Proletarian Nights

Proletarian Nights, previously published in English as Nights of Labor and one of Rancière’s most important works, dramatically reinterprets the Revolution of 1830, contending that workers were not rebelling against specific hardships and conditions but against the unyielding predetermination of their lives. Through a study of worker-run newspapers, letters, journals, and worker-poetry, Rancière reveals the contradictory and conflicting stories that challenge the coherence of these statements celebrating labor. This updated edition includes a new preface by the author, revisiting the work twenty years since its first publication in France.

Originally published in France in 1981, this first English translation ofLes Nuits des Proleacute;tairesdramatically reinterprets the Revolution of 1830, contending that workers were not rebelling against specific hardships and conditions but against the unyielding predetermination of their lives. Through a study of worker-run newspapers, letters, journals, and worker-poetry, Ranciegrave;re reveals the contradictory and conflicting stories that challenge the coherence of these statements celebrating labor. Nineteenth-century workers sought out proletarian intellectuals, poets, and artists who were able to articulate their longings. At night, these worker-intellectuals gathered to write journals, poems, music, letters, and to discuss issues. The worker diatribes they composed served the purpose of escape from their daily worker lives. Unwilling to give in to sleep at night to repair the body for more manual labor, these "migrants who moved at the borders between classes" regarded the night as their real life. They sought to appropriate for themselves the night of those who could stay awake and the language of those who did not have to beg. Once these workers and those whom they represented had glimpsed other lives, they fought for the possibility of living other lives. Thus, Ranciegrave;re disregards "the majestic masses" and concentrates instead on the words and fantasies of a few dozen "nonrepresentative" individuals-those who performed the radical act of breaking down the time-honored barrier separating those who carried out useful labor from those who pondered aesthetics.The Nights of Laborincorporates the post-structuralist insistence on the production of meaning as a dynamic, conflictual process. Ranciegrave;re's method shares a common strategy with the deconstructionist technique of locating points in the text that reveal contradictions engendered by the suppression of "writing." In choosing to deconstruct the proletariat, Ranciegrave;re exposes its conflicts and strategies of containment. Author note: Jacques Ranciegrave;re, known as an early disciple of Marxist philosopher Louis Althusser, teaches philosophy at the Universite de Paris VIII. He co-authoredLire le Capitaland founded the journal,Les Revoltes Logiques.

The proletariat never existed—but it had a profound effect on modern German culture and society. As the most radicalized part of the industrial working class, the proletariat embodied the critique of capitalism and the promise of socialism. But as a collective imaginary, the proletariat also inspired the fantasies, desires, and attachments necessary for transforming the working class into a historical subject and an emotional community. This book reconstructs this complicated and contradictory process through the countless treatises, essays, memoirs, novels, poems, songs, plays, paintings, photographs, and films produced in the name of the proletariat. The Proletarian Dream reads these forgotten archives as part of an elusive collective imaginary that modeled what it meant—and even more important, how it felt—to claim the name "proletarian" with pride, hope, and conviction. By emphasizing the formative role of the aesthetic, the eighteen case studies offer a new perspective on working-class culture as a oppositional culture. Such a new perspective is bound to shed new light on the politics of emotion during the main years of working-class mobilizations and as part of more recent populist movements and cultures of resentment. Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures 2018

The gritty landscape and language of the working man from a great forgotten writer

These essays from the 1970s mark the inception of the distinctive project that Jacques Rancière has pursued across forty years, with four interwoven themes: the study of working-class identity, of its philosophical interpretation, of “heretical” knowledge and of the relationship between work and leisure. For the short-lived journal Les Révoltes Logiques, Rancière wrote on subjects ranging across a hundred years, from the California Gold Rush to trade-union collaboration with fascism, from early feminism to the “dictatorship of the proletariat,” from the respectability of the Paris Exposition to the disrespectable carousing outside the Paris gates. Rancière characteristically combines telling historical detail with deep insight into the development of the popular mind. In a new preface, he explains why such “rude words” as “people,” “factory,” “proletarians” and “revolution” still need to be spoken.

Ideology and Interpellation examines the relation between ideology, the humanist subject, interpellation, and the role of theory. Placing the work of Althusser, Rancière, Baudrillard, and Laruelle into dialogue, this book offers a useful starting point for understanding the demands and possibilities for ideological critique after the deconstruction of the subject. With chapters devoted to each French theorist's critique, the book first examines the historical and political roots of Althusser's theory of ideology, then placing focus on Rancière's historiographic work in the following chapter. Coming hot on the heels of his blistering critique of his teacher, Althusser, in Althusser's Lesson, Rancière argues that reformers' failure to “interpellate” or recruit workers was due to their work-centric attitude and failure to understand the workers' dreams of lives devoted to unwaged aesthetic and philosophical labour. The fifth chapter shows how Baudrillard disrupts Althusser's fundamental belief that ideology can be unmasked to reveal true structures, by exposing how a society of simulation realizes the untrue by integrating it into the fabric of experience. Finally, Fardy explores how Laruelle calls into question Althusser's presumption that “standard philosophy” is sufficiently guarded against the lures of ideology. On the contrary, Laruelle suggests that this view is in fact that of the ideology of standard philosophy. Shedding light on the continuing relevance of post-Althusserian Marxist thought, Ideology and Interpellation further demonstrates the need today for a rigorous theory of ideology, traces of which can be found in Althusser's legacy.

Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.