Race My Story Humanity S Bottom Line

Lauren Joichin Nile introduces what she believes is humanity’s racial bottom line with a compelling account of her personal experiences growing up in 1950’s and 60’s segregated New Orleans. In so doing, she posits what she believes is humanity’s universal racial story. Lauren explains how starting out from Southern Africa, fully formed human beings, over thousands of years, walked out of Africa, populated the entire rest of Planet Earth, and over 2,000 generations, physically adapted to their new environments, gradually taking on the appearance of the many races of modern-day humanity, making all of us literally one, biologically-related human family. She then provides an abbreviated account of some of the most significant events of humanity’s racial history and an explanation of how that history has affected the American racial present. She also analyzes a number of controversial topics, including whether there are truly superior and inferior races. Finally, Lauren shares what she believes are the specific actions that humanity must take in order to heal from our wretched racial past, realize that across the planet, we all truly can love one another and as a species, walk into a wiser, more empathetic, compassionate human future. Lauren Joichin Nile is an author, keynote speaker, trainer and licensed attorney who specializes in assisting organizations in increasing their emotional intelligence, compassion, and productivity. The goal of her work with organizations is to help create environments in which understanding and kindness are valued and as a result, every person is equally welcomed and uniformly appreciated irrespective of all demographic differences. The goal of Lauren’s speaking and training in the greater society, is to help the human species grow in both wisdom and compassion.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

All groups tell stories, but some groups have the power to impose their stories on others, to label others, stigmatize others, paint others as undesirables—and to have these stories presented as scientific fact, God’s will, or wholesome entertainment. Watermelons, Nooses, and Straight Razors examines the origins and significance of several longstanding antiblack stories and the caricatures and stereotypes that support them. Here readers will find representations of the lazy, childlike Sambo, the watermelon-obsessed pickaninny, the buffoonish minstrel, the subhuman savage, the loyal and contented mammy and Tom, and the menacing, razor-toting coon and brute. Malcolm X and James Baldwin both refused to eat watermelon in front of white people. They were aware of the jokes and other stories about African Americans stealing watermelons, fighting over watermelons, even being transformed into watermelons. Did racial stories influence the actions of white fraternities and sororities who dressed in blackface and mocked black culture, or employees who hung nooses in their workplaces? What stories did the people who refer to Serena Williams and other dark-skinned athletes as apes or baboons hear? Is it possible that a white South Carolina police officer who shot a fleeing black man had never heard stories about scary black men with straight razors or other weapons? Antiblack stories still matter. Watermelons, Nooses, and Straight Razors uses images from the Jim Crow Museum, the nation’s largest publicly accessible collection of racist objects. These images are evidence of the social injustice that Martin Luther King Jr. referred to as “a boil that can never be cured so long as it is covered up but must be exposed to the light of human conscience and the air of national opinion before it can be cured.” Each chapter concludes with a story from the author’s journey, challenging the integrity of racial narratives.

How do political conflicts shape popular culture? This book explores that question by analyzing how the Planet of the Apes films functioned both as entertaining adventures and as apocalyptic political commentary. Informative and thought provoking, the book demonstrates how this enormously popular series of secular myths used images of racial and ecological crisis to respond to events like the Cold War, the race riots of the 1960s, the Civil Rights movement, the Black Power movement, and the Vietnam War. The work utilizes interviews with key filmmakers and close readings of the five Apes films and two television series to trace the development of the series’ theme of racial conflict in the context of the shifting ideologies of race during the sixties and seventies. The book also observes that today, amid growing concerns over race relations, the resurgent popularity of Apes and Twentieth Century—Fox’s upcoming film may again make Planet of the Apes a pop culture phenomenon that asks who we are and where we are going. Instructors considering this book for use in a course may request an examination copy here.

How can African Americans and Afro-Caribbeans from the former British colonies be so different in their approaches toward social mobility? Chrystal Y. Grey and Thomas Janoski state that this is because native blacks grow up as “strangers” in their own country and immigrants from the English-speaking Caribbean are conversely part of “the dominant group.” Unlike previous research that compares highly educated Afro-Caribbeans to the broad range of African-Americans, this study holds social-class constant by looking only at successful blacks in the upper-middle-class from both groups. This book finds that African-Americans pursue overachievement strategies of working much harder than others do, while Afro-Caribbeans follow an optimistic job strategy expecting promotions and success. However, African-Americans are more likely to use confrontational strategies if their mobility is blocked. The main cause of these differences is that Afro-Caribbeans grow up in a system where they have many examples of black politicians and business leaders (35–90% of their countries are black) and African-Americans have fewer role models (12–14% of the United States are black). Further, the schooling system in Afro-Caribbean countries does not label blacks as underachievers because the schools are almost entirely black. A further problem that African-Americans face is the resentment of a small but significant number of blacks who have little social mobility. They accuse socially mobile African Americans of “acting white,” which is a phenomenon that Afro-Caribbeans almost never face and they call it “an African-American thing.” To demonstrate this difference, Strategies for Success among African-Americans and Afro-Caribbeans does a historical-comparative analysis of the differences between the black experience after slavery in the United States and Jamaica, Trinidad and Tobago, Guyana, and St. Kitts-Nevis. The authors interview fifty-seven black people and find consistent differences between the US and Caribbean black citizens. Using theories of symbolic interaction and ressentiment, this work challenges previous studies that either claim that Afro-Caribbeans are more motivated than African-Americans, or studies that show that controlling for class, each group is more or less the same.

Christine Davis offers readers an insider’s view of the practices of ten leading qualitative communication scholars, showing how they make critical decisions in the process of conducting research. Through interviews and reflective assessment of their key articles, these researchers make visible how they deal with theory, data collection, analysis, and writing up a study. These scholars represent the full range of qualitative communication research: social science, narrative, and performance. Davis provides additional context to offer the reader a practical understanding of how to navigate a qualitative research project.

How do we make sense of life? What’s our identity? Mixing memoir with theological and philosophical reflections, author David Wisener explores his struggle to understand God’s love and acceptance in his heart and how to find his place in the world when life didn’t go according to plan. Exploring the postmodern critique that we live our lives according to stories, Lost the Plot helps us realize how many of the stories we cling to aren’t part of God’s Story. Weaving deeply personal experiences of shattered dreams, bouts of depression, and disillusionment with the church, the book also explores concepts like perception, reality, and love, offering unique insight into the struggles and questions we face in understanding what life is about and what it means to be human.