Queen Victoria S Granddaughters

On 6th July 1868, when told of the birth of her seventh granddaughter, Queen Victoria remarked that the news was 'a very uninteresting thing for it seems to me to go on like the rabbits in Windsor Park.' Her apathy was understandable - this was her fourteenth grandchild, and, though she had given birth to nine children, she had never been fond of babies, viewing them as 'frog-like and rather disgusting...particularly when undressed.' The early years of her marriage had, she claimed, been ruined by frequent pregnancies; and large families were unnecessary for wealthy people since the children would grow up with nothing worthwhile to do. Nevertheless, her initial reaction to the birth of Princess Victoria of Wales belied the genuine concern that Queen Victoria felt for each of her twenty-two granddaughters. 'As a rule, ' she wrote, 'I like girls best, ' and she devoted a great deal of time to their wellbeing and happiness, showering them with an affection she had seldom shown her own children.By 1914, through a series of dynastic marriages, the Queen's granddaughters included the Empress of Russia, the Queens of Spain, Greece and Norway, and the Crown Princesses of Roumania and Sweden. As their brothers and cousins occupied the thrones of Germany, Britain and Denmark, Prince Albert's dream of a peaceful Europe created through bonds of kinship seemed a real possibility. Yet in little more than a decade after Queen Victoria's death, the Prince Consort's dream would lie shattered in the carnage of the First World War. Royal cousins and even siblings would find themselves on opposing sides; two of them would die horrifically at the hands of revolutionaries and several others would be ousted from their thrones. They had lived through the halcyon days of the European monarchies but their lives, like the lives of millions of their peoples, would be changed forever by the catastrophe played out on the battlefields of France.Through all the upheavals, tragedies and conflicts one person had bound them together and, even when wars had divided their nations, to the end of their lives, they would look back and remember 'dearest grandmama' with lov

Julia Gelardi's Born to Rule is an historical tour de force that weaves together the powerful and moving stories of the five royal granddaughters of Queen Victoria. These five women were all married to reigning European monarchs during the early part of the 20th century, and it was their reaction to the First World War that shaped the fate of a continent and the future of the modern world. Here are the stories of Alexandra, whose enduring love story, controversial faith in Rasputin, and tragic end have become the stuff of legend; Marie, the flamboyant and eccentric queen who battled her way through a life of intrigues and was also the mother of two Balkan queens and of the scandalous Carol II of Romania; Victoria Eugenie, Spain's very English queen who, like Alexandra, introduced hemophilia into her husband's family-with devastating consequences for her marriage; Maud, King Edward VII's daughter, who was independent Norway's reluctant queen; and Sophie, Kaiser Wilhelm II's much maligned sister, daughter of an Emperor and herself the mother of no less than three kings and a queen, who ended her days in bitter exile. Born to Rule evokes a world of luxury, wealth, and power in a bygone era, while also recounting the ordeals suffered by a unique group of royal women who at times faced poverty, exile, and death. Praised in their lifetimes for their legendary beauty, many of these women were also lauded-and reviled-for their political influence. Using never before published letters, memoirs, diplomatic documents, secondary sources, and interviews with descendents of the subjects, Julia Gelardi's Born to Rule is an astonishing and memorable work of popular history.

Like many well-educated ladies of her era, Ellen Wayles Coolidge kept diaries, but as the granddaughter of an American president, she had rare access to London society. The editors introduce this annotated publication of of her diary, in which she makes perceptive observations on British society, American democracy, family back home, art, and conversations with leading writers and activists.

‘Satisfyingly replete with eye-popping stories’ Observer What was so dangerous about Queen Victoria’s artistic tempestuous sixth child, Princess Louise? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded f from public view for years. Louise was a sculptor and painter, friend to the Pre-Raphaelites and a keen member of the Aesthetic movement. The most feisty of the Victorian princesses, she kicked against her mother’s controlling nature and remained fiercely loyal to her brothers – especially the sickly Leopold and the much-maligned Bertie. She sought out other unconventional women, including Josephine Butler and George Eliot, and campaigned for education and health reform and for the rights of women. She battled with her indomitable mother for permission to practice the ‘masculine’ art of sculpture and go to art college – and in doing so became the first British princess to attend a public school. The rumours of Louise’s colourful love life persist even today, with hints of love affairs dating as far back as her teenage years, and notable scandals included entanglements with her sculpting tutor Joseph Edgar Boehm and possibly even her sister Princess Beatrice’s handsome husband, Liko. True to rebellious form, she refused all royal suitors and became the first member of the royal family to marry a commoner since the sixteenth century. Spirited and lively, The Mystery of Princess Louise is richly packed with arguments, intrigues, scandals and secrets, and is a vivid portrait of a princess desperate to escape her inheritance.

"...Compiled from twenty-eight letters of Princess Victoria of Prussia to her widowed mother the Empress Frederick to form a dayto-day record of Queen Victoria's life at Windsor and Balmoral during one, short precise period of time--the hot month of June, 1889, two years after the Golden Jubilee..."--Taken from Dust jacket.