Queer Voices

This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.

This inaugural volume of the new book series, Research in Queer Studies is a collection of memoirs or short narrative essays in which lesbian, gay, bisexual, trans, intersex or queer PK-12 teachers and/or administrators (either “out” or “not out”) recount their personal experiences as a queer teachers. The authors of these stores write about significant experiences that describe how their sexual identity has shaped who they are today as teachers/administrators, by answering the following questions: • In light of your sexual identity, how did you become who you are today? • Why did you decide to become a teacher? What role did your sexual identity play in that decision? • What kinds of significant moments, including queer issues (e.g., bullying) regarding students and/or yourself, have you experience in your teaching? • In light of who you are as an individual, what do you hope to achieve and become as a queer teacher in the future?

Forty-four LGBTQIA+ voices provide a vibrant, necessary, and dazzling component of Minnesota's cultural and historical fabric.

Queer Voices from Japan examines the wide range of queer voices in Japan, and the longevity that these minority communities have enjoyed in society. Mark McLelland, Katsuhiko Suganuma, and James Welker bring together historical and contemporary narratives that contribute to the study of sexual identities in Japan. These essays trace the evolution of queer voices in Japan with analyses of the presence of homosexuality in the Japanese Imperial Army, the development of Japan's first gay bars, and same-sex experiences in the pre- and post-war periods. This book offers a variety of perspectives including a range of male-to-female and female-to-male transgender voices and experiences. The broad scope of this volume makes it an invaluable text for understanding the development of Japanese sex and gender categories in the twentieth century. Queer Voices from Japan is a compelling read that will appeal to those interested in Asian studies and human sexuality.

This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.

An intense account of Adam’s life and legacy, Soar, Adam, Soar is told both by his loving priest-turned-dad and by Adam himself, through his many included Facebook posts.

Although his mainstream career has recently included majorwork for the RSC and the National, the five new pieces collected here show just how close playwright and director Neil Bartlett has stayed to the radical queer cultural roots that first brought him to prominence in the early 1980s. Commissioned to be performed in spaces as various as South London’s notorious Vauxhall Tavern, Brighton’s Theatre Royal and the pulpit of Westminster Abbey, these hit-and-run dramatic monologues bring all of his trademark wit and passion to bear on the issues that run throughout his work – the power of love, and the necessity for anger. Together, they make up a trenchantly personal take on what it feels like to have spent nearly thirty years standing up and speaking one’s mind. The collection also includes his 2011 adaptation of Oscar Wilde’s The Remarkable Rocket, which uses the diamond-sharp text of one of Wilde’s children’s stories as the springboard for a haunting meditation on the enduring power of Wilde to inspire, dazzle and move. A follow on from his earlier collection Solo Voices, this new collection is vivid, fierce and tender, with five provocative and highly actable new works from one of British theatre’s most idiosyncratic voices. www.neil-bartlett.com

This is a fully revised and substantially expanded edition of Peter Jackson’s highly regarded pioneering study of an Asian gay culture, Male Homosexuality in Thailand (1989). The hero of Jackson’s fascinating narrative is “Uncle Go”, which was the pen name of a popular magazine editor who, despite being avowedly heterosexual, was tolerant of all sexual practices and whose “agony uncle” columns in the 1970s provided unique spaces in the national press for Thailand’s gays, lesbians and transgenders (kathoeys) to speak for themselves in the public domain. By allowing the voices of alternative sexualities to be heard, Uncle Go emerged as Thailand’s first champion of gender equality and sexual rights. Peter Jackson translates and analyses selected correspondence published in Uncle Go’s advice columns, preserving and presenting important primary sources. In this new edition, Jackson has expanded his coverage to include not only letters from Thai gay men, but also those from lesbians and transgenders, thus capturing the full diversity of Thailand’s modern queer cultures at a key moment in their historical development when new understandings of sexual identities were first communicated to the wider community. “How wonderful to see this classic volume printed in a new expanded edition for the 21st century! When first published the figure of Uncle Go became an instant and unique voice in Thai sexuality studies. Peter Jackson’s contributions here are huge and foundational.” —Gilbert Herdt, San Francisco State University “If Thailand is now well known for its unique milieu of sex and gender diversity, it is in large part due to Peter Jackson’s writings. First Queer Voices from Thailand offers a rare archive of non-normative sexualities invaluable for anyone wishing to understand sexual modernity outside of the West.” —Ara Wilson, Duke University “An amazing work. Most valuable for this new edition is perhaps the way in which it documents changes in Jackson’s thinking, and in the field of sexuality studies, over the last twenty years, in response to the methodological challenges of queer and transgender scholarship.” —Susan Stryker, University of Arizona