Players Magazine

This book portrays British chess life in the nineteenth century through biographical studies of ten players who shaped the modern game. From Captain Evans, inventor of the famous gambit, to Isidor Gunsberg, England's first challenger for the world championship, personal narratives are blended with game annotations to reassess players' achievements and character. The author has combined deep reading in primary sources with genealogical research to reveal new facts and correct previous misunderstandings. Major chapters on Howard Staunton and William Steinitz, in particular, highlight the tensions between Englishmen and immigrants, amateurs and professionals. The contrasting long careers of Henry Bird and Joseph Blackburne provide a thread of continuity. The lives of several other important figures in Victorian chess are also presented. More than 160 games (with diagrams), several annotated in detail, and 50 photographs and line drawings are included. Appendices provide career records for all ten; there are extensive notes, a bibliography and indexes.

Paul McPharlin is one of the 20th century's most important contributors to the art of puppetry. Over a period of nine years he created some 20 productions with marionettes, rod puppets, hand puppets and shadow figures. He was also a prolific writer whose technical, theoretical and historical works contributed significantly to a puppetry revival. His book The Puppet Theatre in America is considered the definitive history of American puppetry. Though shy and aloof, McPharlin was also energetic. He had an ability to bring people together and used this knack to found a national puppetry organization, Puppeteers of America. Besides the author's extensive research on McPharlin and puppetry, the book draws on significant contributions from McPharlin's wife, puppeteer and author Marjorie Batchelder McPharlin, who allowed the use of her 18-year correspondence with Paul in the creation of the book. Chapters take the reader through McPharlin's childhood as a loner in Detroit, his maturation and education in New York, and his early, erratic and often unsuccessful attempts at making a living. His puppeteering years, 1929 to 1937, are detailed, as are the later years that saw him first working for the WPA and then being drafted into the army to serve in World War II at age 38. He continued making important contributions to the art of puppetry until a brain tumor took his life at age 45 in 1948. Appendices present two of McPharlin's plays, The Barn at Bethlehem: A Christmas Play and Punch's Circus. Another appendix details puppetry imprints, including yearbooks, plays, handbooks, worksheets and books. A fourth lists Paul McPharlin's Puppeteers, members of the Marionette Fellowship of Detroit.