Reason In A Dark Time

From the 1992 Rio Earth Summit to the 2009 Copenhagen Climate Conference there was a concerted international effort to stop climate change. This book is about what climate change is, why we failed to stop it, and why it still matters what we do.

Peter, a teacher at Minnesota's Wanekia High School, discovers a dark side to his nature when he finds himself morbidly fascinated with the reactions of his community to the murders of three teenage girls.

“[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes” (Vice). A book as powerful and influential as Rebecca Solnit’s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. “One of the best books of the 21st century.” —The Guardian “No writer has better understood the mix of fear and possibility, peril and exuberance that’s marked this new millennium.” —Bill McKibben, New York Times–bestselling author of Falter “An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.” —The New Yorker

An anthology whose theme is the insanity of war, this volume draws on the literature of the past twenty-five hundred years--poets from Sappho to Robert Lowell, historians from Thucydides to Edward Thompson, and dreamers from St. John the Divine to Bob Dylan

In this rich collection, bestselling author Adam Hochschild has selected and updated over two dozen essays and pieces of reporting from his long career. Threaded through them all is his concern for social justice and the people who have fought for it. The articles here range from a California gun show to a Finnish prison, from a Congolese center for rape victims to the ruins of gulag camps in the Soviet Arctic, from a stroll through construction sites with an ecologically pioneering architect in India to a day on the campaign trail with Nelson Mandela. Hochschild also talks about the writers he loves, from Mark Twain to John McPhee, and explores such far-reaching topics as why so much history is badly written, what bookshelves tell us about their owners, and his front-row seat for the shocking revelation in the 1960s that the CIA had been secretly controlling dozens of supposedly independent organizations. With the skills of a journalist, the knowledge of a historian, and the heart of an activist, Hochschild shares the stories of people who took a stand against despotism, spoke out against unjust wars and government surveillance, and dared to dream of a better and more just world.

"What was gunpowder?" Trivial. What was electricity? Meaningless. This atomic bomb is the Second Coming in wrath." - Winston Churchill, July 1945 Commencing earnestly in the1960s, the American novel began its exploration into how mankind could adjustto life in the shadow of the mushroom cloud, how we could begin to think aboutthe Unthinkable. American writers faced squarely the age birthed by nuclearphysics and found in its very darkness difficult avenues to hope byrediscovering that most potent, traditional response to a history in crisis:the apocalyptic temper. Dewey focuses on seven novelsthat touch the variety of generic experiments and postures of the post-WorldWar II American novel. These novels by Vonnegut, Coover, Percy, Pynchon,Gaddis, and DeLillo represent a significant argument concerning the Americanliterary response to living within the oppressive technologies of the NuclearAge. Departing from other studies that veer toward speculative fiction ortoward the more narrowly defined religious angles, In a Dark Time defines the apocalyptic temper as a most traditionalliterary genre that articulates the anxieties of a community in crisis, a wayfor that community to respond to the perception of a history gone critical byturning squarely to that history and to find, in that gesture, the way toward agenuine hope. Dewey's new approach consistsof applying the theory of apocalyptic literature to a body of essentiallysecular writings. Dewey resists the traditional approach - studying worksdealing with nuclear devastation - to focus on how a generation of literaryresponses have dealt with the larger questions about how to live with therecognition of End times. Dewey convincingly demonstrates that this literaturereminds its moments in history that only in a dark time will the eye begin tosee.

Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading. Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of their work, the laws of desire defined their expression. This is an intimate encounter with Mann, Baldwin, Bishop, and with the contemporary poets Thom Gunn and Mark Doty. Through their work, Tóibín is able to come to terms with his own inner desires—his interest in secret erotic energy, his admiration for courageous figures, and his abiding fascination with sadness and tragedy. Tóibín looks both at writers forced to disguise their true experience on the page and at readers who find solace and sexual identity by reading between the lines.

In Love in a Dark Time, Colm Tóibín looks at the life and work of some of the greatest and most influential artists of the nineteenth and twentieth centuries. His subjects range from figures such as Oscar Wilde, born in the 1850s, to Pedro Almodóvar, born nearly a hundred years later. Tóibín studies how a changing world impacted on the lives of people who, on the whole, kept their homosexuality hidden, and reveals that the laws of desire changed everything for them, both in their private lives and in the spirit of their work.