Real Austin

Christianity is simple. Love God. Love your neighbor. The rest is commentary. Simple in theory becomes much more difficult when your neighbor is a man in a dress who stinks like urine and a decaying, unwashed body. And yet, that's exactly who you find on a downtown bus: the homeless, the unsavory, the just plain weird. Drawing on the wisdom of the Desert Fathers and Mothers, this book explores one woman's complex and ambivalent interactions with the homeless. Stories about a persistent failure to acknowledge and honor the humanity of the homeless are evidence of the pervasive reality of human sin. But at the same time, there are moments of genuine kindness and humanity that stand as reminders that God brings new life from the brokenness of sin. These stories of days spent on a downtown bus move from unflinching self-reflection to a new awareness of God's presence. This is where the abstract becomes local, and where theology finally gets real.

This book presents fresh perspectives on the context and significance of Austin's philosophies of language, truth, perception, and knowledge.

This is the first major study of J. L. Austin's philosophy in decades. Leading philosophers show the relevance of his work to current debates including scepticism and contextualism, the epistemology of testimony, and the semantics/pragmatics distinction. They demonstrate why Austin's work is of continuing value and interest to philosophers today

J. L. Austin (1911-1960) exercised in Post-war Oxford an intellectual authority similar to that of Wittgenstein in Cambridge. Although he completed no books of his own and published only seven papers, Austin became through lectures and talks one of the acknowledged leaders in what is called ‘Oxford philosophy’ or ‘ordinary language philosophy’. Few would dispute that among analytic philosophers Austin stands out as a great and original philosophical genius. Three volumes of his writing, published after his death, have become classics in analytical philosophy: Philosophical Papers; Sense and Sensibilia; and How to Do Things with Words. First published in 1969, this book is a collection of critical essays on Austin’s philosophy written by well-known philosophers, many of whom knew Austin personally. A number of essays included were especially written for this volume, but the majority have appeared previously in various journals or books, not all easy to obtain.

Looking at the work of J.L. Austin, who subjected language to a close and intense analysis, this book deals with his examination of the various things we do with words, and with the philosophical insights he believed could be gained by closely examining the uses of words by non-philosophers.

In Words, Deeds, Bodies, Jerry H. Gill seeks to connect the thought of L. Wittgenstein, J. L. Austin, M. Merleau-Ponty, and M. Polanyi in relation to the intersection between language and embodiment.

Austin City Limits is the longest running musical showcase in the history of television, and it still captivates audiences forty years after its debut on the air. From Willie Nelson's legendary pilot show and his fourteen magical episodes running through the years to Season 35, to mythical performances of BB King and Stevie Ray Vaughn, to repeat appearances from Chet Atkins, Bonnie Raitt and Ray Charles, and recent shows with Mumford & Sons, Arcade Fire and The Decemberists, the show has defined popular roots music and indie rock. This is why country rocker Miranda Lambert -- relatively unknown when she taped a show almost a decade ago -- gushed to the studio audience, "Now I know I have arrived!" Austin City Limits: A History tells this remarkable story. With unprecedented access behind the scenes at the tapings of shows with Gillian Welch and David Rawlings, Mos Def, Wilco, and many more, author Tracey Laird tells the story of this landmark musical showcase whose history spans dramatic changes in the world of television, the expansion of digital media, and the ways in which we experience music. Beginning as a simple weekly broadcast, it is today a multifaceted "brand" in contemporary popular music, existing simultaneously as a program available for streaming, a presence on Twitter and other social media, a major music festival, and a state-of-the-art performance venue. Laird explores the ways in which the show's evolution has driven, and been driven by, both that of Austin as the "Live Music Capital of the World," and of U.S. public media as a major player in the dissemination and sponsorship of music and culture. Engagingly written and packed with anecdotes and insights from everyone from the show's producers and production staff to the musicians themselves, Austin City Limits: A History gives us the best seat in the house for this illuminating look at a singular presence in American popular music. Timed to publish with the airing of Austin City Limits 2014 -- the 40th anniversary celebratory broadcast featuring an all-star lineup of musicians including the Foo Fighters, Willie Nelson, Sheryl Crow, and others -- here is a book for all fans of this beloved music institution.

Mary Hunter Austin (1868-1934) is often referred to as an important American writer of the early decades of the 20th century, with much of her work concerning nature and Native American culture. Hunter Austin was also considered to be one of the early feminist writers, whose works had an impact on the redefinition of gender roles during the First World War. This study examines the feminist perception of her later years, connecting feminist history to questions related to memory through a study of literature, politics, and interpretations of the past (both feminist and gendered). It demonstrates how far the perception and remembrance of the past are determined by later agendas and considerations. This work is an insightful and detailed study, meant to expand knowledge within the field of collective memory about Mary Hunter Austin’s life and work alike. This book is intended for those with a general interest in feminism, socialism, World War One and gender issues. Academics and specialists in the field will value new research on a crucial figure in American literary history.