Recollections Of My Youth

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Recollections: Memories From My Youth By: Stan Bishop Recollections: Memories From My Youth is the detailed account of author Stan Bishop’s growing up in rural North Carolina during the 1940s, ’50s. and ’60s. He tells of a bygone era where boys would accomplish extraordinary things as part of their family chores, school, work, and play. He details the incredible work he and his three brothers accomplished in order to help their family from a young age. Bishop’s own recollections of the past are sure to spark some of your very own and perhaps even inspire you to record your own memories to be shared with future generations.

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

PREFACE. One of the most popular legends in Brittany is that relating to an imaginary town called Is, which is supposed to have been swallowed up by the sea at some unknown time. There are several places along the coast which are pointed out as the site of this imaginary city, and the fishermen have many strange tales to tell of it. According to them, the tips of the spires of the churches may be seen in the hollow of the waves when the sea is rough, while during a calm the music of their bells, ringing out the hymn appropriate to the day, rises above the waters. I often fancy that I have at the bottom of my heart a city of Is with its bells calling to prayer a recalcitrant congregation. At times I halt to listen to these gentle vibrations which seem as if they came from immeasurable depths, like voices from another world. Since old age began to steal over me, I have loved more especially during the repose which summer brings with it, to gather up these distant echoes of a vanished Atlantis. This it is which has given birth to the six chapters which make up the present volume. The recollections of my childhood do not pretend to form a complete and continuous narrative. They are merely the images which arose before me and the reflections which suggested themselves to me while I was calling up a past fifty years old, written down in the order in which they came. Goethe selected as the title for his memoirs "Truth and Poetry," thereby signifying that a man cannot write his own biography in the same way that he would that of any one else. What one says of oneself is always poetical. To fancy that the small details of one's own life are worth recording is to be guilty of very petty vanity. A man writes such things in order to transmit to others the theory of the universe which he carries within himself. The form of the present work seemed to me a convenient one for expressing certain shades of thought which my previous writings did not convey. I had no desire to furnish information about myself for the future use of those who might wish to write essays or articles about me. What in history is a recommendation would here have been a drawback; the whole of this small volume is true, but not true in the sense required-for a "Biographical Dictionary." I have said several things with the intent to raise a smile, and, if such a thing had been compatible with custom, I might have used the expression cum grano salis as a marginal note in many cases. I have been obliged to be very careful in what I wrote. Many of the persons to whom I refer may be still alive; and those who are not accustomed to find themselves in print have a sort of horror of publicity. I have, therefore, altered several proper names. In other cases, by means of a slight transposition of date and place, I have rendered identification impossible. The story of "the Flax-crusher" is absolutely true, with the exception that the name of the manor-house is a fictitious one. With regard to "Good Master Système," I have been furnished by M. Duportal du Godasmeur with further details which do not confirm certain ideas entertained by my mother as to the mystery in which this aged recluse enveloped his existence. I have, however, made no change in the body of the work, thinking that it would be better to leave M. Duportal to publish the true story, known only to himself, of this enigmatic character.

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Excerpt from Recollections of My Youth This it is which has given birth to the six chapters which make up the present volume. The recollections of my childhood do not pretend to form a complete and continuous narrative. They are merely the images which arose before me and the reflections which suggested themselves to me while I was calling up a past fifty years old, written down in the order in which they came. Goethe selected as the title for his memoirs Truth and Poetry, thereby signifying that a man cannot write his own biography in the same way that he would that of any one else. What one says of oneself is always poetical. To fancy that the small details of one's own life are worth recording is to be guilty of very petty vanity. A man writes such things in order to transmit to others the theory of the universe which he carries within himself. The form of the present w'ork seemed to me a convenient one for expressing certain shades of thought which my previous writings did not convey. I had no desire to furnish information about myself for the future use of those who might wish to write essays or articles about me. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.