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A comprehensive survey of Ravenna's history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and interpretations of art works.

Ravenna was one of the most important cities of late antique Europe. Between 400 and 751 AD, it was the residence of western Roman emperors, Ostrogothic kings, and Byzantine governors of Italy, while its bishops and archbishops ranked second only to the popes. This book provides a comprehensive survey of Ravenna's history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and new interpretations of art works.-from publisher description.

American researcher Jeff Friday has compiled the world's most extensive list of "Newly Identified" Secret Symbols in Art work for GOD in Merovingia. Place finds covered in this book are not just limited to the following: - Multiple Artifacts in God's name discovered in some of the following: Mosaics, Jewelry, Coins, Clothing & Apparel, Tapestries, Illuminations, Candles/Lamps, Shield Armor and much more. - Brief description of each Motif - 125++ Photos or Illustrations - Keyword Indexed for easy Reference Watch how Jeff reveals these newly discovered Monogram Symbols through illustrations that have been hiding in plain sight all this time. The book "SACRED SYMBOLS OF THE MEROVINGIANS: & OTHER CULTURAL CONNECTED ARTIFACTS" reveals new concepts and discoveries in the exploration of Symbols and now answers to their meanings. This book will appeal to a large range of readers: Artists, Non-Fiction Symbologist, Ancient Cultural Image exchanges, Students, Teachers and Spiritual connections to Religious Iconography.

American Art & History researcher Jeff Friday has compiled the world's most extensive list of Art work with the Greek Names of God. Many Latin references too as the descendant images of the Greco-Hebrew Iconography. Place finds covered in this book are not just limited to the following: Afghanistan, Northern Africa, Roman-Britain, Anglo-Saxon Britain, Bulgaria, Western China, Egypt, France (Frankia & Merovingian), Georgian, Greece, India, Iran, Iraq, Israel, Italy, Jordan, Korean, Scotland, Spain, Switzerland, Turkey and many more former Cultural places in History. - Multiple Artifacts in God's name discovered in some of the following: Mosaics, Jewelry, Coins, Clothing & Apparel, Tapestries, Illuminations, Candles/Lamps, Shield Armor and much more. - Brief description of each Motif - 245+ Photos or Illustrations - Keyword Indexed for easy Reference Watch how Jeff reveals these newly discovered Monogram Symbols through illustrations that have been hiding in plain sight all this time. The book "God's Greek Name in Art" reveals new concepts and discoveries in the exploration of Symbols and now answers to their meanings. This book will appeal to a large range of readers: Artists, Non-Fiction Symbologist, Ancient Cultural Image exchanges, Students, Teachers and Spiritual connections to Religious Iconography.

American Researcher & Symbologist Jeff Friday has compiled the world's most extensive list of Art work with the Greek & Latin Names of God produced in the Old World Cultures. Place finds covered in this book are not just limited to the following: Afghanistan, Northern Africa, Roman-Britain, Anglo-Saxon Britain, Bulgaria, Western China, Egypt, France (Frankia & Merovingian), Georgian, Greece, India, Iran, Iraq, Israel, Italy, Jordan, Korean, Scotland, Spain, Switzerland, Turkey and many more former Cultural places in History. - Multiple Artifacts in GOD's various Names discovered in some of the following: Mosaics, Jewelry, Coins, Clothing & Apparel, Tapestries, Illuminations, Candles/Lamps, Shield Armor and much more. - Brief description of each Monogram - 280+ Photos or Illustrations - Keyword Indexed for easy Reference Watch how Jeff reveals these newly discovered GOD Monogram Symbols through illustrations that have been hiding in plain site all this time. The book "GODOGRAMS" reveals new concepts and discoveries in the exploration of Symbols and now answers to their meanings. This book will appeal to a large range of readers: Artists, Non-Fiction Symbologist, Ancient Cultural Image exchanges, Students, Teachers and Spiritual connections to Religious Iconography.

In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.

The story of the woman taken in adultery features a dramatic confrontation between Jesus and the Pharisees over whether the adulteress should be stoned as the law commands. In response, Jesus famously states, “Let him who is without sin be the first to throw a stone at her.” To Cast the First Stone traces the history of this provocative story from its first appearance to its enduring presence today. Likely added to the Gospel of John in the third century, the passage is often held up by modern critics as an example of textual corruption by early Christian scribes and editors, yet a judgment of corruption obscures the warm embrace the story actually received. Jennifer Knust and Tommy Wasserman trace the story’s incorporation into Gospel books, liturgical practices, storytelling, and art, overturning the mistaken perception that it was either peripheral or suppressed, even in the Greek East. The authors also explore the story’s many different meanings. Taken as an illustration of the expansiveness of Christ’s mercy, the purported superiority of Christians over Jews, the necessity of penance, and more, this vivid episode has invited any number of creative receptions. This history reveals as much about the changing priorities of audiences, scribes, editors, and scholars as it does about an “original” text of John. To Cast the First Stone calls attention to significant shifts in Christian book cultures and the enduring impact of oral tradition on the preservation—and destabilization—of scripture.

Excerpt from Ravenna: A Study My intention in writing this book has been to demonstrate the unique importance of Ravenna in the history of Italy and of Europe, especially during the Dark Age from the time of Alaric's first descent into the Cisalpine plain to the coming of Charlemagne. That importance, as it seems to me, has been wholly or almost wholly misunderstood, and certainly, as I understand it, has never been explained. In this book, which is offered to the public not without a keen sense of its inadequacy, I have tried to show in as clear a manner as was at my command, what Ravenna really was in the political geography of the empire, and to explain the part that position allowed her to play in the great tragedy of the decline and fall of the Roman administration. If I have succeeded in this I am amply repaid for all the labour the book has cost me. The principal sources, both ancient and modern, which I have consulted in the preparation of this volume have been cited, but I must here acknowledge the special debt I owe to the late Dr. Hodgkin, to Professor Diehl, to Dr. Corrado Ricci, and to the many contributors to the various Italian Bollettini which I have ransacked. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.