Plot Building

The Let Them Write Series is a classroom-tested, teacher-friendly resource for Language Arts teachers of grades 4 through 8. The program is organized in nine sections, each presenting a buffet of from five to nine 1- or 2-week modules. Each classroom-ready module consists of a series of comprehensive, easy-to-follow lesson plans complete with reproducible handouts and cross-curricular extensions, together creating a proven successful template for the teaching of writing and literary analysis skills. Let Them Write: Plot Building focuses on conflict, suspense and narrative structure. Students practice first-drafting, editing, polishing and sharing original scenes and stories built around these three important elements of storytelling.

The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.

Taking Nanjing old south area as an example, this research analyses the changes and problems of the plot division mechanism since 1949 and its impact on urban forms. Changes in the plot division mechanism show that megaplots have been a constant in the ever-changing land development system since 1949, leading to elimination of historic land subdivisions. In this sense, it is necessary to establish a set of smart plot division strategies to promote the restoration of this historic urban area.

This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.

Content Structure for Flash Fiction has never been so simple and fast. What if all story ideas were able to be boiled down to a single formula? Wycliffe A. Hill had this idea in the 1930's when no less than Cecil B. DeMille rejected one of his stories because ""it had a good narrative, but no drama."" This led Hill to research what made a dramatic story. That study lead to a 1920's author who claimed (based on even older research) that there were only 36 possible conflicts through all dramatic works. Not too long after, Joseph Campbell produced his ""Hero With a Thousand Faces"" which prescribed the monomyth as a base for all stories. Chris Vogler then championed this idea through Hollywood. And the Star Wars saga, as well as multiple Disney hits followed that generic model. Robert Silverberg reviewed Hill's work as: ""Pick one up, follow the instructions, write your story. You might just find that a grand literary career is unfolding for you in a wondrous, magical way.""

Rethinks films including Pillow Talk and Rear Window by identifying the apartment plot as a distinct genre, one in which the urban apartment figures as a central narrative device.

A "meticulously planned murder plot," a conspiracy that spanned tens of years! From the moment a famous actress' nude 'died in the hotel, a splendid revenge' assassination 'was quietly unveiled! A police officer who was expelled from the police force, a police officer who was in active service but had a dishonorable past, and a retired spy who was both righteous and evil but could not differentiate between the two, met each other on the killing stage. Truth, evil, lies, deceit. Where would one find the light of justice in this place filled with unknown dangers? With a single thought, he would become the Great Wisdom, and with a single thought, he would become the Great Wisdom. Everything was for nothing.