Reassembling The Strange

This book examines how Westerners understood and processed Madagascar and its environment during the nineteenth century. Madagascar’s unique ecosystem crafted its reputation as a strange place full of unusual species. Westerners, however, often minimized Madagascar’s peculiar features to stress the commonality of its fauna and flora with the world. The attempt to understand the island through science led to a domestication of its environment that created the image of a tame and known world capable of being controlled and used by Western powers. At the heart of the exploration of Madagascar and its transformation in Western eyes from a strange world to a cash crop colony were missionaries and naturalists who relied upon global experiences to master the island by normalizing the peculiar qualities of Madagascar’s environment. This book reveals how the environment played a dominant role in understanding the island and its people, and how current environmental debates have evolved from earlier policies and discussions about the environment.

This book analyzes the roots of one of the main human activities that can be developed in natural and agricultural ecosystems: tourism. Attention to natural and agricultural ecosystems and their conservation has intensified in recent decades, responding to increasing social sensitivity to the environment, as also witnessed by Agenda 2030. The book explores the development of tourism in natural and agricultural ecosystems in the eighteenth and nineteenth centuries, when some of its essential features derived from the practices of exploration, scientific study, business, healing practices, and also a desire for personal growth. This research is intended to open up international scholarly debate and discussion and draw in contributions from all disciplines and geographical areas. In addition, it intends to add an important piece to the mosaic of international literature that has rarely considered the origins of nature and rural tourism in an array of practices not always embodying a stated intent of recreation. This book is based on handwritten documents and travelogues circulating during the period in question. Most of the travel experiences analyzed regard men and women of European descent, but their travels were global, with ecosystems considered on all populated continents. This volume is essential reading for students and scholars alike interested in tourism history and the history of science and travel.

How does a privileged, eighteen year old end up in prison, convicted of one of the rarest of crimes--matricide? The literary nonfiction Stranger to the Truth explores the fatal intersection in the lives of Noura Jackson, her circle of dissolute Memphis friends, and the death of Nouras mother, Jennifer, on the eve of a popular outdoor festival. The brutal attack seemed to reflect personal and exponential rage. Tragedy stalked Noura. Her father was fatally shot when she was seventeen. A mystery never solved. A year later an auto accident claimed her best friend. Both mother and daughter were reeling from shock, grief, and confusion. The tension between them escalated until Nouras difficult teenage years yielded to something much darker. More than a whodunit, this fact-based account tells a spellbinding tale of impetuous youth and a single parent who too late assumes the role of disciplinarian, saying no to the demands of her daughter who will not listen. Weaving multiple points of view, back stories, and extensive research, Stranger to the Truth corrals a timely, complex story in an absorbing narrative. Praise for Stranger to the Truth In Stranger to the Truth, Ms. Hickman has taken a local tragedy and, with eloquence and empathy, given it universal application. The reader will find not only a gripping story, but also a moving exploration of the shadows that dwell within us all. --Howard Bahr, author of The Black Flower, The Year of Jubilo, and The Judas Field

Reassembling the Social is a fundamental challenge from one of the world's leading social theorists to how we understand society and the 'social'. Bruno Latour's contention is that the word 'social', as used by Social Scientists, has become laden with assumptions to the point where it has become misnomer. When the adjective is applied to a phenomenon, it is used to indicate a stablilized state of affairs, a bundle of ties that in due course may be used to account for another phenomenon. But Latour also finds the word used as if it described a type of material, in a comparable way to an adjective such as 'wooden' or 'steely'. Rather than simply indicating what is already assembled together, it is now used in a way that makes assumptions about the nature of what is assembled. It has become a word that designates two distinct things: a process of assembling; and a type of material, distinct from others. Latour shows why 'the social' cannot be thought of as a kind of material or domain, and disputes attempts to provide a 'social explanations' of other states of affairs. While these attempts have been productive (and probably necessary) in the past, the very success of the social sciences mean that they are largely no longer so. At the present stage it is no longer possible to inspect the precise constituents entering the social domain. Latour returns to the original meaning of 'the social' to redefine the notion, and allow it to trace connections again. It will then be possible to resume the traditional goal of the social sciences, but using more refined tools. Drawing on his extensive work examining the 'assemblages' of nature, Latour finds it necessary to scrutinize thoroughly the exact content of what is assembled under the umbrella of Society. This approach, a 'sociology of associations', has become known as Actor-Network-Theory, and this book is an essential introduction both for those seeking to understand Actor-Network Theory, or the ideas of one of its most influential proponents.

Heroes and heroic discourse have gained new visibility in the twenty-first century. This is noted in recent research on the heroic, but it has been largely ignored that heroism is increasingly a global phenomenon both in terms of production and consumption. This edited collection aims to bridge this research void and brings together case studies by scholars from different parts of the world and diverse fields. They explore how transnational and transcultural processes of translation and adaptation shape notions of the heroic in non-Western and Western cultures alike. The book provides fresh perspectives on heroism studies and offers a new angle for global and postcolonial studies.

Strange Sects and Curious Cults, first published in 1961, is a well-written overview of a number of important religious sects and cults. Author Marcus Bach divides these into three categories: the sex sects, conscience cults, and the utopianists. The first group includes ancient Baalism of Mesopotamia, Osirism of Egypt, Shivism of India, and more recently, Voodoo of Africa and the New World. The Conscience Cults include the Penitentes, Apocalypticists, Father Divine of Harlem, the Oxford Groupers, and Psychiana. The section on Utopians includes the now-vanished Russian Doukhobors, followed by the Shakers, Amanas, Hutterites, and Mormons. For anyone looking for a good introduction to offbeat religious groups, Strange Sects and Curious Cults will provide a useful background and serve as a basis for further research.

An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley's novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns. Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan's recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden's The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh's Mary Shelley's Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.