Reclaiming The Sacred Source

Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.

Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.

This fully revised and updated third edition offers students and artists valuable insights into traditional color theory and its practical application using todayʼs cutting-edge technology. The text is lavishly illustrated, stressing issues of contemporary color use and examining how today’s artists and designers are using color in a multitude of mediums in their work. It is the only book that has parity between the male and female artists and designers represented, while containing more multicultural and global examples of art and design than any other text. This book begins with how we see color and its biological basis, progressing to the various theories about color and delving into the psychological meaning of color and its use. There are individual chapters on color use in art and design, as well as global and multicultural color use. One chapter investigates cross cultural life events such as marriages and funerals, while examining the six major religions’ conceptual and psychological underpinnings of color use. The final chapter explores the future of color. Contemporary Color is the ideal text for color theory courses, but also for beginning art and design students, no matter what their future major discipline or emphasis may be. It provides the foundation on which to build their career and develop their own personal artistic voice and vision.

BEARING WITNESS IS A STORY ABOUT HOPE, a statement of faith in the human spirit. By dint of circumstance, it is two stories rolled into one. On the one hand, it is the tale of how volunteerism became the most necessary and reliable response to the political problems caused by AIDS and, on the other, it is a chronicle of how the gay community mobilized itself in the service of transformation to contain and resolve the social, psychological, and spiritual issues that the disease raised.

Multiple Hopewellian monumental earthwork sites displaying timber features, mortuary deposits, and unique artifacts are found widely distributed across the North American Eastern Woodlands, from the lower Mississippi Valley north to the Great Lakes. These sites, dating from 200 b.c. to a.d. 500, almost define the Middle Woodland period of the Eastern Woodlands. Joseph Caldwell treated these sites as defining what he termed the “Hopewell Interaction Sphere,” which he conceptualized as mediating a set of interacting mortuary-funerary cults linking many different local ethnic communities. In this new book, A. Martin Byers refines Caldwell’s work, coining the term “Hopewell Ceremonial Sphere” to more precisely characterize this transregional sphere as manifesting multiple autonomous cult sodalities of local communities affiliated into escalating levels of autonomous cult sodality heterarchies. It is these cult sodality heterarchies, regionally and transregionally interacting—and not their autonomous communities to which the sodalities also belonged—that were responsible for the Hopewellian assemblage; and the heterarchies took themselves to be performing, not funerary, but world-renewal ritual ceremonialism mediated by the deceased of their many autonomous Middle Woodland communities. Paired with the cult sodality heterarchy model, Byers proposes and develops the complementary heterarchical community model. This model postulates a type of community that made the formation of the cult sodality heterarchy possible. But Byers insists it was the sodality heterarchies and not the complementary heterarchical communities that generated the Hopewellian ceremonial sphere. Detailed interpretations and explanations of Hopewellian sites and their contents in Ohio, Illinois, Indiana, and Georgia empirically anchor his claims. A singular work of unprecedented scope, Reclaiming the Hopewellian Ceremonial Sphere will encourage archaeologists to re-examine their interpretations.

This second edition explores the territory between gay - lesbian studies, literary criticism, and religious studies. The book examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. Texts being focused on are 'Paradise Regained' (Milton), 'Sodom' (Rochester), 'The Life to Come' (Forster), 'The Well of Loneliness' (Radclyffe Hall), 'Desert of the Heart' (Radclyffe Hall), 'Oranges are Not the Only Fruit' (Winterson), and 'Corpus Cristi' (McNally) among others.

Nobody imagined that a democratic struggle by ordinary Muslim women would hit patriarchy at its core and yield a great step forward towards gender justice. The ‘Haji Ali Case’ not only challenged the patriarchy within the Muslim community but it also created space for an alternative voice which was desperately trying to speak the language of equality, justice, and democracy. This struggle created space for an open debate on women’s rights and religion. A Muslim woman is a world citizen today. She has all the right to lead the change not just for herself or her community but for all humankind. This book captures the struggle to reclaim sacred spaces from patriarchal forces and hopes to inspire other similar movements led by women.