Recollections Of A Bleeding Heart

If he had never become Prime Minister Paul Keating's place in Australian history would still have been assured. He was the Treasurer who deregulated the economy; the weaver of Labor's modern story; its heavy weapon in the parliament. He was also the great enigma - a self-educated boy from Sydney's working class and a defining element of the head-kicking Labor right who loved Paris, Mahler and Second Empire clocks. Paul Keating did become Prime Minister. In December 1991 he wrested it from Bob Hawke and the bruises from that struggle were part of the baggage he brought to the job: the other parts included the worst recession in 60 years and an electorate determined to make him pay for it. Keating defied the odds and won the 1993 election, and in his four years as Prime Minister set Australia on a new course - towards engagement with Asia, a republic, reconciliation, a social democracy built on a modern export-based economy and sophisticated public systems of education and training, health and social security. Widely regarded as a quintessential economic rationalist, Keating's record clearly shows that his vision was infinitely broader and more complex. Don Watson was employed as Keating's speechwriter. Though a 'bleeding heart' liberal trained in history rather than economics, he became an advisor and friend to Keating. RECOLLECTIONS OF A BLEEDING HEART - based on notes Watson kept through the four turbulent and exhausting years of Keating's Prime Ministership - is a frank, sympathetic and engrossing portrait of this brilliant and perplexing man, and a unique reflection on modern politics. Recollections of a Bleeding Heart by Don Watson Sample Chapter(function() { var scribd = document.createElement("script"); scribd.type = "text/javascript"; scribd.async = true; scribd.src = "http://www.scribd.com/javascripts/embed_code/inject.js"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(scribd, s); })();

Award-winning and best-selling biography of Paul Keating with new content Introduced by Carmen Lawrence, former Premier of WA and senior minister in the Keating government. "Others have fair claim on the economic transformation of Australia, but Paul Keating's so-called 'big picture' vision, his political courage, the requisite luck and his gift for story-telling have earned him most of the credit. Certainly no one did more to bring about the successful economy we now enjoy - and inhabit. But history will just not behave. If this transformation not only brought economic growth and prosperity, but in some degree also laid the ground for the debasement of political debate to tin-eared sloganeering and second-hand managerialism, should he not share the credit for that as well?" From the Afterword by Don Watson. In December 1991 Paul Keating wrested the role of Prime Minister from Bob Hawke and the bruises from that struggle were part of the baggage he brought to the job: the other parts included the worst recession in 60 years and an electorate determined to make him pay for it. Keating defied the odds and won the 1993 election, and in his four years as Prime Minister set Australia on a new course - towards engagement with Asia, a republic, reconciliation, a social democracy built on a modern export-based economy and sophisticated public systems of education and training, health and social security. Widely regarded as a quintessential economic rationalist, Keating's record clearly shows that his vision was infinitely broader and more complex. Don Watson was employed as Keating's speechwriter. Based on the diaries Watson kept through the four turbulent and exhausting years of Keating's Prime Ministership, on its release Recollections of a Bleeding Heart was widely deemed a masterpiece. It is at once a groundbreaking 'inside' account of politics and a profound and extraordinarily frank study of the most intriguing and visionary politician in Australia's modern history. Now, when vision and character have all but vanished from politics, Don Watson's Recollections makes absorbing - and essential - reading.

Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald

No other writer has journeyed further into the soul of Australia and returned to tell the tale Watsonia collects the fruits of a writing life. It covers everything from Australian bush humour to America gone berserk; from Don Bradman to Oscar Wilde; from Animal Farm to the Australian parliament. Wherever Watson turns his incisive gaze, the results are as illuminating as they are enjoyable. Artfully arranged, Watsonia showcases the many sides of Don Watson: historian, speechwriter, commentator, humourist, nature writer and biographer. It also features several previously unpublished lectures and a wide-ranging introduction by the author. This comprehensive anthology – replete with wit, wisdom and diverse pleasures – is essential reading.

In a prose that is so beautiful it is poetry, we see the world of growing up and going somewhere through the dust and heat of Fresno's industrial side and beyond: It is a boy's coming of age in the barrio, parochial school, attending church, public summer school, and trying to fall out of love so he can join in a Little League baseball team. His is a clarity that rings constantly through the warmth and wry reality of these sometimes humorous, sometimes tragic, always human remembrances.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

Historian, essayist, speechwriter, humourist, anti-cant crusader; Don Watson has a gift for luring us to the nub of a matter, or at least to a new view of it, there to grin or grind our teeth at the spectacle. Over the years Don Watson has written on politics and politicians in Australia and the USA, sport, nature, history, culture, crimes against speech, and military commemorations. Sometimes he writes in celebration of a moment or a creature of beauty; at other times, because something or someone gets on his goat - or up it, as young folk say these days. At the heart of all of his work is the belief that, more than just about anything else - more even than free markets or lifestyle choices - in a civilized society words matter.