Quartet In Autumn

With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.

SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE A NEW YORK TIMES AND GUARDIAN BEST BOOK OF 2017 Autumn. Season of mists and mellow fruitfulness. That’s what it felt like for Keats in 1819. How about Autumn 2016? Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdon is in pieces, divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. Ali Smith’s new novel is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. It is the first installment of her Seasonal quartet—four stand-alone books, seperate yet interconnected and cyclical (as the seasons are)—and it casts an eye over our own time. Who are we? What are we made of? Shakespearean jeu d’esprit, Keatsian melancholy, the sheer bright energy of 1960s pop art: the centuries cast their eyes over our own history making. Here’s where we’re living. Here’s time at its more contemporaneous and its most cyclic. From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in time-scale and light-footed through histories, a story about aging and time and love and stories themselves.

From the Man Booker Prize finalist: Seasonal Quartet is a series of four stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories, which, when taken together, give us something more—all four united by the passing of time, the timing of narrative, and the endless familiarity yet renewal that the cycle of the seasons is. Grounded in current politics, in the work of artists Pauline Boty, Barbara Hepworth, Katherine Mansfield, and Loretta Mazzetti, and in Shakespeare's four final romances The Tempest, Cymbeline, Pericles, and A Winter's Tale, the Seasonal Quartet is "one of modern fiction's most elusive and most important undertakings" (Charles Finch, The Boston Globe).

“This is the most political book thus far in this earthy and humane series. Its heart is worn far out on its sleeve. It beats arrhythmically somewhere down near the knuckles….Smith’s vision isn’t fundamentally pessimistic, however. There’s too much squirming life in her fiction, slashes of cleansing light for those who seek it.” - New York Times "Her best book yet, a dazzling hymn to hope, uniting the past and the present with a chorus of voices."--The Guardian From the Man Booker-shortlisted author of Autumn and Winter, as well as the Baileys Prize-winning How to be both, comes the next installment in the remarkable, once-in-a-generation masterpiece, the Seasonal Quartet What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown Smith opens the door. The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.

"What Smith has achieved in her cycle so far is exactly what we need artists to do in disorienting times: make sense of events, console us, show us how we got here, help us believe that we will find our way through. Often, that's what we lean on the classics for, finding answers in metaphor. But in "Winter," as in "Autumn," Smith gives us a potent, necessary source of sustenance that speaks directly to our age." - The Boston Globe “There are few writers on the world stage who are producing fiction this offbeat and alluring.” – The New York Times The dazzling second novel in Ali Smith's essential Seasonal Quartet--from the Baileys Prize-winning, Man Booker-shortlisted author of Autumn and How to be both Shortlisted for the 2018 Orwell Prize for Political Writing Winter. Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. And now Art's mother is seeing things. Come to think of it, Art's seeing things himself. When four people, strangers and family, converge on a 15 bedroom house in Cornwall for Christmas, will there be enough room for everyone? Winter. It makes things visible. In Ali Smith's Winter, life-force matches up to the toughest of the seasons. In this second novel in her Seasonal cycle, the follow-up to her sensational Autumn, Smith's shapeshifting novel casts a warm, wise, merry and uncompromising eye over a post-truth era in a story rooted in history and memory and with a taproot deep in the evergreens, art and love.

Daniel Abraham delighted fantasy readers with his brilliantly original and engaging first novel, and in his second penned a tragedy as darkly personal and violent as Shakespeare's King Lear. Now he has written an epic fantasy of much wider scope and appeal that will thrill his fans and enthrall legions of new readers. Otah Machi, ruler of the city of Machi, has tried for years to prepare his people for a future in which the magical andat, entities that support their commerce and intimidate all foes, can no longer be safely harnessed. But his efforts are too little, too late. The Galts, an expansionist empire from across the sea, have tired of games of political espionage and low-stakes sabotage. Their general, a ruthless veteran, has found a way to do what was thought impossible: neutralize the andat. As the Galtic army advances, the Poets who control the andat wage their own battle to save their loved-ones and their nation. Failure seems inevitable, but success would end the Galtic threat. With wonderful storytelling skill, Abraham has wedded the unique magic, high-stakes betrayal and political intrigue of his previous works with a broad tapestry of action in a spectacular fantasy epic. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Excellent Women is probably the most famous of Barbara Pym's novels. The acclaim a few years ago for this early comic novel, which was hailed by Lord David Cecil as one of 'the finest examples of high comedy to have appeared in England during the past seventy-five years,' helped launch the rediscovery of the author's entire work. Mildred Lathbury is a clergyman's daughter and a spinster in the England of the 1950s, one of those 'excellent women' who tend to get involved in other people's lives - such as those of her new neighbor, Rockingham, and the vicar next door. This is Barbara Pym's world at its funniest.

‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper Barbara Pym was an incomparable chronicler of ordinary, quiet lives. With warmth, humour, precision and great vividness, she gave her best characters an independent life we recognise as totally familiar. In A Few Green Leaves, her last novel, her heroine is Emma Howick, anthropologist. Through her eyes Barbara Pym examines in her own ironic and individual style the quiet revolution in English village life, combining the rural settings of her earliest novels with the themes and characters of her later works. The result is a compelling portrait of a town that seems to be forgotten by time, but which is unmistakably affected by it. Romance shares the pages with death in this engaging novel that is the culmination of Barbara Pym's acclaimed writing career. 'I could go on reading her for ever' A L Rowse, Punch 'A vivid sense of how we live now' New Statesman 'Her sense of brilliant comedy is a direct inheritance from Jane Austen' Hibernia 'A beautifully written, very delicate comedy' The Times Literary Supplement