Radiance And Symbolism In Modern Stained Glass

This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.

"This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries - the modern era.

A guide to spectacular ceilings around the globe that have been graced by the brushes of great artists including Michelangelo, Marc Chagall and Cy Twombly. From the lotus flowers of the Senso-ji Temple in Japan, to the religious iconography that adorns places of worship from Vienna to Istanbul, all the way to Chihuly’s glass flora suspended from the lobby of the Bellagio Hotel in Las Vegas—this book takes you on a tour of the extraordinary artworks that demand an alternative viewpoint. Art historian Catherine McCormack guides you through the stories behind the artworks—their conception, execution, and the artists that visualized them. In many cases, these works make bold but controlled political, religious or cultural statements, revealing much about the society and times in which they were created. Divided by these social themes into four sections—Religion, Culture, Power and Politics—and pictured from various viewpoints in glorious color photography, tour the astounding ceilings of these and more remarkable locations: Vatican Palace, Rome, Italy Blenheim Palace, Oxfordshire, UK Louvre Museum, Paris, France Dali Theatre-Museum, Figueres, Catalonia Museum of the Revolution, Havana, Cuba Capitol Building, Washington, DC, USA Four eight-page foldout sections showcase some of the world’s most spectacular ceilings in exquisite detail. First and foremost, this is a visual feast, but also a desirable art book that challenges you to seek out fine art in more unusual places and question the statements they may be making. “Deepens our perspective of 40 of the most artistic, fascinating and iconic ceilings around the world.” —Forbes

This scholarly work focuses on encounters with light, telling the story of "seduction" from the Middle Ages through our times, as revealed in works of literature and art, including architecture and film. Rather than the historical investigation of light's "essential" nature, its subject is our relationship with light.

Originally published in 1961. A constant influence on human action is that of proprieties, personal and social. These attitudes and traditions defining what is proper are largely logical in origin, but chance has a way of upsetting them. Even theory, which is part of human action, is subject to this influence. Dr. Hammond takes a novel approach to this philosophical theme. His topics of discussion include perception, the role of symbols in poetry and science, the definition of good and good use in language, space and the motion of the earth, the psychology of love, attitudes toward gambling, and a defense of horse racing. This unorthodox approach results in an exceptionally imaginative and thought-provoking book as well as a strong defense of deontology.

A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.

Detective Dave Robicheaux travels to the mountains of Montana to help his best friend and unearths a larger plot that threatens them both. Oil speculator Weldon Sonnier is the patriarch of a troubled family intimately bound to the CIA, the Mob, and the Klan. Now, the murder of a cop and a bizarre assassination attempt pull Detective Dave Robicheaux into the Sonniers’ hellish world of madness, murder, and incest. But Robicheaux has devils of his own—and they may just destroy the tormented investigator and the two people he holds most dear.

The Detroit area boasts many fine examples of stained glass representing a variety of periods and styles. The European stained glass collection at teh Detroit Institute of Arts ranks amongst the most important in the United States. Churches and synagogues contain panels from notable designsers and studios, and exquisite glass can also be found in many public and private buildings like the Detroit Public Library, Cranbrook House, the Guardian Building, and the David Whitney, Jr., house. Discovering Stained Glass in Detroit contains sixty examples of the area's stained glass treasures, each stunningly presented in full color. Author Nola Huse Tutag accompanies each illustration with an explanatory text. Line drawings illustrate the buildings where the panels are located. The windows represent works by designers such as Louis Comfort Tiffany, Charles J. Connick, Frank Lloyd Wright, Henry Matisse, as well as those from European and American studios.