Properties Types And Meaning

This collection of papers stems originally from a conference on Property Theory, Type Theory and Semantics held in Amherst on March 13-16 1986. The conference brought together logicians, philosophers, com puter scientists and linguists who had been working on these issues (of ten in isolation from one another). Our intent was to boost debate and exchange of ideas on these fundamental issues at a time of rapid change in semantics and cognitive science. The papers published in this work have evolved substantially since their original presentation at the conference. Given their scope, we thought it convenient to divide the work into two volumes. The first deals primarily with logical and philosophical foundations, the second with more empirical semantic issues. While there is a common set of issues tying the two volumes together, they are both self-contained and can be read independently of one another. Two of the papers in the present collection (van Benthem in volume 1 and Chierchia in volume II) were not actually read at the conference. They are nevertheless included here for their direct relevance to the topics of the volumes. Regrettably, some of the papers that were presented (Feferman, Klein, and Plotkin) could not be included in the present work due to timing problems. We nevertheless thank the authors for their contribu tion in terms of ideas and participation in the debate.

Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph Prize For Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's “You're So Vain”, Pink Floyd, the emergence of the musical genre of post-punk and the practice of “cover” versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs.

This extended collection of papers is the result of putting recent ideas on quantification to work on a wide variety of languages. A central perspective of many of the papers follows the recognition of two broad types of quantificational strategies, one associated with nominal structures and determiners, the other with adverbial and other non-nominal expression (`D-quantifiers' and `A-quantifiers'). The papers demonstrate both the unity and the variety of natural language quantificational forms and meanings. Many of the papers also shed new light on questions of language typology and syntactic and morphological variation. The languages discussed include English, Dutch, Italian, American Sign Language, Hindi, and a number of languages of Australia, Greenland, and the Americas. These comparative studies provide initial data for a typology of quantificational structures in natural languages, with important implications for the study of universal grammar. The book consists of research papers aimed at linguists, philosophers, and psychologists interested in semantics and linguistic form. An introduction presents a sketch of the background of this research and some of the central issues discussed, with pointers toward the included papers.