Reading Derrida And Ricoeur

Offers a constructive new approach to the debate between hermeneutics and deconstruction.

Imagination and Chance illuminates the different philosophical projects that animate Ricoeur's hermeneutics and Derrida's deconstruction. Basic concepts in Ricouer such as discourse, metaphor and symbol, and tradition are examined, and texts by Derrida including "White Mythology," Introduction to Husserl's The Origin of Geometry, and "The Double Session" are analyzed. The book also includes a previously untranslated round table discussion between Ricoeur and Derrida.

In Reading Ricoeur, fourteen well-known scholars interpret, evaluate, and criticize the works of Paul Ricoeur, one of the twentieth century's most important and far-reaching philosophers. The contributors discuss Ricoeur's entire philosophical career: from his existentialist-phenomenology of the 1940s and '50s; his hermeneutics and critique of structuralism in the 1960s and '70s; his narrative and moral philosophy of the 1980s; his political and legal philosophy of the 1990s; his recent work on memory, forgiveness, and recognition; as well as his enduring interests in religious language and the problem of evil. The contributors not only explain the central concepts and structures of Ricoeur's philosophy, but they also bring him into dialogue with his contemporaries, including Sartre, Heidegger, Gadamer, Habermas, Rawls, and Lyotard. Reading Ricoeur demonstrates the central role of Paul Ricoeur in the development of twentieth-century philosophy.

Phenomenology or Deconstruction? challenges traditional understandings of the relationship between phenomenology and deconstruction through new readings of the work of Maurice Merleau-Ponty, Paul Ricur and Jean-Luc Nancy. A constant dialogue with Jacques Derrida's engagement with phenomenological themes provides the impetus to establishing a new understanding of 'being' and 'presence' that exposes significant blindspots inherent in traditional readings of both phenomenology and deconstruction. In reproducing neither a stock phenomenological reaction to deconstruction nor the routine deconstructive reading of phenomenology, Christopher Watkin provides a fresh assessment of the possibilities for the future of phenomenology, along with a new reading of the deconstructive legacy. Through detailed studies of the philosophy of Merleau-Ponty, Ricur and Nancy, he shows how a phenomenological tradition much wider and richer than Husserlian or Heideggerean thought alone can take account of Derrida's critique of ontology and yet still hold a commitment to the ontological. This new reading of being and presence fundamentally re-draws our understanding of the relation of deconstruction and phenomenology, and provides the first sustained discussion of the possibilities and problems for any future 'deconstructive phenomenology'.

In Ricoeur's Critical Theory, David M. Kaplan revisits the Habermas-Gadamer debates to show how Paul Ricoeur's narrative-hermeneutics and moral-political philosophy provide a superior interpretive, normative, and critical framework. Arguing that Ricoeur's unique version of critical theory surpasses the hermeneutic philosophy of Gadamer, Kaplan adds a theory of argumentation necessary to criticize false consciousness and distorted communication. He also argues that Ricoeur develops Habermas's critical theory, adding an imaginative, creative dimension and a concern for community values and ideas of the Good Life. He then shows how Ricoeur's political philosophy steers a delicate path between liberalism, communitarianism, and socialism. Ricoeur's version of critical theory not only identifies and criticizes social pathologies, posits Kaplan, but also projects utopian alternatives for personal and social transformation that would counter and heal the effects of unjust societies. The author concludes by applying Ricoeur's critical theory to three related problems—the politics of identity and recognition, technology, and globalization and democracy—to show how his works add depth, complexity, and practical solutions to these problems.

In this important and original book, Johann Michel paves the way for a greater understanding of Paul Ricoeur's philosophy by exploring it in relation to some major figures of contemporary French thought—Bourdieu, Derrida, Deleuze, Foucault and Castoriadis. Although the fertile dialogue between Ricoeur and various structuralist thinkers is well documented, his position in relation to the post-structuralist movement is less-widely understood. Does Ricoeur's philosophy stand in opposition to post-structuralism in France or, on the contrary, is it in fact a unique variation of that movement? This book defends the latter statement. Michel speaks of post-structuralisms in the plural form and engages them in a dynamic confrontation between Ricoeur and his contemporaries in the French intellectual scene. The result is a better understanding of Ricoeur's thought and also of the distinctive issues that emerge through confrontation between Ricoeur and each of these post-structuralist thinkers.

In the English-speaking world, Jacques Derrida’s writings have most influenced the discipline of literary studies. Yet what has emerged since the initial phase of Derrida’s influence on the study of English literature, classed under the rubric of deconstruction, has often been disowned by Derrida. What, then, can Derrida teach us about literary language, about the rhetoric of literature, and about questions concerning style, form, and structure? The Derrida Reader draws together a number of Derrida’s most interesting and idiosyncratic essays that treat literary language, the idea of the literary, and questions of poetics and poetry. The essays discuss single tropes or concepts, a figure such as metaphor, the ideas of titles and signatures, proper names, and Derrida’s thinking on such subjects as undecidability or aporia. The editor’s introduction is a demonstration in practice of how Derrida reads and how he adapts the act of reading to the text or figure in question. The introduction also outlines each essay’s main points, its usefulness for reading literary texts, and its particular area of interest. The Derrida Reader thus provides students of literature with a focused, contextualized, and readily understandable volume.