Ransom S Mark

When 13-year-old Olive Oatman's wagon train is raided by outlaw Yavapai Indians, she and her sister are captured. After enduring harsh treatment, they are ransomed by a band of Mohaves. Olive struggles to adjust to her new life, but finds comfort in her faith and in an unexpected friendship. When the time comes for her to return to the white world, she is afraid she will never fit in. But she learns to see the Mohave design tattooed on her chin as a sign of God's love and deliverence, a mark of ransom.

It would be difficult to find a better starting point for the present inquiry than the words which stand at the head of the canonical accounts of the life of Jesus. “The Gospel according to S. Mark” suggests clearly enough the nature of the facts and the method of their investigation. It implies that there is one Gospel, and that is presented in more than one form. It sanctions a distinction between the essential facts and interpretation of facts upon which Christian belief depends, and the partial and more or less accidental presentation of them which survives in the written records of the evangelists. There is a Gospel behind the Gospels: but it is through the Gospels that the Gospel is to be know.

In this New Studies in Biblical Theology exploration of Mark's Gospel, Peter G. Bolt looks at why the cross is so prominent in the narrative, asks what contribution Mark's teaching can make to our understanding of the atonement and shows how this teaching can inform, correct and enrich our own preaching of the gospel in the contemporary world.

A Theology of Mark’s Gospel is the fourth volume in the BTNT series. This landmark textbook, written by leading New Testament scholar David E. Garland, thoroughly explores the theology of Mark’s Gospel. It both covers major Markan themes and also sets forth the distinctive contribution of Mark to the New Testament and the canon of Scripture, providing readers with an in-depth and holistic grasp of Markan theology in the larger context of the Bible. This substantive, evangelical treatment of Markan theology makes an ideal college- or seminary-level text.

When 13-year-old Olive Oatman's wagon train is raided by outlaw Yavapai Indians, she and her sister are captured. Ransomed by a band of Mohaves and returned to the white world, Olive is afraid she will never fit in, but she learns to see the Mohave design tattooed on her chin as a sign of God's love and deliverance.

The world to which the Gospel of Mark introduces its reader is a world of conflicts and suspense, enigmas and secrets, questions and overturning of evidence, irony and surprise. Its principal actor, Jesus, is perplexing in the extreme. He is evidently so for the religious authorities who oppose him, but also for his disciples, who shift from incomprehension to opposition and flight. Questions of meaning, life and death, good and evil are continually broached. This narrative is a subtle invitation to enter into a new world, that of the coming Reign of God, in which the first are last and whoever wants to save his life must lose it. This commentary on the Gospel of Mark has been enthusiastically reviewed in the French edition as one of the best current commentaries on Mark. As a narrative critical commentary, it favors an interpretation of the Gospel that tries to grasp the dynamic of the text taken as a whole. Even if the technical vocabulary of narrative analysis is not used, and the main results of the historical-critical criticism, particularly those of redaction criticism, are not neglected, as the notes will reveal, it is narrative criticism that guides the proceedings.