Placing London

London continues to fascinate a vast audience across the world, and an extensive, diverse literature now exists describing and analyzing this metropolis. The central question - what is London? - has produced many answers but none of them, the author argues, uncovers the complex ways in which knowledge is constructed in the diverse attempts to represent places and people. On the contrary: a gulf has opened up between analysis of contemporary London as a global, postcolonial city, on the one hand, and historical accounts of the imperial capital on the other. The author shows how the gap can be bridged by combining an analysis of the representation over time by various experts of London and certain localities with an investigation of the ways in which residents have represented their communities through struggles over symbolic and material resources.

Ever wondered if Cheapside really is cheap, what you do in Threadneedle Street, or who the knights of Knightsbridge were? Did you know that Piccadilly is actually an insult? And that Euston Road was built because there were too many cows on Oxford Street? Or that the River Fleet was covered over partly because of a drunken butcher? Take a trip down narrow lanes, through cobbled streets and crowded markets to discover the meanings behind the city’s place names. Meet forgotten residents whose names survive in the places where they lived, such as Sir George Downing of Downing Street, and uncover tales from London’s murky past that have shaped the modern city. From famous landmarks to forgotten rivers, grand thoroughfares to lost palaces, and ancient villages swallowed up as the city grew, Caroline Taggart explains the hidden meanings behind familiar places. If you have ever wanted to learn more about the history of London and discover the people, events and stories that shaped our capital city, then come on a journey that will show you London in a new light...

In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics. She situates their experience within a broader context of Black imperial and diasporic political participation, and examines the pushback-both legal and physical-that the migrants' presence provoked. Bringing together a variety of sources including calypso music, photographs, migrant narratives, and records of grassroots Black political organizations, London Is the Place for Me positions Black Britons as part of wider public debates both at home and abroad about citizenship, the meaning of Britishness and the politics of race in the second half of the twentieth century.

Black people in the British Empire have long challenged the notion that "there ain't no black in the Union Jack." For the post-World War II wave of Afro-Caribbean migrants, many of whom had long been subjects of the Empire, claims to a British identity and imperial citizenship were considered to be theirs by birthright. However, while Britain was internationally touted as a paragon of fair play and equal justice, they arrived in a nation that was frequently hostile and unwilling to incorporate Black people into its concept of what it meant to be British. Black Britons therefore confronted the racial politics of British citizenship and became active political agents in challenging anti-Black racism. In a society with a highly racially circumscribed sense of identity-and the laws, customs, and institutions to back it up-Black Britons had to organize and fight to assert their right to belong. In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics. She situates their experience within a broader context of Black imperial and diasporic political participation, and examines the pushback-both legal and physical-that the migrants' presence provoked. Bringing together a variety of sources including calypso music, photographs, migrant narratives, and records of grassroots Black political organizations, London Is the Place for Me positions Black Britons as part of wider public debates both at home and abroad about citizenship, the meaning of Britishness and the politics of race in the second half of the twentieth century. The United Kingdom's postwar discriminatory curbs on immigration and explosion of racial violence forced White Britons as well as Black to question their perception of Britain as a racially progressive society and, therefore, to question the very foundation of their own identities. Perry's examination expands our understanding of race and the Black experience in Europe and uncovers the critical role that Black people played in the formation of contemporary British society.

A unique gazetteer that clearly explains the fascinating origins and meanings behind the names of over 1,700 places, streets, and areas within the English capital, including the Greater London Boroughs. It also features maps, an extended introduction on the development of these place-names, a detailed glossary, and recommended web links.

London continues to fascinate a vast audience across the world, and an extensive, diverse literature now exists describing and analyzing this metropolis. The central question - what is London? - has produced many answers but none of them, the author argues, uncovers the complex ways in which knowledge is constructed in the diverse attempts to represent places and people. On the contrary: a gulf has opened up between analysis of contemporary London as a global, postcolonial city, on the one hand, and historical accounts of the imperial capital on the other. The author shows how the gap can be bridged by combining an analysis of the representation over time by various experts of London and certain localities with an investigation of the ways in which residents have represented their communities through struggles over symbolic and material resources.

This book focuses on how Latin American people and cultural practices have moved from one continent to another, and specifically to London. How do Latin Americans experience such a process and what part do different people play in the re-making of Latin identities in the neighbourhoods, parks, bars and dance clubs of London? Through a critical engagement with theories of globalization, the geography of power, cultural identity and the transformation of places, the book explores how the formation of Latin identities is directly related to wider social, economic and political processes. Drawing on the voices of migrant peoples, community activists, shop owners, sports organizers, club owners, dancers, dance teachers, musicians and disc jockeys, the book argues that the micro movements of people - through a shopping mall or across a dance floor in a club - are directly connected to global processes involving the regulated movement of citizens, sounds and images across national boundaries and through cities.