Posthumanism And Latin X American Science Fiction

This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.

The first-ever collection of Latin American science fiction in English.

Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.

Science Fiction, Alien Encounters, and the Ethics of Posthumanism offers a typology of alien encounters and addresses a range of texts including classic novels of alien encounter by H.G. Wells and Robert Heinlein; recent blockbusters by Greg Bear, Octavia Butler and Sheri Tepper; and experimental science fiction by Peter Watts and Housuke Nojiri.

Combining work by critics from Latin America, the USA, and Europe, Latin American Science Fiction: Theory and Practice is the first anthology of articles in English to examine science fiction in all of Latin America, from Mexico and the Caribbean to Brazil and the Southern Cone. Using a variety of sophisticated theoretical approaches, the book explores not merely the development of a science fiction tradition in the region, but more importantly, the intricate ways in which this tradition has engaged with the most important cultural and literary debates of recent year.

Ayn Rand and the Posthuman is a study of the American novelist’s relationship with twenty-first-century ideas about technology. Rand wrote science fiction that has inspired Silicon Valley entrepreneurs, politicians, and economists. Ben Murnane demonstrates Rand’s connection to, and impact on, those with a “posthuman” vision, in which human and machine merge. The text examines the philosophical intersections between Rand’s philosophy of Objectivism and posthumanism, and Rand’s influence on transhumanism, a major branch of posthumanist thought. The book further investigates Rand’s presence and portrayal in various examples of posthumanist science fiction, including Gene Roddenberry’s Andromeda, popular videogame BioShock, and Zoltan Istvan’s novel The Transhumanist Wager. Considering Rand’s influence from a cultural, political, technological, and economic perspective, this study throws light on an under-documented but highly significant aspect of Rand’s legacy.

Exploring works of science fiction originating from Spanish-speaking parts of the Caribbean and their diasporas, this book shows how writers, filmmakers, musicians, and artists are using the language of the genre to comment on the region's history and present-day realities.