Red Mitten Nationalism

When Canada hosted the 1976 Montreal Olympics, few Canadian spectators waved flags in the stands. By 2010, in the run-up to the Vancouver Olympics, thousands of Canadians wore red mittens with white maple leaves on the palms. In doing so, they turned their hands into miniature flags that flew with even a casual wave. Red Mitten Nationalism investigates this shift in Canadians’ displays of patriotism by exploring how common understandings of Canadian history and identity are shaped at the intersection of sport, commercialism, and nationalism. Through case studies of recent Canadian-hosted Olympic and Commonwealth Games, Estée Fresco argues that representations of Indigenous Peoples’ cultures are central to the way everyday Canadians, corporations, and sport organizations remember the past and understand the present. Corporate sponsors and games organizers highlight selective ideas about the nation’s identity, and unacknowledged truths about the history and persistence of Settler colonialism in Canada haunt the commercial and cultural features of these sporting events. Commodities that represent the nation – from disposable trinkets to carefully curated objects of nostalgia – are not uncomplicated symbols of national pride, but rather reminders that Canada is built on Indigenous land and Settlers profit from its natural resources. Red Mitten Nationalism challenges readers to re-evaluate how Canadians use sport and commercial practices to express their patriotism and to understand the impact of this expression on the current state of Indigenous-Settler relations.

When Canada hosted the 1976 Montreal Olympics, few Canadian spectators waved flags in the stands. By 2010, in the run-up to the Vancouver Olympics, thousands of Canadians wore red mittens with white maple leaves on the palms. In doing so, they turned their hands into miniature flags that flew with even a casual wave. Red Mitten Nationalism investigates this shift in Canadians’ displays of patriotism by exploring how common understandings of Canadian history and identity are shaped at the intersection of sport, commercialism, and nationalism. Through case studies of recent Canadian-hosted Olympic and Commonwealth Games, Estée Fresco argues that representations of Indigenous Peoples’ cultures are central to the way everyday Canadians, corporations, and sport organizations remember the past and understand the present. Corporate sponsors and games organizers highlight selective ideas about the nation’s identity, and unacknowledged truths about the history and persistence of Settler colonialism in Canada haunt the commercial and cultural features of these sporting events. Commodities that represent the nation – from disposable trinkets to carefully curated objects of nostalgia – are not uncomplicated symbols of national pride, but rather reminders that Canada is built on Indigenous land and Settlers profit from its natural resources. Red Mitten Nationalism challenges readers to re-evaluate how Canadians use sport and commercial practices to express their patriotism and to understand the impact of this expression on the current state of Indigenous-Settler relations.

Between the Brown and the Red captures the multifaceted nature of church-state relations in communist Poland, relations that oscillated between mutual confrontation, accommodation, and dialogue. Ironically, under communism the bond between religion and nation in Poland grew stronger. This happened in spite of the fact that the government deployed nationalist themes in order to portray itself as more Polish than communist. Between the Brown and the Red also introduces one of the most fascinating figures in the history of twentieth-century Poland and the communist world. In this study of the complex relationships between nationalism, communism, authoritarianism, and religion in twentieth-century Poland, Mikołaj Kunicki shows the ways in which the country’s communist rulers tried to adapt communism to local traditions, particularly ethnocentric nationalism and Catholicism. Focusing on the political career of Bolesław Piasecki, a Polish nationalist politician who began his surprising but illuminating journey as a fascist before the Second World War and ended it as a procommunist activist, Kunicki demonstrates that Polish communists reinforced an ethnocentric self-definition of Polishness and—as Piasecki’s case demonstrates—thereby prolonged the existence of Poland’s nationalist Right.

This book surveys the experiences of non-Russian USSR citizens both during and following the collapse of the Soviet Union.

In Painting Imperialism and Nationalism Red, Stephen Velychenko traces the first expressions of national, anti-colonial Marxism to 1918 and the Russian Bolshevik occupation of Ukraine. Velychenko reviews the work of early twentieth-century Ukrainians who regarded Russian rule over their country as colonialism. He then discusses the rise of "national communism" in Russia and Ukraine and the Ukrainian Marxist critique of Russian imperialism and colonialism. The first extended analysis of Russian communist rule in Ukraine to focus on the Ukrainian communists, their attempted anti-Bolshevik uprising in 1919, and their exclusion from the Comintern, Painting Imperialism and Nationalism Red re-opens a long forgotten chapter of the early years of the Soviet Union and the relationship between nationalism and communism. An appendix provides a valuable selection of Ukrainian Marxist texts, all translated into English for the first time.