Ravenna

A riveting history of the city that led the West out of the ruins of the Roman Empire At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites the history of East and West in the Mediterranean world before the rise of Islam and shows how, thanks to Byzantine influence, Ravenna played a crucial role in the development of medieval Christendom. Drawing on deep, original research, Herrin tells the personal stories of Ravenna while setting them in a sweeping synthesis of Mediterranean and Christian history. She narrates the lives of the Empress Galla Placidia and the Gothic king Theoderic and describes the achievements of an amazing cosmographer and a doctor who revived Greek medical knowledge in Italy, demolishing the idea that the West just descended into the medieval "Dark Ages." Beautifully illustrated and drawing on the latest archaeological findings, this monumental book provides a bold new interpretation of Ravenna's lasting influence on the culture of Europe and the West.

This translation makes this fascinating text accessible for the first time to an English-speaking audience. A substantial introduction to Agnellus and his composition of the text is included along with a full bibliography

A comprehensive survey of Ravenna's history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and interpretations of art works.

'Magisterial - an outstanding book that shines a bright light one of the most important, interesting and under-studied cities in European history. A masterpiece.' Peter Frankopan 'A wonderful new history of the Mediterranean from the fifth to eighth centuries through a lens focussed on Ravenna, gracefully and clearly written, which reconceptualises what was 'East' and what was 'West'.' Caroline Goodson 'A masterwork by one of our greatest historians of Byzantium and early Christianity. Judith Herrin tells a story that is at once gripping and authoritative and full of wonderful detail about every element in the life of Ravenna. Impossible to put down.' David Freedberg In 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy. In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the pivot between East and West; and the meeting place of Greek, Latin, Christian and barbarian cultures. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe. While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

A thoughtful consideration of medieval narrative method

In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.

This book provides new impetus to the study of female art in regional areas. It will expand research beyond studies of women’s lives, careers, socio-political patronage, and specific gender issues to look at emblematic, historical, and spiritual aspects of their work. Through an analysis of the paintings of Barbara Longhi, the book reveals the importance of devotional art and the ample creativity of female painters. It highlights the importance of Longhi’s artistic contribution in the study of iconography and iconology on art and devotion in some of her paintings. Although there is limited information about her personal life, through the records of her two Wills and Testaments, we learn about her administrative ability, family dedication, and, most of all, about her Christian religiosity and devotion to the Virgin Mary (La Madonna).