Raja And The Monkey Of Mynah

Raja, the princess of Kazan Castle, has finally found peace, teaching and caring for the orphans she had rescued on her previous adventure. However, this peace is not to last, when her friend, Lord Pavel, requests that she join him on a mission to ensure that the slave orphanage at Marsh Mansion—still occupied by their notorious enemy, Hagatha—has been shut down. They arrive to disarray, with four children having disappeared with Hagatha in the night. Unbeknownst to Raja, Hagatha has travelled to Yurx Island in search of the cursed orb that all good hearts hope will never be found. Raja then receives a mysterious note from the self-proclaimed “Queen of Roses,” beckoning her to the dreaded land of North Vel Saca, the homeland of the frightful wailers, where darker truths await. Soon, Raja and her friends find themselves in more trouble than ever before, separated from each other and tricked into mindless servitude. All hope seems to be lost as a cruel ploy to dethrone the tzarina takes hold—or will those enticed by evil strongholds be delivered? Time is of the essence, lest innocent people die or lose their minds forever to darkness.

After years of turmoil, another great shadow is growing over Zurkia. Princess Hannah of Avaran—the cousin of Zurkia’s renowned hero, Princess Raja—and Princess Chloe have both been taken against their will by the superior of Wsyrut, Vandal. After two of Raja’s friends, Consula Meeshan and Prince Jafar, fail in their clever attempt to save the two princesses, Raja once again gathers her crew of adventuring companions to devise a new plan. However, Vandal is merely a pawn in an even greater and more dangerous scheme. The vile Hagatha, Queen of Roses, has retrieved her once-lost royal orb and set her sights on becoming queen of the entire kingdom, by any means necessary. Using the power of magic, potions, and trickery, Hagatha infiltrates the villages and legions of Zurkia and begins to amass a powerful and obedient army. With war on the horizon, everything comes into question. Will Raja’s friends’ plan to outplay the naive superior succeed? Will Zurkia’s people be made aware of Hagatha’s evil influence before it is too late? And what will be the cost of all this greed and dishonesty? With a brave heart, the heroes run headfirst into the darkness that threatens to consume everything, and everyone.

In the early nineteenth century, the south Indian kingdom of Tanjore, which had come under the control of the East India Company, flourished as a ‘centre’ of enlightenment. This book traces the contours of the Tanjore enlightenment, which produced a knowledge that was at once modern and deeply rooted in the indigenous tradition. The chief protagonist of this first ever full-length study on Tanjore at the turn of the nineteenth century is Raja Serfoji II (r. 1798–1832), in whose world science and God coexisted comfortably. Tanjore at this time was a thriving contact-zone, linked to several centres through extensive local and global networks. Its court attracted a great number of visitors, including Christian missionaries, high-ranking Company officials, princely contemporaries, naturalists, and medical practitioners. Dwelling on the locatedness of science and enlightenment modernity in the context of the colonial periphery, the book describes how the Raja deployed certain ‘vectors of assemblage’ — an array of practices, instruments, theories and people, including his vast collection of manuscripts, books and scientific instruments, a Devanagari printing press, a menagerie, health establishments and a large retinue of trained experts and artists — to invent Tanjore as a contemporary ‘centre’. Shunning reductionist and diffusionist explanations of the transmission of Western science in colonial settings, the study uses hitherto unexplored archival sources to reconstruct the Tanjore enlightenment as the outcome of globally situated cross-cultural exchanges. It celebrates the openness and confidence with which European science was engaged with, assimilated, translated and reinvented in a ‘contact-zone’ located in the colonial backwaters of south India. The book will be of interest to historians, sociologists and those interested in history of science and medicine, anthropologists, cultural studies scholars, as well as the general reader.

Snared by evil ... freed by love ... When Raja, a peasant in a village outside of a royal manor, is appointed by a young lord, Pavel, to serve in the manor, she quickly meets Hannah, her long-lost cousin, and learns of her real status—Princess and heir to the throne of Zurkia. But, Hannah’s father, known as the Dark Prince, wants Raja gone so he can rule the kingdom. After Raja is awarded a double-edged sword, her test of bravery and faithfulness has just begun. Caught in a corrupt society of slavery and abduction, she becomes its victim, and the Dark Prince, who vows to take over the throne of Zurkia, seeks to destroy Raja and the royal family. On her journey, Raja relies on the wise words of Hannah: “Doing good will heal your soul.” While the security of the throne diminishes and hope is almost lost, new confidence resurrects when Raja learns that the people she’s touched along the way are eager to help her. Together, they embark on the battle for survival.

This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.

Brigid Keenan was never destined to lead a normal life. From her early beginnings – a colourful childhood in India brought to an abrupt end by independence and partition, then a return to dreary post-war England and on to a finishing school in Paris with daughters of presidents and princes – ordinary didn't seem to be her fate. When, as a ten-year-old, she overheard her mother describe her as 'desperately plain', she decided then and there that she had to rely on something different: glamour, eccentricity, character, a career – anything, so as not to end up at the bottom of the pile. And in classic Brigid style, she somehow ended up with them all. Fate often gave Brigid a helping hand – in the late fifties, in her teens, she landed a job as an assistant at the Daily Express in London, and by the tender age of twenty-one she was a Fashion Editor at the Sunday Times. It was the dawn of the swinging sixties, and London was the place to be. Brigid worked with David Bailey and Jean Shrimpton, had her hair cut by Vidal Sassoon, drove around London in a mini-van, covered the Paris Collections and was labelled a 'Young Meteor' by the press. Despite always trying her hardest, Brigid's enthusiasm - and occasional naivete - could lead to embarrassing moments, such as when she turned up to report on the Vietnam war in a mini skirt ... Candid, wickedly funny and surprisingly touching, Full Marks for Trying is a coming-of-age memoir that will delight, entertain, and make you cry with laughter.