Queer Kinship In Sarah Schulman S Aids Novels

"Queer Kinship in Sarah Schulman's AIDS Novels is the first book to extensively discuss the works of Sarah Schulman, a journalist, activist and globally recognized novelist. This research monograph juxtaposes the works about the AIDS epidemic which were well-received by the mainstream America with Schulman's own output as a "bard of AIDS burnout," in the words of Edmund White. In contrast with the prevailing representations of the epidemic, her works emphasize the importance of queer kinship, chosen families, and AIDS activist groups that fall outside of the heteronorm. Bearing witness to these voluntary collectivities means also surviving the traumatizing experience of ongoing, repeated death and refusing the idea of an easy solution to the crisis. The monograph tracks the tension between the dominant narratives about the epidemic and those articulated from the excluded positions, arguing that Schulman reformulates queer kinship as the locus of social change"--

Queer Kinship in Sarah Schulman’s AIDS Novels is the first book to extensively discuss the works of Sarah Schulman, a journalist, activist and globally recognized novelist. This research monograph juxtaposes the works about the AIDS epidemic which were well-received by the mainstream America with Schulman’s own output as a “bard of AIDS burnout,” in the words of Edmund White. In contrast with the prevailing representations of the epidemic, her works emphasize the importance of queer kinship, chosen families and AIDS activist groups that fall outside of the heteronorm. Bearing witness to these voluntary collectivities means also surviving the traumatizing experience of ongoing, repeated death and refusing the idea of an easy solution to the crisis. The monograph tracks the tension between the dominant narratives about the epidemic and those articulated from the excluded positions, arguing that Schulman reformulates queer kinship as the locus of social change.

""Familial homophobia," as prizewinning writer and professor Sarah Schulman calls it, is a phenomenon that until now has not had a name but that is very much a part of life for the LGBT community. In the same way that Susan Brownmiller's Against Our Will transformed our understanding of rape by moving the stigma from the victim to the perpetrator, Schulman's Ties That Bind calls on us to recognize familial homophobia. She invites us to understand it not as a personal problem but a widespread cultural crisis. She challenges us to take up our responsibilities to intervene without violating families, community, and the state. With devastating examples, Schulman clarifies how abusive treatment of homosexuals at home enables abusive treatment of homosexuals in other relationships as well as in society at large.".

Queers and trans people in the 1980s and early '90s were dying of AIDS and the government failed to care. Lovers, strangers, artists, and community activists came together take care of each other in the face of state violence.These early HIV care-giving narratives continue to shape how we understand our genders and our disabilities, forming ongoing chosen families for body self-determination.

This political fantasy about what happens to love and anger when they are transformed by activism includes a varied cast of gay and lesbian characters in the age of AIDS, all of whose lives are altered by the appearance of Justice, an underground organization of gay guerrilla activists determined to save their own lives.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Owen Barfield influenced a diverse range of writers that includes T. S. Eliot, J. R. R. Tolkien, W. H. Auden, Howard Nemerov, and Saul Bellow, and Owen Barfield's Poetry, Drama, and Fiction is the first book to comprehensively explore and assess the literary career of the "fourth Inkling," Owen Barfield. It examines his major poems, plays, and novels, with special attention both to his development over a seventy-year literary career and to the manifold ways in which his work responds with power, originality, and insight to modernist London, the nuclear age, and the dawning era of environmental crisis. With this volume, it is now possible to place into clear view the full career and achievement of Owen Barfield, who has been called the British Heidegger, the first and last Inkling, and the last Romantic.

In this gripping memoir of the AIDS years (1981–1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.