Plaited Basketry With Birch Bark

For centuries people have marveled over the beauty of plaited basketry; now readers can actually learn the skill and artistry of this craft in the comfort of their own homes. Scholar, artisan, and teacher Vladimir Yarish created all of the birch bark baskets for this book after scouring museums and archeological sites all around the world. This definitive guide focuses on the history and myriad traditional uses of birch bark, as well as general instructions for basket-making and plaiting. Get hands-on with 18 birch bark projects, both decorative and useful, including a rectangular tray, small basket with three-part braid, or an oval basket with curls. Finally, in the gallery section, take a look at plaited baskets by various artists using contemporary materials.

With its irresistible combination of form and function, wicker basketry has captivated artisans for hundreds of years. Use these timeless techniques to make elegant and practical baskets for modern use. Whether you are a beginner or experienced weaver, illustrated step-by-step instructions offer a range of techniques and tips for making both round and oval bases, making handles, preparing to weave, and adding color. Projects include a simple plant basket, a bread basket with beads, a lidded sewing basket, and a large double-handled shopping basket. A glossary of basketry terms, a listing of suppliers, and instructions for designing your own basket is included. This book is great for weavers and crafters of all skill.

A collection of 10 easy-to-follow instructional manuals for accomplishing a variety of skills and crafts related to living in Alaska using traditional methods. Written by Native experts in conjunction with the Alaska Adult Literacy Project. Each volume includes step-by-step instructions and illustrations.

With its graceful silhouette and distinctive white bark, the birch tree has been important to people wherever it has grown. This book covers all aspects of the North's most versatile tree—from its biology and ecology to its different uses, craft applications, and legends. Some of the lore revealed includes birch's role as a Welsh token of love and its mysterious connection with witches' brooms. In addition to learning about how the wood is used in baskets, shoes, and wood coverings, readers can also make more than 15 craft projects from instructions in the book, including folded bark baskets, carved ornaments, and turned wooden bowls.

They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

Perishable Material Culture in Prehistory provides new approaches and integrates a broad range of data to address a neglected topic, organic material in the prehistoric record. Providing news ideas and connections and suggesting revisionist ways of thinking about broad themes in the past, this book demonstrates the efficacy of an holistic approach by using examples and cases studies. No other book covers such a broad range of organic materials from a social and object biography perspective, or concentrates so fully on approaches to the missing components of prehistoric material culture. This book will be an essential addition for those people wishing to understand better the nature and importance of organic materials as the ’missing majority’ of prehistoric material culture.