Queer Y Ing Bodily Norms In Francophone Culture

Queer(y)ing Bodily Norms in Francophone Culture questions how a wide selection of restrictive norms come to bear on the body, through a close analysis of a range of texts, media and genres originating from across the francophone world and spanning the twentieth and twenty-first centuries. Each essay troubles hegemonic, monolithic perceptions and portrayals of racial, class, gender, sexual and/or national identity, rethinking bodily norms as portrayed in literature, film, theatre and digital media specifically from a queer and querying perspective. The volume thus takes «queer(y)ing» as its guiding methodology, an approach to culture and society which examines, questions and challenges normativity in all of its guises. The term «queer(y)ing» retains the celebratory tone of the term «queer» but avoids appropriating the identity of the LGBTQ+ community, a group which remains marginalized to this day. The publication reveals that evaluating the bodily norms depicted in francophone culture through a queer and querying lens allows us to fragment often oppressive and restrictive norms, and ultimately transform them.

This book examines the representation of the female fertility cycle in contemporary Algerian, Mauritian, and French women’s writing. It focuses on menstruation, childbirth, and the menopause whilst also incorporating experiences such as miscarriage and abortion. This study frames its analysis of contemporary women’s writing by looking back to the pioneering work of the second-wave feminists. Second-wave feminist texts were the first to break the silence on key aspects of female experience which had thus far been largely overlooked or considered taboo. Second-wave feminist works have been criticised for applying their ‘universal’ theories to all women, regardless of their ethnicity, socio-economic status, or sexuality. This book argues that contemporary women’s writing has continued the challenge against normative perceptions of the body that was originally launched by the second-wave feminists, whilst also taking a more nuanced, contextual and intersectional approach to corporeal experience. The cross-cultural and interdisciplinary approach of this book is informed not only by critics of the second-wave feminist movement but also by sociological studies which consider how women’s bodily experiences are shaped by socio-cultural context.

This volume pays tribute to the work of Professor Kate Marsh (1974-2019), an outstanding scholar whose research covered an extraordinarily wide range of interests and approaches, encompassing the history of empire, literature, politics and cultural production across the Francophone world from the eighteenth to the twenty-first century. Each of the chapters within engages with a different aspect of Marsh’s interest in French colonialism and the entanglements of its complex afterlives — whether it be her interest in the longevity of imperial rivalries; loss and colonial nostalgia; exoticism and the female body; decolonization and the ends of empire; the French colonial imagination; the policing of racialized bodies; or anti-colonial activism and resistance. As well as reflecting the geographical and intellectual breadth of Marsh’s research, the volume demonstrates how her work continues to resonate with emerging scholarship around decoloniality, transcolonial mobilities and anti-colonial resistance in the Francophone world. From French India to Algeria and from the Caribbean to contemporary France, this collection demonstrates the persistent relevance of Marsh’s scholarship to the histories and legacies of empire, while opening up conversations about its implications for decolonial approaches to imperial histories and the future of Francophone Postcolonial Studies.

Today’s world is characterized by a pervasive sense of crisis and uncertainty. This has created an increasingly urgent set of questions about who counts as human today and the nature of meaningful human life. Although the human impact on earth is as visible as ever, we can no longer take the centrality of the human for granted. This tension is at the center of this volume, which engages with ontological theories of posthumanism and new materialism, combining them with poststructuralist theories of power and subjectivity to create a comprehensive matrix for diagnosing the present. Within this framework, the authors discuss American and French novels and French-language plays that offer an insight into today’s diverse challenges to being human. They consider the impact of neoliberalism on shaping human affects and intimacies, as well as literary responses to socio-economic precarity. The current environmental catastrophe is tackled through novels that question the human responsibility in bringing about, for example, the sixth mass extinction of species and the anthropocentricity of literature itself. The art and artificiality of theater are shown to be means that allow us to delve into the extremes of human experience, for example, by revisiting myths that re-interpret desire and question the possibility of a future for human beings.

This book showcases the online activism of women’s groups around the world in the post-#MeToo era, and presents an overview of the diversity of its current expressions. The focus of this book extends beyond campaigns against rape culture to include women’s struggles on other political and environmental issues, such as the campaign against the radical right-wing in Austria. Moreover, the book's chapters highlight the genuine complexity of the efforts of women activists who are not only challenging the patriarchal order within male-controlled digital platforms but are also challenging the hegemonic voices within the women's movements. The book’s case studies attest to the proliferation of digital campaigns aimed not only against discrimination of women but against discrimination based on their color, age, ethnicity, and nationality. The internet helps them to voice their agenda and strive for social change as well as to create both connective and collective identities.

Trans Identities in the French Media: Representation, Visibility, Recognition explores the representation of trans identities, with essays in fields as wide-ranging as translation studies, women’s and gender studies, film studies, and comics studies. This bookanalyzes the multi-layered meaning of “representation” to reflect on the questions of trans visibility and recognition in a French context. The texts selected provide readers with in-depth and innovative analyses that discuss the representation of trans identities in the French media, its main challenges, and the pitfalls and innovations that shape these representations today.

The Body in French Queer Thought from Wittig to Preciado: Queer Permeability identifies a common concern in French queer works for the materiality of the body, arguing for a return to the body as fundamental to queer thought and politics, from HIV onwards. The emergence of queer theory in France offers an opportunity to re-evaluate the state of queer thought more widely: what matters to queer theory today? The energy of queer thinking in France - grounded in activist groups and galvanised by recent hostility towards same-sex marriage and gay parenting - has reignited queer debates. Examining Paul B. Preciado's experimentation with theory and pharmaceutical testosterone; Monique Wittig's exploration of the body through radically innovative language; and, finally, the surgical performances of French artist ORLAN's 'Art Charnel', this book asks how we are able to account for the material body in philosophy, literature, and visual image. This is an important work for academics and students in French studies, in Anglophone queer studies, gender and sexuality studies and transgender studies, and will have significant interest for specialists of cultural translation and visual art and culture.

In a highly original and interdisciplinary work bridging French and Francophone studies, cultural studies, media studies, and gender and sexuality studies, Luis Navarro-Ayala examines the transnational queer body as a physical and symbolic entity intrinsically connected with space. Through a transcultural and intersectional approach to bodily representations, socioeconomic conditions, and postcolonial politics, Navarro-Ayala analyzes queerness and Frenchness in narratives from North Africa and Latin America, revealing that Frenchness is coded to represent a sexually deviant “Other.” France and Frenchness, in two distinct regions of the global South, have come to represent an imagined queer space enabling sexual exploration, even in social conditions that would have otherwise prevented queer agency.