Problems Of Style

Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Written at the height of the arts and crafts movement in fin-de-sicle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continuity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invested in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity."--From the preface by Henri Zerner

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ... Ill POETRY AND PROSE In my last lecture I tried to expand a conception which I put forward in my first. I will repeat the original phrase, not because 1 attach any particular value to the wording, but because it is central to this discussion of style. I said originally that ' the test of a true individuality of style is that we should feel it to be inevitable; in it we should be able to catch the reference back to a whole mode of experience that is consistent with itself. If this reference is perceptible to us, it will be accompanied by a conviction that the peculiarity of style was necessary, and that the originating emotion of which we are sensible demanded this method of expression and this alone.' In my last lecture I did what I could to bring this somewhat abstract conception down to earth. To-day I propose to examine, more or less in the light of this notion, the familiar distinction between prose and poetry, and to see whether we can gain from this examination any further indications for a more complete and detailed anatomy of style. It is fairly obvious that this conception of style presupposes that there is no essential difference between prose and poetry. Whether the expression of the comprehensive and self-consistent mode of experience is achieved in the form of prose or verse will depend upon circumstances which are in the main accidental. Indeed, I think that the fashion of the age is perhaps the most important factor. As the Elizabethan age was the age of the drama, the nineteenth century has been the age of the novel. At a certain level of general culture, with certain combinations of economic and social conditions (which it would be well worth while to explore), certain artistic and literary forms impose themselves. These...

Few problems in literary scholarship continue to generate so much endeavor and so much conflict as the problem of style. Even conferences are called to attempt to answer the questions: What is style? How can we study it? There is no shortage of answers, but, unfortunately, increasing efforts to solve the problem have only created a proliferation of approaches. Indeed, like a disease for which no cure has yet been discovered, there are dozens of treatments. New theories appear regularly, along with old ones refurbished. But while the restorative power of a definition and method is dependent upon widespread acceptance, none of the many efforts concerning style has succeeded in gaining even provisional agreement. The only agreement, in fact, existing among the many interested parties - and to this they all agree - is that there is such a phenomenon as style.

From a leading clinician-researcher, this book presents an empirically tested approach for helping clients with severe and chronic depression by directly tackling negative rumination. Rumination-focused cognitive-behavioral therapy (RFCBT) combines carefully adapted elements of CBT with imagery, visualization, and compassion-based techniques. The book provides everything needed to implement this 12-session approach, including numerous sample dialogues, a chapter-length case example, reflections and learning exercises for therapists, and 10 reproducible client handouts. Purchasers get access to a Web page where they can download and print the reproducible materials in a convenient 8 1/2" x 11" size.

This book revisits and re-defines the policy style concept and explores the long-standing debate in British political science concerning how best to characterise the British policy style. The book highlights several trends that suggest that the British policy style has shifted towards the impositional end of the policy style spectrum, bringing it more in line with the traditional Westminster model of governing. However, these changes also reflect a more frenetic policy style which might increase the number of policy blunders and failures in British Government unless means are found to access and manage the specialist expertise that interest groups possess.

The new edition of this bestselling textbook provides a comprehensive overview of the latest research on stress and health, moving beyond the former deficit model to a resource growth model. It examines all aspects of the topic, from how the external world and the impact of technology makes demands upon individuals, through biological and psychological processes, to outcomes in terms of health and well-being. The process is set within a dynamic, multilevel systems and developmental lifespan perspective. The book includes a history of the evolution of stress research and the biological systems and immune responses that translate external pressures into health outcomes. It considers the role of personality and cognition in terms of appraisal and coping strategies set within a social ecology of power and support. The role of positive psychology in terms of resilience, psychological capital, and self-compassion brings the area up to date in considering the benefits as well as the threats of stress on health and well-being. An integration of issues of importance in stress research is provided with some suggested guidelines for both research and practice. Issues around prevention and intervention are discussed to reduce stress and increase resilience in families, schools, workplaces and communities, and suggestions for the future development of the field are presented. With an engaging style, the book is equally accessible to the layperson and the scientist, the practitioner and the academic. Providing a basis for further exploration of the vast area of stress and health, it is valuable reading for undergraduate and postgraduate students and those working in organisations with an interest in understanding and preventing or alleviating stress.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.