Portraying Cicero In Literature Culture And Politics

Cicero has played a pivotal role in shaping Western culture. His public persona, his self-portrait as model of Roman prose, philosopher, and statesman, has exerted a durable and profound impact on the educational system and the formation of the ruling class over the centuries. Joining up with recent studies on the reception of Cicero, this volume approaches the figure of Cicero from a ‘biographical’, more than ‘philological’, perspective and considers the multiple ways by which different ages reacted to Cicero and created their ‘Ciceros’. From Cicero’s lifetime to our times, it focuses on how the image of Cicero was revisited and reworked by intellectuals and men of culture, who eulogized his outstanding oratorical and political virtues but, not rarely, questioned the role he had in Roman politics and society. An international group of scholars elaborates on the figure of Cicero, shedding fresh light on his reception in late antiquity, Humanism and Renaissance, Enlightenment and modern centuries. Historians, literary scholars and philosophers, as well as graduate students, will certainly profit from this volume, which contributes enormously to our understanding of the influence of Cicero on Western culture over the times.

Cicero has played a pivotal role in shaping Western culture. His public persona, his self-portrait as model of Roman prose, philosopher, and statesman, has exerted a durable and profound impact on the educational system and the formation of the ruling class over the centuries. Joining up with recent studies on the reception of Cicero, this volume approaches the figure of Cicero from a ‘biographical’, more than ‘philological’, perspective and considers the multiple ways by which different ages reacted to Cicero and created their ‘Ciceros’. From Cicero’s lifetime to our times, it focuses on how the image of Cicero was revisited and reworked by intellectuals and men of culture, who eulogized his outstanding oratorical and political virtues but, not rarely, questioned the role he had in Roman politics and society. An international group of scholars elaborates on the figure of Cicero, shedding fresh light on his reception in late antiquity, Humanism and Renaissance, Enlightenment and modern centuries. Historians, literary scholars and philosophers, as well as graduate students, will certainly profit from this volume, which contributes enormously to our understanding of the influence of Cicero on Western culture over the times.

Why Cicero Matters shows us how the Roman philosopher and statesman Marcus Tullius, better known as Cicero, can help realize a new political world. His impact on humanitarianism, the Enlightenment and the Founding Fathers of America is immense. Yet we give Julius Caesar all our attention. Why? What does this say about modern politics and political culture? This book gives us Cicero as an antidote to the myth of the strong man of history. Reading Cicero's On Duties alongside two more introspective philosophical texts, On Friendship and On Old Age, we see how Cicero turned politics into a higher, intellectual form of art, believing in education, in culture and above all in the power of philosophy to instil morality. Cicero has reassuring words on the indispensable work philosophers make, and why the common good needs philosophy. In an age when anti-intellectualism runs rampant, Why Cicero Matters introduces us to an ancient thinker who argues culture is, or ought to be, the foundation of any modern democracy, and books its building blocks.

This volume, the first one dedicated to the ancient scholia to Cicero's speeches, analyzes them from different angles and positions them in the broader context of late antique commentaries and learning.

The volume aims at complementing the international literature on the interaction between Cicero and Greece. It offers new and unpublished material on Cicero's presence in Greece literally, deriving from his epistles, speeches and philosophical treatises, but also on his interaction with the Greek philosophical schools, the Greek language and politics, etc. Besides, it offers new knowledge on the appreciation and reception of Cicero and his texts by the Greek world from Late Antiquity to Byzantium and Modern Greece, based on material deriving from a variety of sources (papyri, manuscripts, compendia or encyclopaedias, imitations, translations, early editions, etc.), an aspect of the relationships between Cicero and Greece still understudied. Thus, the volume offers an image as illustrative as possible of various aspects of the presence of the Greek world in Cicero's works and of Cicero's presence in Greece from his own times to the present day.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this monograph, the author embarks on a captivating journey to shed fresh light on the togata, a mid-Republican theatrical genre which survives only in fragments. The book seeks to answer pressing questions surrounding the togata's significance in identity construction during the middle Republic from a literary and cultural perspective. Delving deep into the fragmentary textual remains of the togata, the book explores how the Roman elite fashioned their identity. The author challenges the notion of monolithic identity construction, and explores the diverse forms of identity within the togata, offering a new perspective on the subject. This study thus positions the togata as a vital source for discerning the characteristics and beliefs by which the Romans distinguished themselves and their culture from others. By examining how Romans perceived themselves, their ideas about different social groups, and their literary and cultural ties to earlier traditions, this book aims to transform our understanding of the togata's role in Roman drama.

In classical Latin, luxuria means 'desire for luxury'; it is linked with the ideas of excess and deviation from a standard. It is in most cases labelled as a vice which contrasts with the innate frugal nature of the Romans. Latin authors do not see it as endemic but as an import from the East in the aftermath of military conquests—and as a cause of fatal decline. Following these etymological and semantic origins, Roman Luxuria: A Literary and Cultural History discusses the influence of Greek culture on the Roman concept and the peculiar characteristics of Roman luxuria. It analyses Roman views on luxuria through close readings in historical order from Cato the Elder, who regards luxuria as the opposite of the ideal Roman way of life, to the Christian poet Prudentius, who represents it in an allegorical fight with Sobriety. The book attends both to key authors and to wider literary genres, such as historiography and satire. Particular consideration is given to the rhetorical device of personification, which can be traced from the first appearances of luxuria in Latin literature to those of late antiquity. Berno devotes detailed attention to Seneca the Younger, whose work is often preoccupied with this passion. Seneca both defends himself from the charge of luxuria and violently attacks it in others, describing it as the archenemy of a philosophical life. Along the centuries, the focus on luxuria shifts from the economic sphere (and the waste of money) to the erotic, to the extent that in the Christian world it becomes one of the Seven Capital Sins representing the vice of lust.