Pulling The Devil S Kingdom Down

Those people in uniforms who ring bells and raise money for the poor during the holiday season belong to a religious movement that in 1865 combined early feminism, street preaching, holiness theology, and intentionally outrageous singing into what soon became the Salvation Army. In Pulling the Devil's Kingdom Down, Pamela Walker emphasizes how thoroughly the Army entered into nineteenth-century urban life. She follows the movement from its Methodist roots and East London origins through its struggles with the established denominations of England, problems with the law and the media, and public manifestations that included street brawls with working-class toughs. The Salvation Army was a neighborhood religion, with a "battle plan" especially suited to urban working-class geography and cultural life. The ability to use popular leisure activities as inspiration was a major factor in the Army's success, since pubs, music halls, sports, and betting were regarded as its principal rivals. Salvationist women claimed the "right to preach" and enjoyed spiritual authority and public visibility more extensively than in virtually any other religious or secular organization. Opposition to the new movement was equally energetic and took many forms, but even as contemporary music hall performers ridiculed the "Hallelujah Lasses," the Salvation Army was spreading across Great Britain and the Continent, and on to North America. The Army offered a distinctive response to the dilemmas facing Victorian Christians, in particular the relationship between what Salvationists believed and the work they did. Walker fills in the social, cultural, and religious contexts that make that relationship come to life.

This work aims to emphasize how the Salvation Army entered into 19th-century urban life. It follows the movement from its Methodist roots and East London origins through its struggles with the established denominations of England, problems with the law and the media, and the public manifestations.

This volume is the first comprehensive overview of women, gender and religious change in modern Britain spanning from the evangelical revival of the early 1800s to interwar debates over women’s roles and ministry. This collection of pieces by key scholars combines cross-disciplinary insights from history, gender studies, theology, literature, religious studies, sexuality and postcolonial studies. The book takes a thematic approach, providing students and scholars with a clear and comparative examination of ten significant areas of cultural activity that both shaped, and were shaped by women’s religious beliefs and practices: family life, literary and theological discourses, philanthropic networks, sisterhoods and deaconess institutions, revivals and preaching ministry, missionary organisations, national and transnational political reform networks, sexual ideas and practices, feminist communities, and alternative spiritual traditions. Together, the volume challenges widely-held truisms about the increasingly private and domesticated nature of faith, the feminisation of religion and the relationship between secularisation and modern life. Including case studies, further reading lists, and a survey of the existing scholarship, and with a British rather than Anglo-centric approach, this is an ideal book for anyone interested in women's religious experiences across the nineteeth and twentieth centuries.

In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.

The idea of a state religion is seldom connected to religious freedom and liberal, modern, and democratic states. However, such a situation existed in Norway until 2012, when the Lutheran Church was the state church of Norway. A large majority of the population belonged to the church, even though the percentage in 2013 had fallen to well over seventy-five. The relationship between the church and minority religious movements demanded adaptation and compromises from the minority churches. The Salvation Army's enculturation and accommodation during its 128-year history in Norway illustrates such a situation. The book examines how The Salvation Army accommodated itself both doctrinally as well as practically to the situation of a dominant state church. The study reveals such a close affiliation of Salvationists to the Norwegian Church as a state institution, that it raises the question of whether a concept of civil religion was implicitly present in Salvationists' view of the state church and their own adherence to the church. This situation also raises the question of what constitutes a real church. The book indicates the tension between Lutheran and Salvationist ecclesiology as well as the influence from the Lutheran Church.

The early Salvation Army professed its commitment to sexual equality in ministry and leadership. In fact, its founding constitution proclaimed women had the right to preach and hold any office in the organization. But did they? Women in God’s Army is the first study of its kind devoted to the critical analysis of this central claim. It traces the extent to which this egalitarian ideal was realized in the private and public lives of first- and second-generation female Salvationists in Britain and argues that the Salvation Army was found wanting in its overall commitment to women’s equality with men. Bold pronouncements were not matched by actual practice in the home or in public ministry. Andrew Mark Eason traces the nature of these discrepancies, as well as the Victorian and evangelical factors that lay behind them. He demonstrates how Salvationists often assigned roles and responsibilities on the basis of gender rather than equality, and the ways in which these discriminatory practices were supported by a male-defined theology and authority. He views this story from a number of angles, including historical, gender and feminist theology, ensuring it will be of interest to a wide spectrum of readers. Salvationists themselves will appreciate the light it sheds on recent debates. Ultimately, however, anyone who wants to learn more about the human struggle for equality will find this book enlightening.

In this groundbreaking book, William Kostlevy presents a fascinating study of the Metropolitan Church Association (MCA), a religious community founded in Chicago in the early 1890s. The MCA was one of the most controversial societies of the era. Its members were called "jumpers" because of their acrobatic worship style, and "Burning Bushers" after their caustic periodical, the Burning Bush. They objected to the concept of private property, rejected "elite" denominations, and professed an alternative, radical vision of Christianity, using modern music and folk art to spread their message. A product of the holiness revival of the late nineteenth century and a catalyst for Pentecostalism, the MCA played a vital role in the twentieth century growth of evangelical Christianity, yet it has long been ignored in studies of American radicalism, of communal societies, and even of holiness and Pentecostal Christianity. Kostlevy rectifies this omission, providing a valuable new context for understanding the origins of Pentecostalism. He investigates the internal struggles of the Holiness Movement, showing how radically divergent theological currents came to dominate a major segment of the American evangelical community. He also shows how deeply the MCA impacted the lives of twentieth century evangelists Bud Robinson and Seth C. Rees, self-designated first woman bishop Alma White, and Pentecostal evangelists A. G. Garr and Glenn Cook. As Holy Jumpers demonstrates, Holiness Christians, and the MCA in particular, played a profoundly formative role in the development of modern evangelical and Pentecostal Christianity.

Female philanthropy was at the heart of transformative thinking about society and the role of individuals in the interwar period. In Britain, in the aftermath of the First World War, professionalization; the authority of the social sciences; mass democracy; internationalism; and new media sounded the future and, for many, the death knell of elite practices of benevolence. Eve Colpus tells a new story about a world in which female philanthropists reshaped personal models of charity for modern projects of social connectedness, and new forms of cultural and political encounter. Centering the stories of four remarkable British-born women - Evangeline Booth; Lettice Fisher; Emily Kinnaird; and Muriel Paget - Colpus recaptures the breadth of the social, cultural and political influence of women's philanthropy upon practices of social activism. Female Philanthropy in the Interwar World is not only a new history of women's civic agency in the interwar period, but also a study of how female philanthropists explored approaches to identification and cultural difference that emphasized friendship in relation to interwar modernity. Richly detailed, the book's perspective on women's social interventionism offers a new reading of the centrality of personal relationships to philanthropy that can inform alternative models of giving today.