Reading Southern History

This collection of essays examines the contributions of some of the most notable interpreters of American southern history and culture. The volume includes 18 chapters on such notable historians as John Hope Franklin, Anne Firor Scott and W.J. Cash.

In this book Woodward brilliantly addresses the interrelated themes of Southern identity, Southern distinctiveness, and the strains of irony that characterize much of the South's historical experience.

Franklin D. Roosevelt once described the South as "the nation's number one economic problem." These twelve original, interdisciplinary essays on southern indigence between the World Wars share a conviction that poverty is not just a dilemma of the marketplace but also a cultural and political construction. Although previous studies have examined the web of coercive social relations in which sharecroppers, wage laborers, and other poor southerners were held in place, this volume opens up a new perspective. These essays show that professed forces of change and modernization in the South--writers, photographers, activists, social scientists, and policymakers--often subtly upheld the structures by which southern labor was being exploited. Planters, politicians, and others who enforced the southern economic and social status quo not only relied on bigotry but also manipulated deeply held American beliefs about sturdy yeoman nobility and the sanctity of farm and family. Conversely, any threats to the system were tarred with the imagery of big cities, northerners, and organized labor. The essays expose vestiges of these beliefs in sources as varied as photographs from the Farm Security Administration, statistics for incarceration and child labor, and the writings of Grace Lumpkin, Ellen Glasgow, and Erskine Caldwell. This volume shows that those who work to eradicate poverty--and even victims of poverty themselves--can hesitate to cross the line of race, gender, memory, or tradition in pursuit of their goal.

Americans wrote fiercely during the Civil War. War surprised, devastated, and opened up imagination, taking hold of Americans' words as well as their homes and families. The personal diary—wildly ragged yet rooted in day following day—was one place Americans wrote their war. Diaries, then, have become one of the best-known, most-used sources for exploring the life of the mind in a war-torn place and time. Delving into several familiar wartime diaries kept by women of the southern slave-owning class, Steven Stowe recaptures their motivations to keep the days close even as war tore apart the brutal system of slavery that had benefited them. Whether the diarists recorded thoughts about themselves, their opinions about men, or their observations about slavery, race, and warfare, Stowe shows how these women, by writing the immediate moment, found meaning in a changing world. In studying the inner lives of these unsympathetic characters, Stowe also explores the importance—and the limits—of historical empathy as a condition for knowing the past, demonstrating how these plain, first-draft texts can offer new ways to make sense of the world in which these Confederate women lived.

This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.