Qusayr Amra

From the stony desolation of Jordan's desert, it is but a step through a doorway into the bath house of the Qusayr 'Amra hunting lodge. Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. It illuminates not only the way of life of the early Muslim elite but also the long afterglow of late antique Syria.

This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo

Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.

This fourth installment of Byzantium and the Arabs in the Sixth Century resumes the previous volume's discussion of the Ghassanids by examining their economic, social, and cultural history. First, Irfan Shahîd focuses on the economy of the Ghassanids and presents information on various trade routes and fairs. Second, the author reconstructs Ghassanid daily life by discussing topics as varied as music, food, medicine, the role of women, and horse racing. Shahîd concludes the volume with an examination of cultural life, including descriptions of urbanization, Arabic script, chivalry, and poetry. Throughout the volume, the author reveals the history of a fully developed and unique Christian-Arab culture. Shahîd exhaustively describes the society of the Ghassanids, and their contributions to the cultural environment that persisted in Oriens during the sixth century and continued into the period of the Umayyad caliphate.

This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.

A detailed and well-illustrated study of the history, architecture and symbolism of the early 8th-century mosque. The heavily annotated text includes analyses of the mosque's mosaic, interior decoration, clock and colonnade and broader discussions of the ambiguous meaning of the mosque's decorations, the topography of early medieval cities and the visual culture of Muslim architecture.

The essays in this volume deal with the history of the Middle East from c.550 to 1000 AD. There are three main themes: Syria in Late Antiquity and the changes and continuities with the early Islamic period; relations between Muslims and the Byzantine Emp