Primitive Photography
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Primitive Photography
Author | : Alan Greene |
Publsiher | : CRC Press |
Total Pages | : 240 |
Release | : 2013-04-11 |
Genre | : Photography |
ISBN | : 9781136092701 |
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Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
French Primitive Photography
Author | : Alfred Stieglitz Center |
Publsiher | : New York : [Aperture, Incorporated], 1970 [c1969] |
Total Pages | : 110 |
Release | : 1970 |
Genre | : Photography |
ISBN | : UOM:39015016803457 |
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French Primitive Photography
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Author | : Alfred Stieglitz Center |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1970 |
Genre | : Photography |
ISBN | : OCLC:1369724760 |
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Maxwell Sutton and the Birth of Color Photography
Author | : J. Cat |
Publsiher | : Springer |
Total Pages | : 265 |
Release | : 2013-07-24 |
Genre | : Science |
ISBN | : 9781137338310 |
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This focused and incisive study reassesses the historic collaboration between James Clerk Maxwell and Thomas Sutton. It reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of technology, representation, and participation in Maxwell's natural philosophy.
The Concise Focal Encyclopedia of Photography
Author | : Michael R. Peres |
Publsiher | : CRC Press |
Total Pages | : 331 |
Release | : 2014-06-20 |
Genre | : Photography |
ISBN | : 9781136101823 |
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Defining photography is impossible. Revealing it is another matter, and that's what The Concise Focal Encyclopedia of Photography does, with each turn of the page. History: The technical origins and evolution of photography are half of the story. The other half consists of the ways that cultural forces have transformed photography into a constellation of practices more diverse than any other mode of representation. Photographers can tell a more in-depth story through a photo like Dorothea Lange's "Migrant Mother than a journalist ever could with the written word alone. Major themes and practitioners: Over 25 entries, many with supporting illustrations, examine the figures, trends, and ideas that have contributed most heavily to the history and current state of photography. Contemporary issues: The issues influencing photography today are more complex than at any other time in its history. Questions of ethics, desire, perception, digitization, and commercialization all vie for attention. Hear what the experts have to say about crucial issues such as whether or not the images we take today will last the test of time, and if so, how? When material is covered this skillfully, "concise is no compromise. The Concise Focal Encyclopedia of Photography is packed with useful information, compelling ideas, and - best of all - pure pleasure.
French Primitive Photography
Author | : Alfred Stieglitz Center |
Publsiher | : New York : [Aperture, Incorporated], 1970 [c1969] |
Total Pages | : 120 |
Release | : 1970 |
Genre | : Photography |
ISBN | : UCSD:31822014243992 |
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Postmodernism Politics and Art
Author | : John Roberts |
Publsiher | : Manchester University Press |
Total Pages | : 228 |
Release | : 1990 |
Genre | : Art, Modern |
ISBN | : 071903230X |
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Met lit. opg. Met reg. The author argues that the rupture of post-modernism with the critical culture of modernism, realism and Marxism is in the ligt of the still determining power of many of the aims and concerns of the modernist and realist projects. Also included is a description of the production, distribution and criticism of the visual arts in Britain since the late 1970s and the rise of Thatcherism.
Photography and Its Origins
Author | : Tanya Sheehan,Andres Zervigon |
Publsiher | : Routledge |
Total Pages | : 254 |
Release | : 2014-11-20 |
Genre | : Photography |
ISBN | : 9781317578963 |
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Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.