Poetry E Motion

One hundred poems from the poetry placards in New York City's subway and buses. Amid ads for mace and cockroach exterminators, a happy glimmer in 16 lines or less. From Sappho, to W. H. Auden, to Chu Chen Po.

Travis Campbell has been at this hockey thing for a while. He knows his days on the ice are numbered, but he’s happy with the Moncton Ice Cats and he’s still got some time to figure out what comes next. He’s been taking college classes online and thought he knew what he was doing, but then he made the ultimate rookie mistake. It turns out the poetry class is not the easier way to get his required English credits. Barnaby Birtwistle has exiled himself to the wilds of New Brunswick, leaving London, his so-called friends, and his cheating ex behind. His life is finally getting back on track, and he's going to keep it that way, even if it means living like a monk. Travis is expecting a bookish nerd to help him pass his staggeringly boring class; Barnaby is expecting a meathead hockey player who struggles to string two words together, let alone appreciate poetry. Turns out that they both have something to learn.

One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric. From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

Poetry in Motion traces the fascinating travels of medieval courtly song around most of western Europe, and tells the story of what poetry, poets, and their scribes had to say about vernacular languages.0The medieval courtly lyric, the site for the first extended literary exercises in Occitan, French, Italian and German, is one of the foundations of how we think about European literature. Since the nineteenth century it has in many accounts underpinned a system of linguistically-informed national traditions. David Murray shows in 'Poetry in Motion' how categorizing poetry under headings like?French? or?Italian? poetry can obscure the thinking of medieval poets and scribes about what constituted a language. Rather than existing within a series of rigidly distinct linguistic systems, Murray demonstrates that song moved in a fluid environment where linguistic boundaries could be easily crossed. Aided by its melody, metrical form or quotation in a larger text, a song could travel and elicit meaningful reactions and interactions far from?home?. Combining literary studies with philology, manuscript studies and musicology, 'Poetry in Motion' shows the truly European reach of song in the Middle Ages.0After undergraduate and graduate studies in Cambridge, David Murray completed his PhD in Medieval European Literature at King's College London in 2015. After teaching in Paris, he is now part of the ERC-funded project 'Music and Late Medieval European Court Cultures' based at the University of Oxford. He is currently writing a monograph about the musical culture of the court of Pilgrim von Puecheim, Archbishop of Salzburg, 1365-1396.

A contrast comparison, from everyday activities that reflect characteristics of challenge when not processed as intended... there is connection to all that you do...in every relationship

I sang yesterday and I am still singing. People did not see my art yet, I put it on the pages of my book, all my dreams and my sorrows. Every word will show the readers what was running in my deep feelings. Dr. Nabil El-Halawany

Chad, remembering a past embarrassing experience, freaks out when each person in his English class must recite an original poem in front of the entire school, so Troy, Gabriella, and the basketball team all pitch in to help him.

This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.