Red Vienna White Socialism And The Blues

Reveals Ann Tizia Leitich, American correspondent for Austrian newspapers in the 1920s and 1930s, as an important cultural mediator between the two countries.

The current blockbuster German TV series Babylon Berlin introduces viewers to the tumultuous period in German history known as the Weimar Republic. Critics have praised the series for its relevance to the present: it shows dark populist forces undermining a fragile democracy. While Weimar Germany makes a fascinating backdrop, its story does not inspire much hope for our present-day political and cultural woes. A fascinating contrast is the Austrian capital, Vienna. After the First World War the former imperial city elected a Social Democratic majority that persisted into the 1930s. "Red Vienna" undertook large-scale experiments in public housing, hygiene, and education, while maintaining a world-class presence in music, literature, art, culture, and science. Though Red Vienna eventually fell victim to fascist violence, it left a rich legacy with potential to inform our own tumultuous times. The Red Vienna Sourcebook provides scholars and students with an encyclopedic selection of key documents from the period, carefully translated and introduced. The thirty-six chapters include primary works from canonical names such as Sigmund Freud and Arthur Schnitzler but also introductions to lesser-known figures such as sociologist K the Leichter and health-policy pioneer Julius Tandler. The documents will be of interest to such diverse disciplines as economics, architecture, music, film history, philosophy, women's studies, sports and body culture, and Jewish studies. Rob McFarland is Professor of German Literature, Film and Culture at Brigham Young University. Georg Spitaler is a researcher at the Austrian Labor History Society. Ingo Zechner is Director of the Ludwig Boltzmann Institute for Digital History.

Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.

The horrors of World War I left a mark on all of Europe as well as on the United States of America. Within the political, intellectual and academic life the catchphrase of international good will established itself. This term, rather this vision, must not be ignored in the context of the birth hour of the Austro-American Institute of Education, when international education was still in its infancy. The institute ́s founder, Paul Leo Dengler, seized an opportunity presented to him at the end of 1925 – apparently just in time amidst the pioneering spirit following World War I – to propose and present his Amerika-Institut in Vienna to leaders of the Institute of International Education in New York. Eventually, in March of 1926 the Austro-American Institute of Education (AAIE) was founded in Vienna. The idea of a comprehensive history of the AAIE is to shed light on the evolvement of some of the most significant intellectual forces that have been shaping international cultural relations over the past century. Volume I of AAIE ́s history takes a close look at the activities, programs, key-players and the bilateral mission of Dengler‘s institute during the years 1926 –1971.

Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a "Black Vienna" existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. While Red Viennese intellectuals mounted an impressive challenge in cultural and intellectual forums throughout the city, radical conservatism carried the day. Black Viennese intellectuals hastened the destruction of the First Republic, facilitating the establishment of the Austrofascist state and paving the way for Anschluss with Nazi Germany. Closely observing the works and actions of Viennese reformers, journalists, philosophers, and scientists, Wasserman traces intellectual, social, and political developments in the Austrian First Republic while highlighting intellectuals’ participation in the growing worldwide conflict between socialism, conservatism, and fascism. Vienna was a microcosm of larger developments in Europe—the rise of the radical right and the struggle between competing ideological visions. By focusing on the evolution of Austrian conservatism, Wasserman complicates post–World War II narratives about Austrian anti-fascism and Austrian victimhood.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1959.