Queer And Subjugated Knowledges Generating Subversive Imaginaries

Queer and Subjugated Knowledges: generating subversive Imaginaries makes an invaluable contribution to gender and sexuality studies, engaging with queer theory to reconceptualize everyday interactions. The scholars in this book respond to J. Halberstam's call to engage in alternative imaginings to reconceptualize forms of being, the production of knowledge, and envisage a world with different sites for justice and injustice. The recent work of cultural theorist, Judith Halberstam, makes new investments in the notion of the counter-hegemonic, the subversive and the alternative. For Halberstam.Description based on print version record.

Queer and Subjugated Knowledges: generating subversive Imaginaries makes an invaluable contribution to gender and sexuality studies, engaging with queer theory to reconceptualize everyday interactions. The scholars in this book respond to J. Halberstam's call to engage in alternative imaginings to reconceptualize forms of being, the production of knowledge, and envisage a world with different sites for justice and injustice. The recent work of cultural theorist, Judith Halberstam, makes new investments in the notion of the counter-hegemonic, the subversive and the alternative. For Halberstam.

Taking a sociocultural approach to understanding violence, the authors in this collection examine how norms of gender, culture and educational practice contribute to school violence, providing strategies to intervene in and address violence in educational contexts.

An essential anthology of leading academics, activists, and artists on the state of queer studies today. Founded in 1992, the David R. Kessler lectures represent the foreground of queer studies in the US, featuring legendary thinkers such as Cherríe Moraga, Samuel Delaney, Barbara Smith, Judith Butler, and more. New Queer Ideas collects the speeches given from 2002 to 2020, as well as two scholarly roundtables, by some of the most influential scholars, artists, and activists of the last two decades, including Gayle Rubin, Cathy J. Cohen, Dean Spade, Sara Ahmed, Jasbir K. Puar, and the late Douglas Crimp and Adrienne Rich. Diverse and dynamic, these intertextual conversations tackle some of today’s most important interventions from the margins—including the growth of trans studies, the synergy and disconnect between theory and activism, the role of LGBTQ+ art and media, the challenge of transnational and postcolonial theory, and more. Tracing the maturation of queer studies after its foundation in the 1990s, New Queer Ideas lays the groundwork in the twenty-first century and beyond.

What does it mean to be a prophet in queer times? Considering first the queerness of the prophet Jonah, this volume then broadens its scope to the queer prophetic in our own time, reflecting on what makes a prophet ‘queer’, and considering how public theology is itself, an example of the queer prophetic. With a broad range of international contributors, this book offers a bold and essential new addition to queer biblical studies literature.

Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

The complete and groundbreaking "The L Word" is now out on DVD and this book makes the perfect companion, covering the series in its entirety. "Loving The L Word" picks up where Reading "The L Word: Outing Contemporary Television" (I.B. Tauris, 2006) left off. With new, updated chapters by many of the same television writers and scholars who contributed to the first volume, as well as essays by some newcomers, "Loving The L Word" explores the series' quantum contribution to the ongoing evolution of queer television. Whether you loved "The L Word", hated it, or loved to hate it, this book recognizes that the show transformed the post-Ellen LGBT television landscape, fulfilling a long-neglected, visceral desire for lesbian stories and images. In the process, it reshaped the communities that follow and talk about queer television and care about the narratives and characters that drive it. Including complete Character/Actor, Film/TV and Episode guides, the book also proceeds from the understanding that while "The L Word' ended in 2009 it manages to live on - in the lives of its fans, as well as in a new reality spin-off, "The Real L Word".