Rebecca West Today

Almost the entire corpus of West's fiction receives attention in this volume (with the exception of The Thinking Reed, which is in itself a telling fact)."--Jacket.

Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals. Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.

A travelogue and historical exploration of Mexico from one of the twentieth century’s greatest travel writers Dame Rebecca West travels through Mexico and explores its people, history, religion, and culture in her unfinished work Survivors in Mexico, carefully stitched together by Bernard Schweizer in this posthumously published edition. West tackles the country’s broad historical legacy—the Spanish conquest and Mexican revolution, the muralist movement, race relations, and contemporary life—and delves into the personal, intimate lives of key figures such as Hernán Cortés, Montezuma, Dr. Atl, Diego Rivera, and Leon Trotsky. Conceived as a companion to West’s masterful classic Black Lamb and Grey Falcon, this book showcases the complexity of West’s character, addresses the paradoxes inherent in her work, and allows for a mature understanding of her ideology. This ebook features an illustrated biography of Rebecca West featuring rare photos and never-before-seen documents from the Department of Special Collections and University Archives, McFarlin Library, at the University of Tulsa.

The Return of the Soldier recounts the return of the shell shocked Captain Chris Baldry from the trenches of the First World War from the perspective of his cousin Jenny. The novel grapples with the soldier's return from World War I with mental trauma and its effects on the family, and sheds light on their fraught relationships. The successful treatment of the traumatised returned soldier is a fundamental element of The Return of the Soldier. Unlike Virginia Woolf's Mrs Dalloway and Dorothy L. Sayers' The Unpleasantness at the Bellona Club, this novel lends certain optimism that the soldier can be reintegrated into society. The novel was adapted into a film of the same name in 1982. Excerpt: "That day its beauty was an affront to me, because, like most Englishwomen of my time, I was wishing for the return of a soldier. Disregarding the national interest and everything else except the keen prehensile gesture of our hearts toward him, I wanted to snatch my Cousin Christopher from the wars and seal him in this green pleasantness his wife and I now looked upon. Of late I had had bad dreams about him. By nights I saw Chris running across the brown rottenness of No-Man's-Land..."

After completing his biography of Rebecca West in 1995, Carl Rollyson felt bereft. As his wife said, "Rebecca was such good company." He had already embarked on another biography, but Rebecca kept beckoning him. He felt there was more to say about her politics-a misunderstood part of her repertoire as reporter and novelist. And had he done justice to her enormous sense of fun and humor? He regretted excising the portrait of her he wanted to put at the beginning of his biography. His editor kept cutting away at what he called Rollyson's doorstop of a book. And then after years of waiting, Rollyson received her FBI file. He kept running into Rebecca, so to speak, when he was working on his biographies of Martha Gellhorn and Jill Craigie. Interviews in London often turned up people who had known West as well. Thus piece by piece, Rollyson accumulated what is now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She is one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.

From the time that George Bernard Shaw remarked that “Rebecca West could handle a pen as brilliantly as ever I could and much more savagely,” West’s writings and her politics have elicited strong reactions. This collection of her letters—the first ever published—has been culled from the estimated ten thousand she wrote during her long life. The more than two hundred selected letters follow this spirited author, critic, and journalist from her first feminist campaign for women’s suffrage when she was a teenager through her reassessments of the twentieth century written in 1982, in her ninetieth year. The letters, which are presented in full, include correspondence with West’s famous lover H. G. Wells and with Shaw, Virginia Woolf, Emma Goldman, Noel Coward, and many others; offer pronouncements on such contemporary authors as Norman Mailer, Nadine Gordimer, and Arthur Schlesinger, Jr.; and provide new insights into her battles against misogyny, fascism, and communism. West deliberately fashions her own biography through this intensely personal correspondence, challenging rival accounts of her groundbreaking professional career, her frustrating love life, and her tormented family relations. Engrossing to read, the collection sheds new light on this important figure and her social and literary milieu.

Rebecca West was a leading figure in the twentieth century literary scene. A passionate suffragist, socialist, fiercely intelligent, Rebecca West began her career as a writer with articles in The Freewoman and The Clarion. Her first book, a biography of Henry James, was published when she was only twenty–four, and her first novel followed just two years later. She had a notorious affair with H.G. Wells, and their illegitimate son, Anthony, was born at the beginning of the First World War. The author of several novels, she is perhaps best remembered for her classic account of pre–war Yugoslavia, Black Lamb, Grey Falcon (published by Macmillan in 1941 and as relevant today as it was sixty years ago) and for her coverage of the Nuremberg Trials. When she died in 1983 at the age of 90, William Shawn, then editor–in–chief of the New Yorker, said: "Rebecca West was one of the giants and will have a lasting place in English literature. No one in this century wrote more dazzling prose, or had more wit, or looked at the intricacies of human character and the ways of the world more intelligently." Formidably talented, West was a towering figure in the British literary landscape. Lorna Gibb's vivid and insightful biography affords a dazzling insight into her life and work.

A collection of Rebecca West’s early journalistic writings reveals her clarity of mind, severity of wit, and relevancy in today’s modern world In this collection of early writings, beginning when Rebecca West was just eighteen years old, Jane Marcus sheds light on one of the foremost feminist and political thinkers of our time. West’s essays, reviews, and public correspondence tackle many subjects, including politics, suffrage, education, morality and ethics, the arts, and social figures of the day. Her writings offer a glimpse of the real Rebecca—not some stuffy suffragette, but a vibrant, funny, provocative, and brilliant woman whose determined pen strokes outwit her contemporaries and remain inspiring today. A feminist to the core, West parried with her readers, other writers, and a culture slow to accept change. This ebook features an illustrated biography of Rebecca West featuring rare photos and never-before-seen documents from the Department of Special Collections and University Archives, McFarlin Library, at the University of Tulsa.