Primetime 1966 1967

The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.

This unique work profiles the private lives and careers of 32 American game show hosts, including the originals (e.g., Bill Cullen, Peter Marshall), the classics (e.g., Bob Barker), and the contemporaries (e.g., Regis Philbin). Organized by host, each chapter includes birth and family information and a complete career history. The most significant developments of each host’s early life and career are highlighted—complete with successes, failures, and scandals. Many of the biographies are accompanied by interviews with the host or his family and friends.

Since its original release The "12 O'Clock High" Logbook: The Unofficial History of the Novel, Motion Picture, and TV Series has been a consistent seller among WWII buffs, lovers of aviation, and fans of Hollywood TV and movies. The book, a labor of love for co-authors Allan T. Duffin and Paul Matheis, is a detailed, comprehensive look at a media phenomenon. Army Air Force officers Beirne Lay, Jr., and Sy Bartlett wrote the novel 12 O'Clock High as a somewhat fictionalized record of their experiences in England during World War II. Twentieth Century-Fox optioned the book and produced the 1949 movie version starring Gregory Peck as tough-as-nails Brigadier General Frank Savage. In 1964, prolific producer Quinn Martin (The Untouchables, The FBI) brought 12 O'Clock High to television as a weekly series on ABC, starring Robert Lansing as Savage. Packed with fresh interviews, rare photographs, and behind-the-scenes stories published for the first time anywhere, The "12 O'Clock High" Logbook is the definitive history of this unique tale of heroism in World War II.

AMERICA'S #1 BESTSELLING TELEVISION BOOK-- NOW REVISED AND UPDATED! The biggest and best television reference ever published, this is the guide you'll turn to again and again for information on every nighttime network series ever telecast and all the top syndicated and cable series! From The Ed Sullivan Show, The Honeymooners, and Happy Days to Party of Five, The X-Files, and Dharma & Greg, this comprehensive directory lists every program alphabetically and includes the complete broadcast history, cast list, and plot summary, along with exciting behind-the-scene stories about the shows and stars. EXTENSIVE ORIGINAL CABLE COVERAGE with more than XXX entries, from Larry King Live to Talk Soup and South Park. MORE THAN 350 NEW NETWORK AND SYNDICATED SERIES, including Ally McBeal, The Practice, Will & Grace, and Sports Night. UPDATED LISTINGS OF CONTINUING SHOWS, including Frasier, The Simpsons, and 60 Minutes. BRAND-NEW APPENDIX listing network Web addresses. SPECIAL FEATURES! - Annual program schedules at a glance for the past fifty-three years - Top-rated shows of each season - Emmy Award winners - Longest running series - Spinoff series - Theme songs - Fascinating history of the "Seven Eras" of TV programming - More than fifty entries for the leading cable networks - And much, much more!

Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People’s Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein’s brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the “maestro,” the innocence of his audience, and the joyousness of each show’s topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk’s Leonard Bernstein and His Young People’s Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein’s life and his Young People’s Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People’s Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women’s Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein’s troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People’s Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People’s Concerts a story of all three captured in this monumental study.

The 1960s was a decade defined by Cold War paranoia, political turmoil, and the rise and fall of the spy genre in popular culture. At the forefront of this spy craze was the iconic character of James Bond, created by author Ian Fleming.

The 20th century might be accurately described as the television century. Perhaps no technological invention in recent history has so vastly affected the American public. An involving mixture of scholarship and nostalgia, this volume offers an intelligent examination of the many ways that American society has shaped—and been shaped by—television. Roman provides thematic chapters on all of television's major genres. James Roman, author of Love, Light, and a Dream: Television's Past, Present, and Future (Greenwood, 1996), traces the evolution of American television programming from its beginnings as an experimental spinoff of radio broadcasting to its current role as an omnipresent and, some would say, omnipotent force of media and culture.