Putting The Science In Fiction

Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. This book brings together scientists, physicians, engineers, and other experts to help you: • Understand the basic principles of science, technology, and medicine that are frequently featured in fiction. • Avoid common pitfalls and misconceptions to ensure technical accuracy. • Write realistic and compelling scientific elements that will captivate readers. • Brainstorm and develop new science- and technology-based story ideas. Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction. Putting the Science in Fiction collects articles from "Science in Sci-fi, Fact in Fantasy," Dan Koboldt's popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

A collection of essays from historians, linguists, martial artists, and other experts to help you write more compelling fantasy by getting the facts right Whether it's correctly naming the parts of a horse, knowing how lords and ladies address one another, or building a realistic fantasy army, getting the details right takes fantasy writing to the next level. Featuring some of the most popular articles from Dan Koboldt’s Fact in Fantasy blog as well as several never-before-seen essays, this book gives aspiring and established fantasy writers alike an essential foundation to the fascinating history and cultures of our own world, which serve as a jumping-off point for more inspired and convincing fantasy.

Defines both genres, tells how to write a successful story, and where to find markets to get published.

Originally published: Cincinnati, Ohio: Writer's Digest Books, 1994.

This enhanced eBook includes video, audio, photographic, and linked content, as well as a bonus short story. Hear TAMMY talk. Learn the origins of Minor Universe 31. See the TM-31. Take a trip in it. Photos and illustrations appear as hyperlinked endnotes. Video and audio are embedded directly in text. *Video and audio may not play on all readers. Check your user manual for details. National Book Foundation 5 Under 35 Award winner Charles Yu delivers his debut novel, a razor-sharp, ridiculously funny, and utterly touching story of a son searching for his father . . . through quantum space–time. Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life. Wildly new and adventurous, Yu’s debut is certain to send shock waves of wonder through literary space–time.

Science fiction and fantasy is one of the most challenging--and rewarding!--genres in the bookstore. But with New York Times bestselling author Philip Athans and fantasy giant R. A. Salvatore at your side, you’ll create worlds that draw your readers in--and keep them reading! Just as important, you’ll learn how to prepare your work for today’s market. Drawing on his years of experience as one of the most acclaimed professionals in publishing, Wizards of the Coast editor Athans explains how to set your novel apart--and break into this lucrative field. From devising clever plots and building complex characters to inventing original technologies and crafting alien civilizations, Athans gives you the techniques you need to write strong, saleable narratives. Plus! Athans applies all of these critical lessons together in an unprecedented deconstruction of a never-before-published tale by the one and only R. A. Salvatore! There are books on writing science fiction and fantasy, and then there’s this book--the only one you need to create strange, wonderful worlds for your own universe of readers!

BUILD-A-BEAR WORKSHOP MEETS JURASSIC PARK WHEN A NEWLY GRADUATED GENETIC ENGINEER GOES TO WORK FOR A COMPANY THAT AIMS TO PRODUCE CUSTOM-MADE DRAGONS Noah Parker, a newly minted Ph.D., is thrilled to land a dream job at Reptilian Corp., the hottest tech company in the American Southwest. He’s eager to put his genetic engineering expertise to use designing new lines of Reptilian’s feature product: living, breathing dragons. Although highly specialized dragons have been used for industrial purposes for years, Reptilian is desperate to crack the general retail market. By creating a dragon that can be the perfect family pet, Reptilian hopes to put a dragon into every home. While Noah’s research may help Reptilian create truly domesticated dragons, Noah has a secret goal. With his access to the company’s equipment and resources, Noah plans to slip changes into the dragons’ genetic code, bending the company’s products to another purpose entirely . . . At the publisher's request, this title is sold without DRM (Digital Rights Management). About Dan Koboldt: ". . . very readable and highly enjoyable. . . . Characters that are more than the sum of their parts, a world that has so much to offer, and a story that races along apace . . . ” —SFF World on The World Awakening

These thirteen original essays were written specifically for the Third J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, held February 21-22, 1981, at the University of California, Riverside. Leslie Fiedler sets the tone of this volume by fixing a basic set of coordinates--that of "elitist" and "popular" standards. Those replying to his charge are: Eric S. Rabkin, Professor of English at the Univer­sity of Michigan and author of The Fantasticin Literature, "The Descent of Fantasy"; Gerald Prince, Professor of French at the University of Pennsylvania, "How New is New?"; Mark Rose, Professor of English at the University of California at Santa Barbara, author of Alien Encounters, "Jules Verne: Journey to the Cen­ter of Science Fiction"; Joseph Lenz, who teaches English Literature at the University of Michigan, "Manifest Destiny: Science Fic­tion Epic and Classical Forms"; Michelle Massé, of the English Department at the George Mason University, "'All you have to do is know what you want' Individual Ex­pectations in Triton";Gary K. Wolfe, who teaches English at Roosevelt University, au­thor of The Known and the Unknown, "Autoplastic and Alloplastic Adaptations in Science Fiction: 'Waldo' and 'Desertion'"; Robert Hunt, an editor with Glencoe Press, "Sci­ence Fiction for the Age of Inflation: Reading Atlas Shrugged in the 1980s"; George R. Guffey, Professor of English at UCLA, "Fahr­enheit 451and the 'Cubby-Hole Editors' of Ballantine Books"; H. Bruce Franklin, Pro­fessor of English and American Literature at Rutgers University at Newark, "America as Science Fiction: 1939"; Sandra M. Gilbert, Professor of English at the University of Cal­ifornia at Davis, and coauthor with Susan Gubar of Madwoman in the Attic, "Rider Hag­gard's Heart of Darkness"; the aforemen­tioned Susan Gubar, Professor of English at Indiana University, "She in Her/and: Femi­nism as Fantasy"; and George R. Slusser, Cu­rator of the Eaton Collection, "Death and the Mirror: Existential Fantasy."