Point Of Attack

Shows the fundamental changes in war in the 21st century require a new set of rules to govern conflict. The new threats to international security come, not from war between the great powers, but from the internal collapse of states, terorist groups, the spread of weapons of mass destruction, and destabilizing regional powers.

The aerodynamics of aircraft at high angles of attack is a subject which is being pursued diligently, because the modern agile fighter aircraft and many of the current generation of missiles must perform well at very high incidence, near and beyond stall. However, a comprehensive presentation of the methods and results applicable to the studies of the complex aerodynamics at high angle of attack has not been covered in monographs or textbooks. This book is not the usual textbook in that it goes beyond just presenting the basic theoretical and experimental know-how, since it contains reference material to practical calculation methods and technical and experimental results which can be useful to the practicing aerospace engineers and scientists. It can certainly be used as a text and reference book for graduate courses on subjects related to high angles of attack aerodynamics and for topics related to three-dimensional separation in viscous flow courses. In addition, the book is addressed to the aerodynamicist interested in a comprehensive reference to methods of analysis and computations of high angle of attack flow phenomena and is written for the aerospace scientist and engineer who is familiar with the basic concepts of viscous and inviscid flows and with computational methods used in fluid dynamics.

Put your opponents on their heels and the ball in goal! Use the strategies, plays, skills, and drills of Attacking Soccer to develop a high-powered offensive team that will take your club, high school, or college league by storm. The expert contributing coaches cover the following: - Playing out of the thirds - Possession soccer - Changing points of attack - Quick counterattacks and transitions - Flank attacks - Offensive patterns of play - Restart plays - Individual skill development Editor Joe Luxbacher, head coach at the University of Pittsburgh, has assembled many of the game's top offensive-minded coaches including Dave Sarachan of D.C. United, Jay Hoffman of the U.S. Women's National Team, former Tampa Bay Mutiny coach John Kowalski, and college coaches Dean Foti of Syracuse, Sam Koch of Massachusetts, and Dave Masur of St. John's. Each coach explains and illustrates a specific aspect of developing an attacking offense, helping you develop and implement the tactics, skills, and drills that are needed to maximize scoring opportunities.

“Together with The Dramatic Writer’s Companion, Dunne’s The Architecture of Story is part of the most thorough course in playwriting available in print.” —Art Borreca, head of Dramaturgy Program and co-head of Playwrights Workshop, the University of Iowa While successful plays tend to share certain storytelling elements, there is no single blueprint for how a play should be constructed. Instead, seasoned playwrights know how to select the right elements for their needs and organize them in a structure that best supports their particular story. Through his workshops and book The Dramatic Writer’s Companion, Will Dunne has helped thousands of writers develop successful scripts. Now, in The Architecture of Story, he helps writers master the building blocks of dramatic storytelling by analyzing a trio of award-winning contemporary American plays: Doubt: A Parable by John Patrick Shanley, Topdog/Underdog by Suzan-Lori Parks, and The Clean House by Sarah Ruhl. Dismantling the stories and examining key components from a technical perspective enables writers to approach their own work with an informed understanding of dramatic architecture. Each self-contained chapter focuses on one storytelling component, ranging from “Title” and “Main Event” to “Emotional Environment” and “Crisis Decision.” Dunne explores each component in detail, demonstrating how it has been successfully handled in each play and comparing and contrasting techniques. The chapters conclude with questions to help writers evaluate and improve their own scripts. The result is a nonlinear reference guide that lets writers work at their own pace and choose the topics that interest them as they develop new scripts. This flexible, interactive structure is designed to meet the needs of writers at all stages of writing and at all levels of experience.