--and to the specific ways this rhetoric operates in, and as, literary modernism. United by a shared commitment to "the word made flesh," writers such as James Joyce, Mina Loy, Richard Bruce Nugent, and Djuna Barnes made blasphemy a key component of their modernist practice, profaning the very scriptures and sacraments that fueled their art. In doing so they belied T. S. Eliot's verdict that the forces of secularization had rendered blasphemy obsolete in an increasingly godless century ("a world in which blasphemy is impossible"); their poems and fictions reveal how forcefully religion endured as a cultural force after the Death of God. More, their transgressions spotlight a politics of religion that has seldom engaged the attention of modernist studies. Blasphemy respects no division of church and state, and neither do the writers who wield it to profane all manner of coercive dogmas--including ecclesiastical as well as more worldly ideologies of race, class, nation, empire, gender, and sexuality. The late-century example of Salman Rushdie's The Satanic Verses affords, finally, a demonstration of how modernism persists in postwar anglophone literature and of the critical role blasphemy plays in that persistence. Blasphemous Modernism thus resonates with the broader cultural and ideological concerns that in recent years have enriched the scope of modernist scholarship.

After dreaming that he is the father of a penguin egg, Pinkerton mistakes a football for a real egg, resulting in chaos all over town.

Follow a colorful blob of modeling dough as it forms a ball, rolls into a snake, coils into a pot, and more in this adorable board book! In this charming story, children can learn the simple lesson that change is a constant--and they can learn it through art and play! The straightforward narrative paired with quirky visual humor makes this the perfect board book for budding creative kids.

Pinkerton the pig always manages to be first until he rushes for a sandwich and it turns out not to be the edible kind.