Politics Of The Wild

Health figures centrally in late twentieth-century environmental activism. There are many competing claims about the health of ecosystems, the health of the planet, and the health of humans, yet there is little agreement among the likes of D.C. lobbyists, grassroots organizers, eco-anarchist collectives, and science-based advocacy organizations about whose health matters most, or what health even means. In this book, Jennifer Thomson untangles the complex web of political, social, and intellectual developments that gave rise to the multiplicity of claims and concerns about environmental health. Thomson traces four strands of activism from the 1970s to the present: the environmental lobby, environmental justice groups, radical environmentalism and bioregionalism, and climate justice activism. By focusing on health, environmentalists were empowered to intervene in the rise of neoliberalism, the erosion of the regulatory state, and the decimation of mass-based progressive politics. Yet, as this book reveals, an individualist definition of health ultimately won out over more communal understandings. Considering this turn from collective solidarity toward individual health helps explain the near paralysis of collective action in the face of planetary disaster.

When the Spanish explorers brought horses to North America, the horses were, in a sense, returning home. Beginning with their origins fifty million years ago, the wild horse has been traced from North America through Asia to the plains of SpainÕs Andalusia and then back across the Atlantic to the ranges of the American West. When given the chance, these horses simply took up residence in the landscape that their ancestors had roamed so long ago. In Wild Horses of the West, J. Edward de Steiguer provides an entertaining and well-researched look at one of the most controversial animal welfare issues of our timeÑthe protection of free-roaming horses on the WestÕs public lands. This is the first book in decades to include the entire story of these magnificent animals, from their evolution and biology to their historical integration into conquistador, Native American, and cowboy cultures. And the story isnÕt over. De Steiguer goes on to address the modern issuesÑ ecology, conservation, and land managementÑsurrounding wild horses in the West today. Featuring stunning color photographs of wild horses, this extremely thorough and engaging blend of history, science, and politics will appeal to students of the American West, conservation activists, and anyone interested in the beauty and power of these striking animals.

The Wild East bridges political economy and anthropology to examine a variety of il/legal economic sectors and businesses such as red sanders, coal, fire, oil, sand, air spectrum, land, water, real estate, procurement and industrial labour. The 11 case studies, based across India, Pakistan and Bangladesh, explore how state regulative law is often ignored and/or selectively manipulated. The emerging collective narrative shows the workings of regulated criminal economic systems where criminal formations, politicians, police, judges and bureaucrats are deeply intertwined. By pioneering the field-study of the politicisation of economic crime, and disrupting the wider literature on South Asia’s informal economy, The Wild East aims to influence future research agendas through its case for the study of mafia-enterprises and their engagement with governance in South Asia and outside. Its empirical and theoretical contribution to debates about economic crimes in democratic regimes will be of critical value to researchers in Economics, Anthropology, Sociology, Comparative Politics, Political Science and International Relations, Criminologists and Development Studies, as well as to those inside and outside academia interested in current affairs and the relationship between crime, politics and mafia enterprises.

"Information science was a burgeoning field in the early years of the Cold War, and while public and academic libraries acted as significant sites for the information boom, it is unsurprising that McCarthyism and censorship would shape what they granted readers access to and acquired. Wild Intelligence traces a different history of information management, examining the privately assembled collections of poets and their knowledge-building practices at midcentury. Taking up case studies of four poets who began writing during the 1950s and 1960s, including Charles Olson (1910-1970), Diane di Prima (1934-2020), Gerrit Lansing (1928-2018), and Audre Lorde (1934-1992), M. C. Kinniburgh shows that the postwar American poet's library should not just be understood according to individual books within their collection but rather as an archival resource that reveals how poets managed knowledge in a growing era of information overload. Exploring traditions and systems that had been overlooked, buried, occulted, or censored, these poets sought to recover a sense of history and chart a way forward"--

Examines how interactions between ecology and psychoanalysis shifted the focus of the American wilderness narrative from environment to identity.

Thoreau's Nature: Ethics, Politics, and the Wild explores how Thoreau crafted a life open to 'the Wild,' a term that marks the startling element of foreignness in every object of experience, however familiar. Thoreau's encounters with nature, Bennett argues, allowed him to resist his all-too-human tendency toward intellectual laziness, social conformity, and political complacency. Bennett pursues this theme by constructing a series of dialogues between Thoreau and our contemporaries: Foucault on identity and power, Haraway on the nature/culture of division, Hollywood celebrities on the Walden Woods Project, the National Endowment for the Humanities on politics and art, and Kafka on the question of political idealism. The pertinence to the late 20th century of Thoreau's pursuit of independent judgment, ecological foresight, and moral nobility becomes apparent through these engagements.

Sam Peckinpah's The Wild Bunch is one of the most influential films in American cinema. The intensity of its violence was unprecedented, while the director's use of multiple cameras, montage editing, and slow motion quickly became the normative style for rendering screen violence. Demonstrating to filmmakers the power of irony as a narrative voice and its effectiveness as a tool for exploring and portraying brutality, The Wild Bunch fundamentally changed the Western, moving it into a more brutal and psychopathic territory than it had ever occupied. This volume includes newly commissioned essays by several leading scholars of Peckinpah's work. Examining the film's production history from script to screen, its rich and ambivalent vision of American society, and its relationship to the Western genre, among other topics, it provides a definitive reinterpretation of an enduring film classic.