Postcolonial Settings In The Fiction Of James Clarence Mangan Joseph Sheridan Le Fanu And Bram Stoker

This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.

Fiction from the old British Commonwealth once took second place to the literature of England and the United States, but his is no longer the case. Writers from around the globe-Africa, Canada, Australia, Pakistan, New Zealand, and the Caribbean-have recorded their encounters with colonialism from its beginnings to its collapse and aftermath to produce an impressive body of work that internationalizes literature in English. Colonial and Postcolonial Fiction in English draws from this great common wealth of writing of offer 35 selections by major writers from both indigenous and settler cultures, from the nineteenth century through the contemporary era. The anthology is organized into sets of short stories and stand-alone selections from significant novels; colonial, postcolonial, immigrant, and personal encounters are represented. Each section includes a general introduction to help readers place the works in historical and cultural perspective. Biographical and critical material is provided for each writer, along with commentary on each selection. This anthology is an appropriate textbook for courses in Colonial and Postcolonial Studies and in Literature and Cultural Studies. It will also interest general readers.

This book examines a range of fiction and criticism as it pertains to colonialism, the North/South engagement and contemporary Third World politics.The Fiction of Imperialism attempts to promote dialogue between international relations and postcolonialism. It addresses the value of fiction to an understanding of the imperial relationship between the West and Asia and Africa. A wide range of fiction and criticism is examined as it pertains to colonialism, in North/South engagement and contemporary Third World politics.The book begins by contrasting the treatment of cross-cultural relations in political studies and literary texts. It then examines the personal as a metaphor for the political in fiction depicting the imperial connection between Britain and India. This is paired with an analysis of African literary texts which takes as its theme the relationship between culture and politics. The concluding chapters approach literature from the outside, considering its apparent silence on economics and realpolitik, and assessing the utility of postcolonial reconceptualization.-- Renewal of interest in imperialism and literary texts about imperialism-- Examines a range of fiction and criticism as it pertains to colonialism, the North/South engagement and contemporary Third World politics.-- First volume in a new series which deals with the differences between culture and politics as well as in ways of seeing and the sources that can be drawn on.

"Decolonization Agonistics in Postcolonial Fiction challenges the prevailing western-originated concepts of postcoloniality and postcolonial cultural/literary theory on the grounds that behind their fashionable emancipatory rhetoric, they actually submerge Third World anti-colonialist writing under Western strategic calculations for the post-cold war era. In place of the homogenizing approach which lumps together all the world's literature outside the male-authored texts of the major European powers, it introduces important distinctions between the literature of Europe's temporarily disadvantaged insiders, the imperial-outpost literatures of the European diaspora in the Americas and Australasia, and the decolonization literatures of third-world peoples and ethnic minorities which constitute the West's third-world underbellies."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Art, politics and dissent provides a counter history to conventional accounts of American art.. Close historical examinations of particular events in Los Angeles and New York in the 1960s are interwoven with discussion of the location of these events, normally marginalised or overlooked, in the history of cultural politics in the United States during the postwar period.. This book is based on detailed and new research from a range of sources including the alternative press, such as the Los Angeles Free Press; public and private archives; interviews and oral histories.. Interdisciplinary in approach, it adds substantially to recent innovative research and teaching approaches in art history and other related disciplines.. Provides essential case studies for taught courses; scholarly debate and general cross-disciplinary readership.

Seminar paper from the year 2018 in the subject English Language and Literature Studies - Literature, grade: 1,3, language: English, abstract: At first sight, postcolonial theories and Gothic writing appear to have barely features in common. On the one hand, Gothic as a genre flourished with Horace Walpole's novel The Castle of Otranto in 1764, which celebrated irrationality and explored "feelings, desires and passions which compromised the Enlightenment project of rationally calibrating all forms of knowledge and behaviours" (Smith and Hughes 1). In the succeeding decades, numerous writers trail Walpole by publishing their individual Gothic novels, e.g. Matthew Gregory Lewis' The Monk, Bram Stoker's Dracula, and Mary Shelley's Frankenstein; Or, the Modern Prometheus. On the other hand, studies in colonialist discourse contemplate colonialisation and its aftermath on individuals, communities and cultures, emerging in the late 1970s as essence of literary criticism. Although both genres appear to focus on antithetic research domains considering time references as well as contexts, they still share their enthusiasm in questioning conceptions of rationality. Therefore, both study areas challenge issues, of which humans are incapable to explain. Thereby, the creation of an 'Other' is crucial. On the one hand, postcolonial and colonial domains challenge and attempt at standing reason for the clash of cultures with which colonisers and colonised people are confronted. On the other hand, emphasising the idea of transgression, Gothic fiction inhabits images of the Other as well, illustrating anew the impossibility for explanation. Joseph Conrad published his short story "An Outpost of Progress" in 1897 and collected it to his work Tales of Unrest in 1898. "An Outpost of Progress" has become subject to crucial criticism of imperialism, colonialisation and civilisation, by describing the story of two white men, Kayerts and Carlier, who are in charge of a trading post i