Politics Media And War 9 11 And Its Aftermaths

`No book is more timely than this collection, which analyses brilliantly the Western media′s relentless absorption into the designs of dominant, rapacious power′ - John Pilger `A most timely book, with many valuable insights′ - Martin Bell O.B.E `It has long been known that the outcome of war is deeply influenced by the battle to win ′hearts and minds′. This book provides a stimulating set of perspectives which combine the analyses of prominent academics with the experiences of leading journalists′ - Professor Tom Woodhouse, University of Bradford `This volume represents an all-star cast of authors who have a tremendous amount of knowledge about media and world conflict. One of its strengths is that it doesn′t focus entirely narrowly on media, but puts the discussion of media issues in the context of changes in the world order in military doctrine′ - Professor Daniel C. Hallin, University of California `This book comes just in time. A coherent and wide-ranging collection of data, analyses and insights that help our understanding of the complex interaction between communication and conflict. A major intellectual contribution to critical thinking about the early 21st century′ - Cees J Hamelink, Professor International Communication, University of Amsterdam With what new tools do governments manage the news in order to prepare us for conflict? Are the media responsible for turning conflict into infotainment? Is reporting gender specific? How do journalists view their role in covering distant wars? This book critically examines the changing contours of media coverage of war and considers the complexity of the relationship between mass media and governments in wartime. Assessing how far the political, cultural and professional contexts of media coverage have been affected by 9/11 and its aftermath, the volume also explores media representations of the `War on Terrorism′ from regional and international perspectives, including new actors such as the Qatar-based Al-Jazeera - the pan-Arabic television network. One key theme of the book is how new information and communication technologies are influencing the production, distribution and reception of media messages. In an age of instant global communication and round-the-clock news, powerful governments have refined their public relations machinery, particularly in the way warfare is covered on television, to market their version of events effectively to their domestic as well as international viewing public. Transnational in its intellectual scope and in perspectives, War and the Media includes essays from internationally known academics along with contributions from media professionals working for leading broadcasters such as BBC World and CNN.

9/11, the War on Terror, and the Sociology of Mass Media explores the cultural and political impact of the terrorist attacks on September 11, 2001, with particular emphasis on the media's role in constructing meanings in the wake of the tragedy. The carefully selected readings within this anthology tell the story of how 9/11 was "created"--that is, how the story of the event was told, and how it was not told. In providing students with a comprehensive overview of the various narratives constructed in the aftermath of a defining moment in U.S. history, the book sheds light on how government and media can shape stories, and how those stories contribute to our social reality. The book begins with a selection of articles and chapters that offer students a thorough explanation of the attacks themselves, as well as the effects they had on politics and other official publics. The readings in Part 2 of the text explore society's reaction to 9/11 and the wars it produced, with emphasis on the response of popular culture. Part 3 provides an understanding of the social and historical reasons as to why the attacks happened, both from the perspective of U.S. foreign policy and the terrorists who enacted the attack. The anthology closes with a section that takes a look at the lasting effects of the attacks, exploring cultural impact and the changing landscape of terrorist threats. By encouraging students to rationally explore and ask questions about an event that many feel they've been unable to examine critically before, 9/11, the War on Terror, and the Sociology of Mass Media allows them to exercise their citizenship, nationally and globally. This anthology is well suited for intermediate courses in the sociology of mass media and mass communication, as well as courses in terrorism and cultural sociology.

The terrorist attacks of September 11, 2001 created a new political landscape and a new era of warfare. Language, Symbols, and the Media, now in paperback, offers insights into the impact and influence of 9/11 upon our cultural, social, and political life. The book opens with an introductory chapter on communications, media language, and visual symbolism in the immediate wake of the attacks. The second chapter considers the challenge to religious pluralism, analyzing the grounds for the immediate backlash against Islam. Chapter 3 reviews several crucial historical and contemporary Supreme Court rulings relevant to the limitations of free speech in times of war and national crises. The consideration of First Amendment rights is continued in chapter 4, which places the Patriot Act in historical context by comparing the legislation and its interpretation of it to other legislation passed in response to past American crises. The immediate aftermath of the attacks witnessed many calls for an end to "the age of irony" and a return to "traditional values." Chapter 5 considers some contrarian responses and analyzes the impact of irony as a rhetorical device in American culture. The unifying role of sport in the post-9/11 healing process in America is examined in chapter 6. Chapter 7 examines the reactions and responses of young adults to the events of 9/11 one year later. Chapter 8 demonstrates how politicians received a public "makeover" of their careers. Chapter 9 explores the impact of 9/11 on the rhetoric of advertising, while chapter 10 focuses more closely on how it affected the tourism industry. A concluding chapter examines several instances of media self-censorship and its implications for the policymaking process during times of crisis. This volume will be of interest to cultural studies specialists, sociologists, journalists, political scientists, historians, as well as general readers.

This 84-hour free course assessed the wider consequences of the 9/11 terrorist attacks on domestic and world politics and the media.

How Did the World¡ ̄s News Media React to 9/11? Not surprisingly, most of the world¡ ̄s news media criticized the terrorists and offered sympathy and support to the United States in the days right after the September 11, 2001, attacks. But this phase didn¡ ̄t last long. With a week or two, many of the world¡ ̄s news media, even some in Western countries, were putting some of the blame for the attacks on the United States, citing its history of heavy-handed politics around the world. Many hoped the attacks would ¡°wake up¡± the United States to this fact. But the subsequent U.S.-led wars in Afghanistan and Iraq dashed these hopes. Today, much of the sympathy and support generated from the tragedy has dissipated ¡a replaced, instead, by a widespread belief that political leadership in the United States is more arrogant, intransigent and self-absorbed than ever. This is the major theme of How the World¡ ̄s News Media Reacted to 9/11, which contains 22 chapters, written by scholars and experts from around the world, that examine news media coverage of 9/11 from more than two dozen countries. The ¡°arrogance¡± theme isn¡ ̄t one that many U.S. politicians, journalists and citizens want to hear. But it¡ ̄s the message that the world¡ ̄s news media have been sending, and the question now is: Will U.S. media and politicians listen? Other key highlights in this book: ¡ñ American TV news channel news executives deliberately excluded controversial U.S. guests and opinions from their news coverage of 9/11 (Chapter 20). ¡ñ Media in Australia, Canada and other countries demonized Muslims and Arabs after 9/11 (Chapters 18 and 21). ¡ñ Ordinary Arabs and Muslims in the Middle East have distorted views of the United States, partly because their media do not provide all of the facts (Chapter 15), but Americans, too, misunderstand Muslims and Arabs, because U.S. media have failed to help Americans understand why much of the world hates their political leadership (numerous chapters).

Media, War and Terrorism analyses, for the first time, responses to the events of 9/11 and it's repercussions from the point of view of Asian and Middle Eastern countries. Perhaps controversially, the contributors argue that while the US, and to an extent European, media seems largely unified in their coverage and silence in public debate of the events surrounding the attacks on the World Trade Centre, there exists open, critical debate in other parts of the world. By examining the use of media as an instrument of warfare and analyzing the construction of public opinion in mediated electronic warfare, this book clearly shows the difference in perspectives between public opinion in the US and the rest of the world. Moving away from popular assumptions that societies in the West are democratic and progressive and those in the Middle East and Asia are either authoritarian or under-developed, this examination of the media in those countries suggests the exact opposite. In combining an examination of the general, theoretical issues concerning the use of the media as an instrument of warfare with rich, geographically diverse case studies, the editors are able to provide a diverse and intriguing analysis of the impact and inter-connectedness of national and global medias. Bringing together contributions from academics, journalists and media practioners from all over the world, Media, War and Terrorism is an essential read for all of those seeking an informed, non-Western perspective on the events following 9/11.

An eye-opening case study of the news at war, introducing a critical perspective on our mass media The Pen and the Sword is the only comprehensive examination of how the media have covered the 21st Century's #1 news story: terrorism and the wars in Afghanistan and Iraq. This is the full story—from 9/11 to the Obama doctrine, and including: The war in Afghanistan. There were two sides to this story, but the press told only one, and the untold story would return to haunt us. The campaign for war in Iraq. What did the press know and when did they know it about the web of lies that led us into war? Iraq, from invasion to "Mission Accomplished." When the story of war is told as patriotic hymn, Playstation game, or melodrama of macho heroes and bad guys dressed in black, important things are left out. Aftermath, from "Mission Accomplished" to the present. Something has changed since the Vietnam War, when the press finally found its critical voice. However, the 21st Century media continue to cling to an untenable, pro-war story, even after the public has abandoned it. The Pen and the Sword uses this tragic and eye-opening case study of the news at war to ask, "Why?" and to offer a critical perspective on our mass media, including the latest information on the underpinnings of the news business—corporate ownership, the power of elites to define the news—and adds three important new features of the media landscape: The media profit crisis of the late '00s and how it is affecting the news. The creation and mainstreaming of a new right-wing media surround-sound system. The increasing importance of entertainment media and soft news in shaping our views.

At first there were no words to describe the horror of September 11, only a national hush that expressed the sudden absence of so many innocent lives. Then the floodgates opened: eyewitness accounts, expert analyses, bitter denunciations, tributes to fallen heroes, patriotic exortations, eulogies.spin. Almost immediately, the Bush Administration and the media launched an unprecendented rhetorical campaign aimed at manufacturing support for the "War on Terror." A fascinating glimpse into the full impact of 9/11 on America's psyche, Warof Wordstakes a critical look at the strategic use of language to create a series of national transformations. A terrorist attack became an "act of war," requiring commensurate response. The President, until then the butt of national jokes, ascended to Commander in Chief, while the leader of the city we love to hate became "America's mayor." TV ads for cars and clothing featured flags and firemen, showing that consumerism is patriotism. With a keen ear for the hidden messages in our national stories, Sandra Silberstein unearths the dark side of this patriotic rhetoric, including the attacks on those who question U.S. policy and the denunciation of liberal intellectuals by the conservative American Council of Trustees and Alumni. Timely and penetrating, War of Wordsshows how the stories we told after the attacks fashioned a post-9/11 American identity and reinscribed our national beliefs.